Huai Su (737-799, once called 725-785), born in Lingling, Yongzhou (now Lingling, Hunan), was a calligrapher in the Tang Dynasty. He is famous for "Weeds" and is known as the "sage in the grass" in history. Being a monk since childhood, I like calligraphy after meditation. And Zhang Xu, collectively referred to as "Dian Zhang Kuang vulgar". Huai Su
Ou Yangxun was a famous calligrapher in the Tang Dynasty, and he had a special liking for the calligraphy of the two kings (Wang Xizhi and Wang Xianzhi). He bought Mo Bao of Wang Xizhi's father and son to study. One day, he saw the map of Gui Zhi that Wang Xizhi taught Wang Xianzhi. He bought it at a high price and kept it at home to watch and learn every day. He is often too happy to sleep all night. He studied it for a whole month until he understood the essence of Gui Zhi's diagram.
Xiao Fengxue wrote Feng Wei.
Xiao Feng was nicknamed Dark Lee. He was the twelfth son of the Emperor of Qi in the Southern Dynasties and was named King Jiangxia. He used to be assistant minister, Chang Qi, Xuzhou secretariat and secretary supervisor. When he was a child, he lived in Zhang's room and loved calligraphy. Zhang didn't have any paper to practice calligraphy for him, so he practiced calligraphy on the railing by the well. When the words are full, he washes them with water before writing. He gets up early every morning. No one is allowed to clean the dust on the window, but he practices writing on the window. So practice day after day and never stop. At the age of five, Gaudi sent someone to teach him to practice the font of "Feng Wei Nuo", and he learned it as soon as he learned it. Gaudi was so happy that he gave him the precious jade unicorn and humorously said to him, "This is the unicorn enjoying the phoenix tail!" " Feng Xiao later practiced harder and became a respected calligrapher. Web page link
Ou Yangxun lingered in front of the monument.
Ou Yangxun, a great calligrapher in the Tang Dynasty, was born in Linxiang, Chenzhou (now Changsha, Hunan). He practiced calligraphy very hard, learned from others, mastered eight kinds of calligraphy, and became his own family, known as "European style". On one occasion, when he returned from a mission, he rode through a field and found a stone tablet written by Suo Jing, a calligrapher of the Western Jin Dynasty, in the messy grass. He stopped to watch for a long time, unwilling to leave. After a few miles, I came back, dismounted and sat in front of the tablet to watch carefully, and realized the beauty of Suo Jing's cursive script. That night, he returned to his residence and stayed up all night thinking about the stone tablet he saw during the day. The next day, at dawn, he rode to the stone tablet again, trying to figure it out again and again, spreading out the papers and copying them one by one. In this way, he kept by the monument for three days and three nights, and he left happily until Suo Jing's cursive script was comprehensive and clear.
Ou Yangxun (557-64 1), a native of Linxiang (now Changsha, Hunan) in Tanzhou in the Tang Dynasty, was a famous calligrapher and official in the Tang Dynasty, one of the four masters of regular script, the grandson of Ouyang Li, the general of South Liang Zhengnan, and son of the general, the southern Chen. He was born in the second year of Liang Taiping in the Southern Dynasties (AD 557). Ou Yangxun, together with his contemporaries Yu Shinan, Chu Suiliang and Xue Qi, were called the four masters in the early Tang Dynasty. Because his son Ouyang Tong is also good at calligraphy, he is also called "Big Europe". He and Yu Shinan were both famous for their calligraphy in the early Tang Dynasty, also known as "Ou Yu". Later generations see danger in Chinese books, which is the most convenient for beginners and named "European style". Ouyang Xun
Ouyang Tong studies his father's books hard.
Ouyang Tong, a master of words. His fourth son, his father died when he was very young, and his mother Xu taught him to learn to inherit his father's calligraphy. Afraid of her son being lazy, she refused to learn calligraphy, so she often gave Ouyang Tong some money to buy the ink left by her father. After Ouyang Tong bought the ink, he studied the copy carefully like a treasure, and made up his mind that his own words could also be bought and collected like his father. After years of hard study, he really inherited his father's calligraphy, and people called their father and son's calligraphy "big and small Ouyang style".
Ouyang Tong (625 ~ 69 1) was a minister and calligrapher in the Tang Dynasty. The word Tong is from Linxiang (now Changsha, Hunan) in Tanzhou, Han nationality. Ou Yangxun. Lonely in his early years, his mother Xu taught his father books. At the beginning, he worshipped Lantaro, and Yi Fengzhong moved to Zhongshu Sheren to seal Bohai Gong. At the beginning, he was sentenced by the secretary, and two years later, he was killed for opposing the establishment of Wu as a prince. Working in the model, the book has the father's method and passed it steeply. Father and son are equally named, with the nickname "Ouyang". Handed down works include Master Daoyin's Monument and Epitaph of Spring Children. Ouyang Tong