The first paragraph of Hui Meng-xian's erhu ensemble is exactly the same as the theme version, and the theme version of the second paragraph is erhu solo, which consists of two instruments. With the addition of flute, the timbre is high and bright, and the tune is gorgeous. The erhu version is euphemistic and implicit, while the ensemble version is a soul-stirring aria, full of affection and soul-stirring, which can be described as endless. In fact, the two versions have their own advantages and disadvantages, so it is difficult to distinguish them.
Back to sleepwalking fairy, variations and tender feelings version back to sleepwalking fairy, the prelude is well added, the overall speed slows down, and the main melody becomes sad and affectionate. The beginning of the dream of cultivating immortals is actually the beginning of tragedy. The result of clinging to soaring turned out to be ashes and shattered. It is helplessness, melancholy, regret and sadness. The first main melody lowered its voice, deep, frank and long, and it was even more sad. The second melody is raised by an octave, and the mood is instantly high. It is the loneliness behind the storm, the lonely whisper at the top, and the final ending prolongs this feeling, which seems to have endless knots, infinite suffering and endless.
The erhu version of Sleepwalking Fairy has the same structure as the theme song version, and adopts erhu solo. However, personally, I think that having a flute will be more fairy-like, and two musical instruments can highlight the theme better. The sound of erhu is mostly sentimental and sentimental, focusing on "dreaming back" and "wandering immortals", but some of them are ignored. Generally speaking, I prefer the theme version and the flute erhu version. What's your opinion?
[Scene Music Part]
The clear flute of Qingpingle (Qingluan Peak) is like the stream of Qingluan Peak, gently brushing the surrounding green trees and grass, and then slowly tilting down the mountain wall, as beautiful as mercury; The background melody is crisp and light, like a sparkling trickle of water, splashing delicate water droplets and reflecting a little light under the sunlight. Clean style, such as the beautiful qingluan peak far away from the population, is also like the mood of Tianhe, pure and clear, carefree.
Qingpingle (Taiping Village) is a landscape garden, and fresh and elegant music is also suitable for Taiping Village. The soothing sound of cello and sand hammer in the middle part is more like describing this quiet village under Qingluan Peak. Although it is not as tall and beautiful as high mountains and flowing water, it also has another kind of peaceful and happy, simple and natural quiet beauty. It has the same flavor of rural life as the peasant customs described in Xin Qiji's Qing Ping Le Cun Ju and Tao Yuanming's Gui Yuan Ju.
Cold breaking (Shixi Chenxi Cave) is very light and dreamy music. It fits the title of the song. "Cold", the melody is cold, with a little suspense and tension, unpredictable, like the curiosity and caution of Tianhe entering Shixian Cave for the first time; "Broken", the tune is quite a bit feeling. A little solemnity in the depths may indicate a kind of caution and respect for the cemetery of the deceased.
Hiking (Ziyunjia/Bagongshan) is as lively and lovely as a teenager's lines asking about love, full of life. The flute is light and delicate, with soft and delicate cucurbit silk, elegant and smart. The jumping of tambourine, the fluency of guzheng strings, and the combination of various musical instruments are all very full, which shows that a trip of thousands of miles is absolutely wonderful. The bright style is like a savage suddenly opening the scenery outside Qingluan Peak for the first time, which makes him clear at a glance, fresh, curious and energetic. After living in the mountains for 18 years, he can finally appreciate the splendid rivers and mountains of the motherland, get in touch with society and feel life. A gong sound means that Yun Tianhe, the great warrior of our generation, will be born? )
The first part of the melody of exploring the wild trail (lake forest) is full of the atmosphere of forest environment, which will shake. With the sound of sand hammer rustling as the background, it creates a nervous, gloomy, secretive and uneasy effect, fearing to get lost and unpredictable beasts and monsters. Using the flexible characteristics of flute sound, a suffix is added after each main theme to make the music full and spiritual. Although mysterious and horrible, the meaning of hidden crisis is far from the secluded forest in Jiulongpo, Xiansan. After 40 seconds, the second part of the melody became emotional, and the flute was long and heavy, full of feelings, quite a bit sad, "thinking about heaven and earth, endless, endless, lonely and tearful."
Shouyangqu (Shouyangcheng) is a relaxed and pleasant city music, which describes the city life and the soft red story of love story. Soft red feet sound funny, and it feels like a bunch of people quarreling in the supermarket. It is also a lively and colorful style, soft red can only be called noisy, and Shouyang Song is prosperous. Of course, a food market can't compare with a city. The arrangement of musical instruments is layered, the dulcimer is gorgeous and elegant, the flute is round and full, and the slight drums and sand hammers cooperate with the orderly background rhythm, showing the image of a well-off city with orderly public security and stable and prosperous people's lives. Uncle Liu is a good county magistrate.
Fog Around/Dream Around (Liu Fu Maze at Night) is as strange as a secluded forest sheltering from the sun. The secluded forest blocks the sun in a seemingly calm and dark way, with a strange style, but this piece of ups and downs is obvious, and the main theme is more powerful, but it is also expressive to the maze scene. Start it directly and be alert immediately. The flexibility of flute has been fully exerted in this song, and the subtle and smooth vibrato gives the song an ethereal temperament. Implicit pipa and wooden fish seem to be similar, highlighting the psychedelic characteristics of the magic circle of Qianhualing.
Geomantic Changes/Ghost Tour (Tomb of Huainan) The cemetery is much more mysterious than the maze. In addition to the mysterious style of general maze music, this song shows the grandeur and majesty of the mausoleum, which is a treasure trove of geomantic omen, but it also exudes an atmosphere of depression and crisis. From time to time, there will be a gloomy and trembling melody, which is very suitable for the cemetery where ghosts fall. I accidentally met the sad face of the corpse boy and came for you. There are also two kinds of buzzing sounds like flies, which are quite fascinating.
The three sounds of Taiping Ring () are calm and broad-minded, which naturally leads to the main theme of Taiping Ring, which is played by Sheng, the only wind instrument in China that can play harmony. The timbre is bright, clear and full, which is very suitable for the word Huan in the song title. Another Shouyang song, which also depicts the urban landscape, has a prosperous style, reflects the economic situation, has a peaceful and harmonious style and pays attention to the cultural atmosphere. One is music, and the other is safety. In the second paragraph, erhu and sheng, two antique musical instruments, are always gentle, soothing and quiet, symbolizing a long history, splendid culture and beautiful scenery. This is indeed a rich picture of peace and prosperity.
Buddhists believe that music is used to regulate people's emotions. This song is calm, profound, Buddhist, detached, almost without any emotional color. It can purify people's hearts, make people realize, conform to the golden mean, calm their mood to nature, and have the taste of six clean and great sorrows that Buddhists pay attention to. The towering and majestic Thousand-Buddha Pagoda and Buddhist sacred objects attract the holy light, which really makes people feel that their souls are blessed by the Buddha. The heart of Pangu is similar to its style, very primitive and Buddhist, but it is also grand and mysterious. It's just that this music environment is so out of place with two women fighting for their husbands' blood on the Thousand-Buddha Pagoda. Calm before the storm?
* Western Region Wind (Boxian Town) Boxian Town is located at the foot of Kunlun Mountain in Xinjiang. Xinjiang, called the Western Regions in ancient times, is less influenced by Confucian culture, so all ethnic groups are outgoing and free. This song, as you like, is a very authentic Xinjiang style. It uses musical instruments with western characteristics, such as tambourine, Qiangdi and Dongbula. It has a lively rhythm and a warm and cheerful mood. Most of them use the unique rising and falling tones of Xinjiang music to make it rich and diverse, unique in style, powerful in stretching, straightforward in expression, warm and dazzling. Very rhythmic, suitable for singing and dancing, with a strong local flavor and nomadic customs.
Step function words (Taiyi Fairy Path) Taiyi Fairy Path is a test that mortals must pass if they want to join Qionghua School. At that time, their attention was focused on the clearance of BOSS, and they always felt that the function words of step were put in the maze of game theory, which was quite out of place, and they didn't realize that it was actually a beautiful place. Taiyi is the source of all things, "Taiyi has two instruments in his life, and the two instruments give birth to Yin and Yang", and "Everything comes from Taiyi" (Lv Chunqiu). Kunlun is the holy land of Taoism, the ancestor of Wanshan, and this road is named Taiyi, which shows that it is all-inclusive. Being in Kunlun is like walking in space. This floating, light and leisurely step function word seems to be very appropriate here.
Step function words (micro-romantic) pass through the colorful drunken shadows of flowers flying and butterflies dancing, and they come to a paradise that makes people feast their eyes on: green mountains and clear waters, waterfalls like practice, pavilions and waterside pavilions, and a pool of flowers. I admire the picturesque breezy brook in front of me, and listen to Yue Xian's ethereal language, beautiful flute and light sand hammer, which are smooth and beautiful. Every note is integrated with this beautiful scenery, just like the harmony between man and nature. Looking back on the Dream Valley of Fairy Mountain in Searching for Love, one is bright, clean and smooth, and the other is fresh and aura, all of which are fairyland Yue Xian, which is beautiful.
Kunlun Road (the early stage of Qionghua School) I walked with lofty ideals, and the momentum was like a rainbow, until I finally reached the Qionghua Sword School on the majestic Kunlun-n square kilometers+carved beams and painted buildings+Qionglou Yuyu+artificial waterfall+pond lawn+cattle X air corridor supported by telephone poles for several kilometers+various platforms and Jiange, Heaven, and the whole immortal sword version was in the air. …
Shamutian (Crescent Valley) just learned how to protect the sword. I just want to sneak out for fun. Unexpectedly, I broke into a barren desert. This is a difficult place, and I was blown away by the sand carelessly ... The music is stronger, heavier, more difficult and vicissitudes than this place. The timbre is turbid, like flying sand and stones all over the sky, and the style is rough, like grief and condemnation of the desolate scene in front of you. The jumping and furtive soundtrack reminds me that this is a maze-I actually shot the yellow sand in the fire dance. Can you believe ...
Tide-stirring (Jimo) flute is as refreshing as breeze, guzheng is as delicate as running water, as moist as catkin, apricot blossom and spring rain, as warm as the morning sun shining on the earth, as soft as the sea breeze blowing long hair, as warm as the sweetness of soft words on the winding coast. Listening to the melody of Qingning and looking at the vast sea and quiet fishing village, I feel very comfortable. Seeing Xia Shusheng reunited with his daughter, the villagers thanked him and invited him. For the first time, I feel that there is a kind of happiness called courage.
In reality, there is a Shennong Cave in Yan Di, while in Hubei, almost all the four immortals' maps are located there. But it belongs to the scenic spot, as if it was built later. This should be natural. This song is the shortest among the four immortals. It has no melody, only drums. It is urgent and exciting from beginning to end. It is vigorous and has a strong sense of singing. At 15 seconds 46, two gongs rang, as fast and suddenly as lightning Fei Huo. The overall texture is strong, and it is hot with this environment.
The meaning of "Don't be Dong Tian" and "Don't be Dong Tian" is taken from this water park with unique caves, and music is also a distinctive kind of fairy songs in past dynasties. At first, a short piece of percussion was lively and mysterious, such as this country, where a group of happy little demons lived away from the crowd. The main musical instrument is the suona with national characteristics. Its timbre is bold, cheerful and loud, its timbre is rough, its personality is distinct, and it is very expressive to the warm and unrestrained happy scene. The middle part is mixed with flute sound, so that the music will not be too noisy. There are six wild and vigorous male voices in the song, which are full of masculinity. The overall rhythm is lively, the style is quite folk, and it is particularly festive.
The idea that the most magical ancient ballad in history (not Zhoushan) is strange. The first part is sung by human voice. It is said that the lyrics are money ~ money, and the initial impression feels like stepping on a chicken's neck. First of all, I admire the artist Xiansi. Nobody knows what the mountain looks like. We can only imagine that the mountain of Xiansi is mainly dark blue, with a dragon hovering above the mountain column. The design concept shows the mystery and grandeur of the pillar of heaven and earth, which makes people admire and fear. The depression, emptiness and loneliness of singing are like inexplicable melancholy and nostalgia for the prospect of life. Music is heroic, generous and not sad. The deep sadness and sorrow for life when going up the mountain is confused, mature, ancient and heavy, and contains an eternal feeling and thinking.
Soul tune (ghost world) is the longest song in the history of background music. It's called "The Soul of the Town", which sounds as if it will never turn over. It is estimated that such a long time is to show that people have to go through several generations of reincarnation and behave well in the ghost world in order to be reborn. The mysterious tune+deep+trembling is enough to show the ghosts wandering in the ghost world, and the timbre is patchy and stable, with a certain intensity. Cautious and serious atmosphere, one of the six realms controls the power and momentum of various ghosts, which is slower than the feng shui shock of Huainan Mausoleum, but it is not slow, not so dark, and has rich sound effects. I feel the production is excellent. Compared with the fiend tactic of the fairy three ghosts, it's too evil, and it's more expressive.
A song without sadness (fantasy world) was once confused with cold sound and belongs to a very light type. The cold voice is beating+supernatural+mysterious, and the sad fantasy is hazy. Dreams in the fantasy world feed on dreams that devour people. This piece of music sounds like recalling a dream. The bleak style reveals the feelings and sorrows of Tenga Hajime travelers. With the change of mood, they seem to be at a loss about what is happening in front of them and have a bad premonition and confusion about the future.
[Battle Music Part]
* air erosion (Liu An BOSS vs Huainan Mausoleum). I always feel that Xian 4' s writing of Huainan Wang is a bit poor. Liu An, the king of Huainan in history, was a very capable man, caring for the people, knowing people well, managing the country well and being quite talented. Huai Nan Zi, written by him and other scholars, was also selected as one of the "50 China's Works that Life Must Know". Because the Taoist thought he admired was incompatible with the era of Confucianism, he was repeatedly vilified, resentful and disloyal, and was forced to commit suicide after being accused by Emperor Wu of the Han Dynasty. However, it is understandable to change Liu An's experience and image in line with the theme. There is a historical basis for saying that he is keen on cultivating immortality and alchemy. There are similarities between wasting money to cultivate immortality and rebelling because of dissatisfaction with the imperial court. (digress ...) The music is very intense. Apart from the emotional color, the sound quality is deep and vigorous, but it is the royal temperament that only the royal family has. The ups and downs of vibrato are full of resentment and also blow with the evil wind. The object of battle is a ghost.
* Flame Zhi Xin (the BOSS battle of the lava beast king in Shennong Cave, Yan Di) is more exciting than the above song. The one above was a flurry of thunder, and this one was a thunderstorm overnight. Strong and violent rhythm, violent, bloody and ferocious tunes gradually climb, which shows a dramatic and unexpected trouble, a battle scene of expansion, explosion and life and death, as dangerous and devastating as rolling thunder, thunderbolt and volcanic eruption. This is the temperament of BOSS fighting music, I appreciate it!
Huanhua Washing Sword (fighting music, propaganda animation 2 soundtrack) should belong to intermediate fighting music according to the degree of music and the scenes that appear. In the past, fighting music set off the excitement of fighting, and Huanhua Wash Sword paid attention to the realm of kendo, and its name and style won the essence of Xiansi. The melody is smooth and vigorous, and the flute guzheng looks elegant and smart, as light as a sword dancing with people, as beautiful as a swallow dancing with dragons and phoenixes, without losing the amazing momentum of exquisite swordsmanship.
Variations on Huan Hua Xi Jian (battle music, propaganda animation 3 soundtrack B) This song is a mighty and domineering version of the former, with the theme of returning to the fierceness and crisis of the battle. As the soundtrack of the battle scene in the propaganda animation, this thrilling momentum is necessary and completely consistent. The strange and cautious flute sound of 27 to 39 seconds is quite technical, like a description of people's psychology in an atmosphere of flying knives. Killing the heroic spirit not only broke out the momentum of enter the dragon, but also achieved the propaganda effect. The function of these two kinds of fighting sounds is not only to render the fighting, but also to exude the bearing that conforms to the whole game-the pride and atmosphere of the flying fairy of the imperial sword. Compared with the previous works, there is a certain degree of breakthrough. Applause!
Riding the wind and breaking the waves in times of crisis (BOSS War of Hidden Xiangshan Fox Fairy) is very funny music, and it is lively with Third Master Fox. Listening to this tune, I feel that I am dancing with the bitch fox, which has a unique sense of rhythm. A large number of cadence sounds are as mysterious and mysterious as the flute in the fog, with changeable styles and suspicious spirits, showing the characteristics of fox's three cunning and heartless. The overall melody is still the consistent fighting music style of Xianjian, which is violent and chaotic, and several drums are quite opera-like. The music from 50 seconds to 1: 05 became a bit postmodern, and the bass actually appeared in 58 seconds (I don't know if I like it anyway). Is the combination of tradition and trend country rock = =?
The song "Dark Clouds" (Mid-term Battle Hymn) is moderate among all the battle hymns. Some features are that the rhythm of the first half of the melody is deliberately misplaced, and then gradually returns to normal. I like the 48-second flute, which adds a lot of ideas, improves my mood and makes the battle a little radiant. The rhythm has been fast but steady, and the ending is crisp.
Shenwei Qianzhong (Xiao Xuan Changyao BOSS Battle) is the last battle. No matter from the difficulty of the game battle and the danger of the battle in the plot, or the intensity of the psychological struggle between Yun Tianhe and Xiao Xuan in the final settlement, this song is worthy of the momentum and atmosphere of the ultimate BOSS battle, and its sound effect is rich and rich in texture, which can be said to contain all the characteristics of the Four Immortals Fighting Music. No matter for Yun Tianhe or Xiao Xuan, this war will not have a good result. After the melody broke out, blood and smoke, generate had a bitter and complicated feeling, and he had no idea how to understand it and what the result would be. I'm afraid of you too, handsome.
[Plot Music Part]
* The Death of Solitary China (thoreau tree Fairy) Chu Bihen deliberately sacrificed his own sister, but the cultivation of immortals ended in his own amusement. What an ironic ending-this song is full of tragic, tragic and painful lamentations, which seems to indicate the end of Qionghua School's bad road to cultivate immortality. I don't know why I am associated with two bloody and gloomy stories in Buddhism: cutting meat for pigeons and giving my life for tigers, with the intention of setting off the kindness and beauty of the soul in this increasingly tragic story. In fact, this so-called "greatness of self-sacrifice" is nothing more than the self-comfort and deception of the rulers, and it is a mental anesthetic that they sprinkle on the people. In order to cultivate immortality, Qionghua Sect plundered property in the demon world, and even destroyed creatures, but on the surface it claimed to be the so-called justice that the fairy family and the demon world became sworn. Dare I ask whether there are good and evil kinds of creatures? Does the devil have to be an evil person? Isn't this self-deception? This elegy, with strong feelings and even a little cynicism, played the strongest tone of sadness, sneered at the Qionghua Sect's way of cultivating immortals, satirized or warned, including all kinds of unscrupulous behaviors to achieve their goals, as well as self-anesthesia for various reasons, such as pure anti-rational religionism. What self-sacrifice, what requires immortality and decency, fooling the world while paralyzing yourself, a group of guys who don't know their life goals at all. Pathetic! (I'm sorry I'm angry)
Fairy and demon chaos (in the middle of Qionghua School), the dramas of Xianjian can be roughly divided into three categories, with 1 as the theme, including games and characters; 2. Scenes, including mazes, battles and locations; 3 is the plot. It has always been that the plot music is weak, so it is good for Xiansi to notice this. Although improvement is needed, it is always good to make progress. Fairy and magic chaos is music with strong plot, which shows the process of Qionghua School from prosperity to decline in a more appropriate way. Thirty seconds ago, the first part was still in the stage of memory and emotion. The cooperation between the flute and the guzheng was somewhat bleak in the splendor, and the second half began to become violent, with progressive emotions. As soon as I heard it, I felt that something big was going to happen. The chaos of fairy and demon focuses on depicting the evolution of events, and the chaos of courtship focuses on depicting subtle psychological activities, one is sudden panic, and the other is hidden crisis. I once again lamented how effective it would be if I made plot music. )
The rebellion and variation of fairy and demon (the late Qionghua School) has been destroyed by both things and people in the late Qionghua School. Variations come straight to the point from the beginning, faster, faster and more heroic than the original, describing the inevitable war. The melody in the second half is much more flute than before, from desolation to desolation, from foreshadowing to a foregone conclusion. The last film joined the intense background rhythm and began to smell of war and chaos.
Before Jun Mosi returned to China, a small part of it was a gentle+sad version of the alto melody, which was somewhat similar to the variation version of Dream Back. Some changes have been made in the original dream melody. The main musical instruments are flute and erhu, which increases the sound quality and makes people feel heavy and sad in sadness. Lonely death is the strongest emotion, and the return of the soul is the most painful. Behind, there is a sense of generation without warning, the agitation of flute, the sad wail, and the bleak autumn wind; Erhu is sad, full of sorrow, leaving no regrets. Since ancient times, I have been sentimental and hurt, and who should I tell?
Gui Yunmeng (Xiao Xuan Dream) is a romantic and gentle dream, but it is a bad love affair. In the conversation, we all understand the love between two people, but we dare not express it, because the affair between children will inevitably become bland in front of Qionghua's great cause, and even become an obstacle to our cause. The affectionate language is full of the sadness of stranded love. In the first part, the melody is lingering and gloomy, and the tambourine sounds ethereal, distant and lonely. The style is a bit like the misty fog in Fairy Three Du Feng, and there are some emotional disappointments. The second part suddenly added the flute, but the music was very moving, belonging to the collection of flute in the information of exploring wild trails. It is melancholy and gloomy, and it seems that every voice is so painful and so infatuated.
The melody of thinking is extremely slow and sad. Things are a kind of emptiness and loneliness that people don't do whatever they want, which is even more hazy and distant than returning to the cloud dream. Because of the plot, they seem to have some regrets, but they only know the melancholy at that time, but they can only look back and sigh. Good times always pass quickly, and no matter how hard you try, you can't escape the cycle of fate. Looking back on how I lamented, everything is a foregone conclusion. Fatalism is very strong, so sad that people are moved to tears.
Tears of Sorrow (for Huai Shuo) is a variant of the tragic version, and you can understand Zi Ying's feelings. She thought she was going to die soon, and she was about to close her eyes and die. When she felt the sound of death and the smell of blood, Huai Shuo fell. She has been in the same school for many years and shared her attitude (I mean, can she uphold the concept of justice in the face of Qionghua Xiuxian's practice of killing innocent people). I am angry and helpless about what Qionghua is doing now. At present, another friend has sacrificed himself. Guilt and indignation are self-evident. When Huai Shuo died, he was full of sadness and regret, feeling sorry for Xuan Ji and his family. The story of Shi Si in Xi 'an is too tearful, and the bit part can make players so moved and miss it, alas!
Cang Haiteng (plot music-Qionghua School) is a shocking version of lofty sentiments mixed with sadness ... Back to sleepwalking, the first sentence. The second sentence began to change. The connection is still very smooth Personally, I feel out of tune with the first part after 37 seconds. I feel suddenly gloomy and unreasonable, and my tone is a little unintelligible, probably to express a subconscious anxiety. The plot is good, it can predict the sudden change of Feng Shui, and the performance is also in place. The combination of drums and horns also smells like flags and semi-scrolls ready to fight. Qionghua made full preparations for cultivating immortals.
* An ominous omen fell from the sky (plot music-Ju Mang, the God). The melody accelerates, and the background male voice and rhythm are as intense as the heart that is about to jump out. The sound of the flute shook the earth, and it was at stake. There was no other way but to go through fire and water. This is very intense, and the last battle is tense. Some directly removed the main theme, only with a few sounds, which made Tenga Hajime people feel a little weak in front of the great god Ju Mang, but the domineering strength still had the momentum of the dangerous Tianhe at that time, which was enough for buddy O (∩ _ ∩) O.
[Character theme song part]
The phoenix song blue sky (theme song of Yun Tianhe) is clear, the spring water is gurgling, and the water is bright; Run, the sky is slightly rainy and full of spring breeze; Tomorrow, the red sun rises, and the clouds steam and glow; Lang, the oriole comes out of the valley, and the milk swallow returns to the nest. Simple, carefree, clear as blue sea and blue sky. Trekking is the fighting spirit of young people who are not afraid of getting old, and the phoenix song and blue sky are irresistible to the exquisite light in the jade hidden stone. Sometimes people laugh and cry, but unexpectedly express an unbreakable simple belief in the simplest language. This is the amazing brilliance of Yun Tianhe. After so many storms, his mood has changed, and the world has changed. What has not changed is that innocent heart.
Jade, Water and Sand (the theme song of Han Lingsha), as its name suggests, is pure as jade and crystal clear. Lively and lovely, cunning and clever, Han Lingsha is as frank and kind as Tianhe. She is much more complicated than Tianhe. On the way, she made Tianhe laugh, but behind her carefree, she actually shouldered a heavy family mission. The changing track of melody reflects the transition from friendship to love, which is natural and generous, but also shy, half hidden and half present, like a girl's delicate mind. Even if there is no way to complete the task, being involved in Qionghua's grievances makes her feel confused and sad, but she is still so frank, making people feel happy and frivolous, and still full of expectations and pursuits for the future.
Weaving dreams and walking clouds (theme song of Liu) "Quiet as white jade, gorgeous as glass, dignified as a jade body, fine clothes and shoes. Vaguely like a misty flower in a dream, stunning like a sunset. " (Liu = =, a beautiful woman dedicated to us by copying Luo Shenfu, and this song)
I can't describe how beautiful the music of Xiansi Middle School is that I am satisfied with. Exquisite and elegant flute, full of charm, wide range, soft and clear, the perfect combination of pearls. The melody is as beautiful and refined as water lotus, flowing in one go, ethereal and ethereal as a dream, intoxicating, noble and gorgeous is the beauty of moonlight. Deep in the peach blossom, the dream glass is stunning and graceful, making a fairy-like woman a boy's dream lover. I seem to see the beautiful Iraqi people on the water side in Jiaxu. Leng Yan is indifferent, but it is very interesting. Dreamlike, ethereal and meticulous, such as quiet inside with a cold surface, Liu with extraordinary wisdom, and Liu who is sincere and considerate to his friends under his talent.
Canglang Sword Fu (Murong Ziying theme song/propaganda animation 3 soundtrack A) The meaning of Canglang in China's ancient poems is very offensive, and it should be to save the world with an open mind. Heroic, majestic, young, with frivolous blood, clank pride, the former United States. Overlooking the earth, mountains and rivers, swords whistling in the sky, people see the shadow of meeting rivers and lakes, although it is a little less elegant and ethereal. Ziying, who is cold and dogmatic on the surface, is brave and kind at heart, and the basic mood of the melody conforms to Ziying's image and personality, but I think it is more appropriate to make a propaganda animation soundtrack. The atmosphere of fighting and violence is relatively too strong. On the contrary, Canglang Sword Fu is more in line with the vision and concept of towering green hills, eagle striking the sky and Wan Li mountains.
Difficult to survive in silence (one of the theme songs of Xiao Xuan) accidentally broke into the forbidden area of Qionghua and found the frozen Xiao Xuan. The tearful silence in my ear suddenly made me feel a sad and beautiful memory of the past. Xiao Xuan is the epitome of the whole Qionghua School, and he is the victim of this activity of cultivating immortals. From this sad and disappointed melody, we seem to read all the vicissitudes of his life. How should he feel in the face of this enemy's children, hatred, or the bitterness that inspired memories many years ago? The beauty of the harp is saturated with the helplessness of crying without tears, the helplessness before the ruthless years, and the loneliness and bitterness that have been frozen for many years. Both the title of the song and the music imply the fate of the mysterious sky, which is doomed to escape. I can only listen to this song with mixed feelings, sigh deeply and shed tears as "this Jiujiang official." My blue sleeves are wet for you.
The first half of the variation is a gorgeous version, with the same melody as the original, which changes the rhythm and playing method. The mistakes of Yun Tianhe and his party led to the real cause of Qionghua's resentment, and the plot in the second half of Fairy 4 began a choppy historical change. The second part of the music made my eyes shine, and it was added creatively. It broke the previous format that Variations only slightly adapted the original version, making people feel a kind of anxiety that accumulated all vicissitudes and broke out after the storm. It's just that the connection of 1: 02 sounds far-fetched and the ending is a bit sloppy.
I hope it helps you, but this is only for Xian Si ~, which is very detailed.