Leslie Cheung's role covers a wide range and there is no fixed field. A feminine and beautiful actor, a dark psychopath, a romantic and immature young man and an uninhibited Jiang Yang thief can all be perfectly interpreted and endowed with souls. For example, do you remember Cheng Dieyi in Farewell My Concubine? This is a "transsexual" film, and his concubine is almost the peak. As a man, no one can really play the female role so vividly, so enchanting and perfect. I remember director Chen Kaige's words best summed up-without Leslie Cheung, there would be no Farewell My Concubine.
Leslie Cheung's image is more inclined to the small fresh meat and handsome sunshine of the last century. This also caused his weak interpretation of the image of a tough guy, but no one can do everything. Although he is not a professional, his innate sense of drama and music is intertwined in every expression and every look, which is a kind of enjoyment whenever he looks at it.
May the solo dance in The True Story of Teddy Boy, accompanied by this lonely soul, stay away from depression and rest forever.