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1. Tianjin’s Yangliuqing paintings are famous throughout the capital region
Yangliuqing in the Ming Dynasty was an important town on the South Canal. With the opening of the South Canal, its The economy is prospering day by day. In the middle and late Ming Dynasty, the art of woodblock New Year paintings was initially produced in Yangliuqing. The earliest painting shop appeared in the late Ming Dynasty. It was not until the Yongzheng and Qianlong years of the Qing Dynasty that it gradually became prosperous.
As the center of Chinese culture in the Qing Dynasty, the Beijing-Tianjin area had a very complex social culture. Royal culture and aristocratic culture gathered the essence of Manchu and Han culture, official and gentry culture gathered the cultural trends of Confucian officials and officials, and market culture concentrated Folk customs in the capital during the Jin, Yuan, Ming and Qing dynasties. Yangliuqing Town is located on the north-south transportation artery and is closely connected with the south via the South Canal. Therefore, its living customs have both northern and southern styles.
Tianjin is the capital’s main overseas port and has dual functions of diplomacy and trade. In this way, the art of New Year paintings in Yangliuqing Town has been deeply influenced by multiculturalism, and the consumers are also diverse, including royal families and nobles, urban citizens, rural farmers, and even foreigners. The half-printing and half-painting process makes Yangliuqing paintings closer to traditional Chinese paintings with meticulous brushwork and heavy colors, thus forming a noble and elegant artistic style.
2. Suzhou Taohuawu woodblock New Year paintings are excellent representatives of Jiangnan New Year paintings
Suzhou Taohuawu woodblock New Year paintings originated from Lin'an (Hangzhou) in the Southern Song Dynasty. After more than a hundred years of development, the culture of the Southern Song Dynasty integrated the exquisiteness of Jiangnan culture and formed an elegant cultural style that was very different from the New Central Plains culture at that time. The woodblock New Year paintings influenced by this cultural style spread directly from Hangzhou in the south of the Yangtze River to surrounding areas such as Suzhou and Wuxi.
Since the Yuan Dynasty, operas, dramas and novels of the Yuan and Ming dynasties have been fruitful. Almost all scripts and novels published in the society are accompanied by woodcut illustrations, which has brought ancient Chinese printmaking art to its peak. The prosperity of woodblock printing in the south of the Yangtze River led to the development of woodblock New Year pictures. The artistic skills of Suzhou woodblock New Year pictures also directly benefited from the prosperous literati calligraphy and painting art in Jiangnan during the Ming and Qing dynasties.
In the Yuan Dynasty, Zhao Mengfu and the "Four Schools of Yuan Dynasty" were active in Suzhou. In the Ming Dynasty, Tang Yin's "Four Schools of Wumen" and Dong Qichang's "Nine Friends of Huating" all lived and created in Suzhou. Their calligraphy and paintings The article is well-known in Jiangnan and has wide influence. By the Qing Dynasty, Jiangnan literati paintings had become popular in painting academies, profoundly influencing the development of woodblock New Year paintings.
Therefore, historical, economic, cultural and artistic reasons have made Suzhou Taohuawu woodblock New Year paintings the center of China's Jiangnan woodblock New Year paintings, creating an art that is significantly different from the contemporary woodblock New Year paintings in Zhuxian Town, Kaifeng and other places. Style and craftsmanship.
3. Weifang, Shandong is represented by Yangjiabu New Year paintings. Kangtou paintings are a unique variety in this area. Weifang New Year pictures are characterized by bold lines, simple shapes, strong colors, and the use of primary colors.
4. Sichuan Mianzhu New Year pictures are famous for their colorful paintings and have strong national characteristics and distinctive local characteristics. The composition of Mianzhu New Year pictures emphasizes symmetry, completeness, fullness, clear priorities, and unity of diversity. Contrast techniques are used in color, and the colors are simple, bright, strong and bright, creating a prosperous and lively artistic effect.
The lines should be refined and smooth, combining hard and soft, dense and dense, with a strong sense of rhythm, while exaggerated, deformed, symbolic, and allegorical shapes have a more humorous and lively effect. Mianzhu New Year pictures are divided into two categories: red goods and black goods. Red goods refer to painted New Year pictures, and black goods refer to woodblock rubbings printed with smoked ink or cinnabar.
Baidu Encyclopedia--Four New Year Paintings
Baidu Encyclopedia--Four New Year Paintings
Baidu Encyclopedia--New Year Paintings