The first impression of people who have seen photos of Lao Cao is his simplicity. The same is true of Lao Cao in life. He doesn't talk much. He always wears a seven-point sincere and three-point serious smile. He speaks and does things with great strength, just like hoeing in the field. Lao Cao is also down-to-earth and unambiguous in his writing. Open your eyes in the morning, sit in front of the computer to write, open your eyes after a nap at noon, and then sit in front of the computer to write. When I lie in bed at night brewing sleep, I have to wander around the plot to be written tomorrow. In fact, Lao Cao didn't write quickly, so he slowly ground it down. By the end of the year, there was a thick stack of achievements on the table. People are amazed, but it is reasonable to think about it carefully.
A rich number of creations cannot be separated from a broad and profound writing soil. The writing resources occupied by Lao Cao are the big river where he grew up. Lao Cao also writes about city life, but the most stories he writes are about the big river bend. Those trifles in the countryside and those of parents have different flavors after his refining and combination, especially the works related to childhood are more prominent. The childhood life written by Lao Cao is interesting and special. Without personal experience and understanding, it is impossible to write life details full of texture. Now Lao Cao will return to Dahewan from time to time to watch the land that nourishes his literary life with a watchful attitude.
Speaking of Lao Cao's novels, I have to mention his novel language. Lao Cao made great efforts to ponder the language. His exquisite and sophisticated novel language greatly benefited from the tempering of poetry and short story language when he was young. Grass: I used to read Lao Cao's novels, but I only have a general impression. I didn't really appreciate the power of Lao Cao's language until I typed his manuscript sporadically. There is a publishing house to publish a collection of Lao Cao's short stories, and Lao Cao specially takes time to sort out his short stories. Some works are still written by hand and need to be input into a computer for editing into an electronic version. I typed faster than Lao Cao, so I naturally took part in the work. When I really typed the manuscript, I found that I had found myself a hard job. I changed several input methods, but I found that I can only type one word at a time and can't find ready-made phrases if I want to save trouble and be lazy. It can be seen that Lao Cao, who was quietly climbing the grid with a pen at that time, spent much effort on these words.
Watching movies is a new hobby that Lao Cao has cultivated in recent years. When I was in college, I went home in winter and summer vacations and watched movies with Lao Cao every night. At first, he looked at everything I wore. Gradually, Lao Cao began to be dissatisfied, from being critical of movies to being critical of me as a projectionist. One old and one young, tastes difficult to reconcile, and demands too much. I'm bored, too. I just built a folder in his computer, threw a bunch of movies on it, and let him choose to watch it. This is exactly what Lao Cao wants. He closed the door with his notebook and peeked. He doesn't have to fart behind me anymore, begging me to show a movie.
After several times, I was impatient. Lost, really lost. It was a great sense of accomplishment to show a movie to Lao Cao. Suddenly deprived of rights, I naturally feel all kinds of discomfort. Lao Cao is very good. He shows movies by himself. Sometimes after watching a movie, he walks out the door with an undisguised smile on his lips. This makes my heart itch more and more. Sometimes I really can't help but want to rub it over and watch it with him. Lao Cao shook his head and shook it again, and directly pushed me out of the door. When the movies in the folder are turned over and over, Lao Cao will come over again with a smile and say, "Daughter, copy some movies for me to see", which often makes me unable to refuse. So Lao Cao's ways to deal with me are always inexhaustible. In the face of such an old Cao, I always lose again and again, and I can only submit to humiliation.
I don't know when the word "Lao Cao" has quietly changed from an initial joke to a real description. In Lao Cao's own words, it was the moment he sent me to college that Lao Cao suddenly realized that he was really old. Of course, the word "old" has various explanations, which can be said to be the degradation of vitality and can also be linked with maturity and stability. Whatever the explanation, Lao Cao himself is absolutely dissatisfied with aging. This mentality is reflected in Lao Cao's novel creation, that is, he dares to try more and innovate more. His brain has been running at a high speed, thinking nothing but novels. His eyes rolled, maybe this is a new novel idea. In any case, it is his blessing and the blessing of readers that Lao Cao can continue to wander happily and work hard in the novel world. Attached:
Catalogue of Cao Duoyong's Main Works
Short stories:
Yang Man, Sunshine in April, 2004, selected novels in July, 2004, was selected in China Short Story 2005. 1, China Short Story 2005.38+0,21Century Short Story 2004.
My wife was a thief once, Yanhe, May 2004.
The Great Movement, Liaohe, May 2004.
The longing for spring, Zhengzhou Evening News, May 24, 2004.
Listening to the train, time, June 2004.
Father of the submerged era, contemporary, June 2004.
Chop you to death with one shovel, 2005 10 +0.
Happy Flowers, China Writers 2005. 1, Selected Novels 2005.3, Selected China Literature 2005.3, Selected China Short Stories 2005 2006.438+0, Selected China Short Stories 2005 2006.338+0.
Want to have a home, Red Bean 2005+0
Newly married in Xi 'an, young people studying, February 2005.
Talk, Tianya, March 2005, Novel Monthly, July 2005.
Wrong season, time, April 2005.
Heart knot, Yuhua, May 2005.
I did a great thing this winter, Yalu River, June 2005.
Residual significance, contemporary novels, August 2005.
News, Mangzhong, August 02, 2005
Mature autumn, red beans 2005 8+02
Grasping Grain, Literature and Art of the People's Liberation Army, 2005+02.
Good times in the city 2006. 1 urban novels 2006.2, selected stories 2006, selected short stories of China 2007. 1 selected short stories of China 2006 2007.6438+0 selected short stories of the 20th century 26538+
Women and Buddha, Yuhua, February 2006.
Beat him up, Hongyan, February 2006.
Tombstone of the soul, Mangyuan, February 2006.
Vegetables and Radish, Anhui Literature, March 2006.
Painful days, Anhui literature, March 2006.
Famine Moon, Sunshine, March 2006.
A flying bullet, modern novel, June 2006.
Zhang Mu's Marriage, Contemporary Novels, June 2006.
In July 2006, Shuo Fang, a leg flying in mid-air.
Bite you hard, Dianchi Lake, August 2006.
No one can tell, Dianchi Lake, August 2006.
Mrs. Pang, Yanhe 2007 8+0
Huaxin Lake Fish House, Guangzhou Literature and Art, June 2007.
Small bean sprouts and big garlic seedlings, Foshan literature and art, June 2007.
A moving tree, work, July 2007.
Have a good meal, West Lake 2007 8+00
In 2008, Cao Fang was selected in Selected Novels in April and August, and was included in Xinhua Digest in 20081October, and was selected in China's Short Story of the Year in 2008.1,and in 2008, he was selected in Selected Novels, a novel that readers like, 2009./KLOC.
Mopanshi, China Western Literature, May 2008.
On the first day of March, Shuigenniang was burning incense, China Western Literature, May 2008.
Planting floodplain and mountain flowers, June 2008, selected novels, July 2008.
A lamp, Tianya, June 2008
Taboo, Anhui Literature, August 2008.
Bad game, Great Wall 2009 8+0
Watermelon burping and watermelon urine, Great Wall 2009 8+0.
Gold and silver grass, rain flower 2009 8+0
Words and phrases, Hongyan 2009 8+0
My cousin Cao Dashu Guangming Daily March 2009 30088+0
Labor, red beans, June 2009.
A willow tree growing in southern Anhui, Anhui Literature, July 2009.
Teeth speak, Shuo Fang, August 2009.
Who's Crazy? West Lake, September 2009.
Peach Blossom, Author, 2009+0.54667.6661
Father and Cow, Guangming Daily, 2009+0438+0.438+0.
Maixiang, Hongyan 20 10.438+0
Dried coriander and red bean, 20 10.4.
Capture Year Collection, Shuofang 20 10.4
Water marriage, literary world 20 10.7
Sister, shanhua 20 10.8
Independent bed, yuhua 20 10. 1 1
Write in big letters by 20 10. 1 1
Big dinner, Hongyan 20 1 1. 1
Warm house, Hongyan 20 1 1. 1
Vortex, ormosia 20 1 1.2
Waliang, Tianya 20 1 1.2
Humans, Xi 20 1 1.3
Cross stitch, Guangming Daily 20 1 1.3.23
Moon head, everybody 20 1 1.6
Send parents off, everyone 20 1 1.6
The innocence of an era, Changjiang Literature and Art 20 1 1.438+00.
In flood season, shuofang 2011.11.
Clean year, literary world 2011.11.
Xia Shuang and wintersweet, red bean 20 1 1.438+02.
White Night Great Wall 20 12.438+0
Auditorium, Hongyan 20 12.2
Live, West, 20 12.4
Leopard Man, Mountain Flower 20 12.5 (below)
Sleep peacefully, Guangming Daily 20 12.6. 1, selected novels 20 12.7, China's short stories 20 12+0.
Mining, Tianya 20 12.6
An unfortunate event at noon in summer, Dianchi Lake 20 12.9.
Mid-Autumn Festival, Literary World 20 13.438+0
Qingming robbery, youth 20 13.438+0
Mother, Xi 20 13.5
Chinese class, West Lake 20 13.6
Arithmetic class, shanhua 20 13.7 (below)
Family Poetry, Guangming Daily 20 13.7. 12.
Suona at dusk, Anhui Literature, 20438+04+02.
Marry a mute, Anhui literature, 20 14.438+02.
Elephant, Mountain Flower 20 16. 1 1, Works and Contention 20 17.2.
There is so much water at home, Guangzhou Wenyi 20 17.6438+0.
At the end of the year, Hongyan 20 17.438+0.
Ji, southern literature 20 17.3, selected novels 20 17.9.
Triassic in Yangguan, Guangming Daily 20 17.3.24.
Try to put your feet in my shoes. Anhui literature 20 17.4.
Residual life, youth 20 17.5
Collapsed forest, flying, 20 17.6
Earthquake, Baihuazhou, 20 17.6
Look at Laozi, Dianchi Lake 20 17.7.
Neighbor, West Lake 20 17.9
Moving, West Lake 20 17.9
Novella:
The idle days of the idle girl Xia Shuang, Baihuazhou, May 2004.
My beautiful cousin, urban novel, July 2004.
The scenery hanging on the overpass, Time Literature 2005 438+0, novella selected in February 2005.
An unfortunate event at noon in summer, Hongyan 2005+0
Xia Sijia, Dianchi Lake, March 2005.
Lactating men, urban novels, March 2005.
Hiccup, Hongyan, April 2005.
Middle-aged scenery, contemporary, 2005. Medium-length special number 1.
Birds in the tree are in pairs, by China writer 2005 8+00.
The belly is getting bigger and bigger. China writers 2005 8+00.
Heroes of 1976, Hongyan, February 2006.
Full of spring scenery, Literature Harbor, February 2006.
February 2006, Baihuazhou, the silver moon hanging in the night sky.
Women's Knot, Changjiang Literature and Art, March 2006.
Running days, Mangyuan, April 2006.
Path to god, Modern Fiction, June 2006.
People's Porcelain, Mountain Flower, June 2006, Selected Novels, Supplement, 2006.
Blue sky and red clouds float, red beans 2006+02.
Xia Du, China writer, March 2007.
I love Beijing women, urban novels, March 2007.
Snowflakes have been falling for twenty years, Qingming, May 2007.
In May 2007, the landscape of watermelon field, mountain flowers.
Water Season Day, China Western Literature, July 2007.
Blue sky and white clouds, Beijing literature, September 2007.
In Song Dynasty, urban novel 2007.8+00.
Unspeakable happiness, West Lake 2007 8+00.
The Secret of Happiness, Dianchi Lake 2007 8+00.
You are my fiancee. You were selected as Unused Draft of Novel Monthly (April 2009), Mangcao (2007. 12) and Selected Novels (2008.6438+0).
The smell of rags, Time Literature 2008+0
Tar, Mountain Flower, February 2008.
A good place in Beishan, Baihuazhou, March 2008.
Soft rope, Hongyan, March 2008.
Flowing water flows eastward, Guangzhou Literature and Art, May 2008.
Last year's grave, by China writers, May 2008.
It's getting brighter and clearer, in June 2008.
Direct news, Times Literature (2008. 1 1), Selected novellas (2009. 1), supplement of Novel Monthly (2009).
Peach Blossom Robbery, Mango Seed 2009 8+0
My Fool's Life, Shanhua, March 2009.
We Fly Together, Time Literature, May 2009.
In May 2009, mangshi was in office.
Watermelon Field at Noon, Guangzhou Literature and Art, July 2009.
Go and cheat ghosts, Shanhua, August 2009 (Part II), selected novellas, February 2009. Supplement.
Warm coffin, in the middle, 2009+02.
The stars in the sky don't speak, Qingming +00.6438+0.
Dianchi Huaishuifu 20 10.6438+0
Female anchor, Time Literature 20 10.2
Looking for a wife, shanhua 20 10.3
Guangzhou Literature and Art 20 10.4
Smooth sailing, Baihuazhou 20 10.4
Cao Fang Jiafu 20 10.5
Dream Butterfly, Time Literature, 20 10.6
A good play, the novel world 20 1 1.5438+0.
On February 2nd, Mangyuan 20 1 1. 1.
Great Wall Intersection 20 1 1.2
A stack of mingbi, shanhua 20 1 1.3
Zhongshan Aquarium 20 1 1.3
Collapse, Baihuazhou 20 1 1.4, Selected novellas 20 1 1. Supplement no.3.
Second brother, literary world 20 1 1.5
Whose son am I? Dianchi Lake 20 1 1.6.
Dream of Huaishui, Guangzhou Literature and Art 20 1 1.7
Death tells no tales, shanhua 20 1 1. 12, works and contention 20 12.2.
Frontal collision, Jiangnan 20 12.2
Patients with silicosis, shanhua 20 12.5 (below)
Mother-in-law's post-modern life, Guangzhou literature and art, 20 12.7.
Witnesses: Changjiang literature and art (20 12.7) and selected novellas (20 12.5).
Thirteen-year Festival, Shanhua 20 12. 10, Works and Contention 20 13.6438+0.
The day after tomorrow, Dianchi Lake 20 12.438+02.
Spring breeze is the warmest, written by China writer 20 13.438+0.
Cousin's post-employment era, Mangyuan 20 13.2.
Bankruptcy and divorce, Tomb-Sweeping Day, 20 13.4.
To death, Jiangnan 20 13.5
Go back and die, shanhua 20 13.38+00.
Buried in the sea of fire, Guangzhou Literature and Art 20 13.38+02.
Intervention, shanhua 20 17.7
Run away, Time Literature 20 17.7.
Novel:
Dahewan, Anhui Literature and Art Publishing House, 2000,2017.
Beautiful countryside (Cooperation with People), Anhui Literature and Art Publishing House, 2006.
Looking for Father, Anhui Literature and Art Publishing House, 20 14.
Huai Shui Ballad, Anhui Literature and Art Publishing House, 20 17.
Portfolio:
Happy Flowers Bloom, Hefei University of Technology Press, 2009.
Moon Eye, Sichuan Literature and Art Publishing House, 20 12.
Selected novellas of Cao Duoyong, Hefei University of Technology Press, 20 13.
Speaking, Dunhuang Literature and Art Publishing House, 20 13.
Scenery on a Suspension Bridge, Anhui Literature and Art Publishing House, 20 16.
The longing for spring, Anhui Literature and Art Publishing House, 20 16.