Tong Liya plays the role of rich second generation. When I was a real estate agent selling a big house abroad, I met a rich woman at home. She stopped her several times when she wanted to pay the house. Finally, in front of the boss, she told the rich woman that someone had committed suicide in this house.
What kind of person is this? You can't buy a house if someone dies. Is it Feng Shui or superstition in China or what kind of rich second generation students are so stupid?
Without professional ethics and scientific values, IQ and EQ are zero, and the boss won't tell you who to drive.
She also thinks that she didn't hold back for a while and defended her compatriots. The question is where she didn't hold back for a while.
I think it's better to give up this drama set by the poor as soon as possible.
Huang Xuan's role is crisis public relations, but he is in a psychological crisis. This psychological quality is too weak. What kind of person should he be?
A friend pointed out to me that our law stipulates that intermediaries cannot conceal information about haunted houses. That's my fault, but I don't know if there is such a provision in American law, because the house purchase took place abroad.
Personally, as a staunch materialist proletarian fighter, I always find it ridiculous to say that there is a haunted house.
In order to express the character's sense of justice, the screenwriter can actually change the problem of hidden dangers in the house. Anyway, this bridge has made me feel incompetent.
Huang Xuan himself, I often heard him mention before, as a representative of the post-80s actor who was abused by young artists, has a kind heart and excellent acting skills. After the baptism of three plays: Translator, Entrepreneurial Age and Perfect Relationship, I want to say that he is a proper weather vane for me. He abused his resources, and his co-stars were actors from Sun Li, Yang Mi, AB and Tong Liya. How many were there in the seventies and eighties? This is called abuse. I don't know what resources are.
Most of the credit for Huang Xuanguang's highly acclaimed Massage and A Night Intoxicated by Spring Breeze should be attributed to Lou Ye. If you have to pin Lou Ye's talent on an actor, please like Qin Hao. After leaving Lou Ye, at least Crime Without a License is not bad.
I sincerely suggest that you don't choose films according to actors. It is much more reliable to choose films according to writers, directors and producers. If we have to choose films by actors, I think Guo Jingfei, Jaco, Wang Kai, Edward Zhang, Fu Dalong and Gu Zhixin are more reliable young actors.
By the way, after Huang Xuan blew up three cool contemporary elite-designed plays, I got a new understanding of Jindong's acting skills. He made BABA both convincing and attractive (in the eyes of some viewers). With this balance between exaggeration and realism, Jin Dong's basic skills in this respect are higher than Huang Xuan's by more than one level.