Chingmy Yau and Tony Leung Ka Fai played it.

Tony Leung Ka Fai and Chingmy Yau co-starred in the thriller New Skin Lantern.

It's not so much a ghost movie as a love TV series destined to be born again and again. It seems to be the theme style that was loved so much in the 199s. Hui and Xiao Rong, one is a little criminal defense lawyer who was manipulated and forced to do things by the black boss, the other is the sleeping maid of the black boss's coquettish woman, and two ordinary people who are not even casual, are determined to love each other.

Even if they love each other and have an extramarital affair quietly, they also want to report and defeat the black boss Su Xiong. As a result, it was discovered before the action. Hui was killed on the spot by Su Xiong's men, and Xiao Rong committed suicide. Originally, the short story came to an end, but Su Xiong was a descendant of Maoshan, and he was good at Feng Shui. At the same time, his thoughts were vicious.

He hated Ah Hui, so he buried Ah Hui's players in a place of three failures and nine tragedies. After reincarnation, he continued to be unfortunate for ten lives. He peeled Xiao Rong who committed suicide and made it into a human skin lantern. He lit a ever-burning lamp, and Xiao Rong could never be reincarnated. Even in death, Su Xiong needs the opportunity that two people have never been together!

This film is adapted from Shaw's film "Human Skin Lantern", and the whimsical imagination and change have brought new strength to the film. The film transcends two times, and the reality and the illusory overlap, presenting a rare treasure. Tony Leung Ka Fai walked through past lives, one was upright and free and easy, the other was dissolute and obscene, while Chingmy Yau was pure and beautiful, charming and moving. The two men devoted themselves to explaining an epic story of life and death.

As a representative role who later promoted the fashion trend of China and Hong Kong's "Young and Dangerous" movies and promoted the wave of China and Hong Kong movies for many times, film director Liu Weiqiang can be said to have demonstrated his martial arts in this early work.

Young and dangerous people rushed into the street to grab the knife and fight for hegemony, throwing their heads for the sake of affection and righteousness, and the stalemate between the righteous and the evil was strongly attacked by the Public Security Bureau, which made people capture the root cause of the growth and development of the film legend of "Young and dangerous people" in a trance. In addition, the funny lines are frequently sprayed, the bones are dug, the female ghost in red is attached to personal safety and Huige teases, and the romance and superficiality, violence and teasing are intertwined, making this film a wonderful work in Hong Kong and Taiwan movies in the 199s.