According to the composition of "genius", "genius" and "gifted scholar", I want to invent a word called "love of heaven".
What is a genius? According to the author's understanding: first, natural talent. Second, the extraordinary talent as big as the sky. "One" is congenital, congenital; "Two" already contains acquired factors. Supernormal is the basic feature of the sky whether it is born or not.
So what is heaven? Natural, emotional endowment of personality type and quality, that is, natural feelings, spontaneous feelings, emotional characters, extraordinary and refined, as big as the sky that permeates the universe.
Not everyone has such a strong, profound and bone-eroding emotional experience. Not everyone has, and may have, such an innate emotional pain, or such happiness.
This is Jia Baoyu and Lin Daiyu, which makes readers lament the love of Bao Dai for generations.
Of course, Jia Baoyu and Lin Daiyu are very clever. From their reading, writing poems, speaking and communication, we can see their "cleverness" and their cultural accomplishment, especially their artistic accomplishment. Among them, Daiyu is particularly prominent.
But their touch was not won by wisdom and literary talent. It is not brave, benevolent and moral, vicious and sinister, nor is it weird or weird to complete your character. The first time in A Dream of Red Mansions, it was said in the name of "empty Taoist": "... this story ... has no good government of the imperial court, only a few strange girl, who are passionate or infatuated, or small but slightly good, and have no virtue of Ban Gu and Cai Nv ..."
First of all, you can't believe this passage because it contains protective color. Cao Xueqin should avoid anything that might lead to the disaster of the literary inquisition from the beginning. The second is also a true confession. This book is about love. Although there are many valuable stories about the rise and fall, the author sees the world with a pair of "eyes" to see the rise and fall. As for the objective reading effect, I still hold the main line of love. I think the charm of the book lies in the love between men and women. I even yawn and jump over when I read the domestic description of non-love. Or seize the main line of rise and fall, regard A Dream of Red Mansions as a teaching material for class struggle and political struggle, and even denounce love for reducing the ideological significance of the novel; Or hold the view of warning the world that the lessons taught by the whole book are nothing. It's up to you. Without these differences, where can there be the charm of A Dream of Red Mansions and A Dream of Red Mansions?
Baodai's love is fatalistic.
As soon as they met, they became "super" and "frequent". Baoyu and Daiyu hit it off as soon as they met. "I have seen this sister" may not be rare. But then Baoyu asked and threw jade, which made Lin Daiyu "sad" and "full of tears" and said, "You came today, which made your brother mad ..." The relationship between them was very strange. Were they really "unjust businesses" in their previous lives? As soon as they met, they "electrified" each other. When they met, it was a shock, a shock to each other? As soon as they met, there was an inexplicable excitement and waves in their hearts? Sure enough, the words "enemies don't get together" became a heavy proverb, which was chewed, recalled and thought by two people in meditation and enlightenment.
Behind Baodai's love story, which is vividly depicted, there is also a strange, hazy and incredible fairy tale.
It is only because there is a crimson pearl grass on the bank of Sanshengshi River in the west, and sometimes there is a waiter who irrigates it with nectar every day in the red defect palace, so this crimson pearl grass has lasted for a long time. Later ... I had to change my human form, just to be a female body, and I walked away from hatred all day. When you are hungry, eat honey and olives as food, and when you are thirsty, drink seawater as soup. Just because the virtue of irrigation has not been rewarded ... there is a lingering meaning. Just recently, the waiter Shen Ying ... wanted to come to the earth to create a magical destiny ... the crimson pearl fairy said ... but I can repay all his tears in this life. "
This is really a natural feeling! From the other shore-Sansheng Stone Bank on the bank of Xiling River!
Don't understand the essence of Baodai's love from the perspective of conceptual system, and don't understand it from the perspective of emotional intensity. Cao Xueqin obviously didn't take the strange story of tears seriously. In Zhen's dream of hiding the truth, the monk told the story and said, "It's interesting, but it's unheard of.". After listening to the story, the Taoist priest also felt that "the fruit heard its name" and "there is no such thing as tears". Cao Xueqin clearly knows that the story of returning tears is not true, but only this story can sum up the most extraordinary, moving and distinctive essence of Baodai's love. Besides, it's beautiful and touching. It is a kind of emotional load and pseudo-lyric, not a real record. It is an illusory emotional expression rather than a real existence. It is an unexplained explanation of Baodai's love tragedy, not an opinion. That is why literature is literature, why a dream of red mansions is a dream, not history, not theory, not textual research. Here, only Dr. Hu Shi, who was overwhelmed by learning and lost his basic artistic imagination and emotional singing mechanism, would accuse Cao Xueqin of the story of "waiter rebirth". (See Hu Shi's Tonglai Document, Shanghai Ancient Books Publishing House, Hu Shi's Review of A Dream of Red Mansions, p. 289).
Marriage in feudal society was not free, so there was an "old man under the moon", which made the combination of marriage the result of a supernatural force. But true love is and will always be free, including the most unsuccessful and heartbreaking love and the love that seems to be derailed because of the low quality of the parties, which is actually from their own choice. Baodai's love is even more so, because they choose each other more and more clearly.
However, this choice cannot be considered, and their mutual attraction and influence have not weakened or wavered since they met. This choice is neither speculative nor understandable. They only know what it is, but they don't know why. They even feel it at first, but they don't know why. As soon as Baoyu saw Sister Lin, he asked, "Do you have any jade?" When he heard that Daiyu had no jade, he immediately "went crazy". How much truth can this tell? Did Baoyu degenerate into this and become so "crazy" when he was asked this question? If Baoyu asks everyone if there is jade, and makes trouble as soon as he hears that there is no jade, Baoyu is not "as stupid as crazy" but completely mentally ill. Why are you so "stupid" and so excited at the sight of Daiyu? What is it, not fate, not heaven?
This choice is irreversible and irreplaceable. Baoyu and Daiyu have never assumed obligations to each other, either legally or morally. But their tacit understanding seems to doomed them to be loyal to each other forever, just like "fools". Therefore, on the one hand, Daiyu repeatedly claimed that she didn't ask Baoyu to stay away from the hearts of other sisters. On the other hand, she actually thought that she had exclusive feelings for Baoyu and had the right to endlessly criticize and improve Baoyu's emotional life and performance, and Baoyu willingly accepted all this, or accepted this "governance" as Shi Xiangyun said.
Alas, "ruling"! Emotion comes from the free choice of both sides. Once it becomes powerful, corrosive, impeccable (not to mention price), incomprehensible (no problem can be solved by logical reasoning), irreversible and irreplaceable, it will permeate your whole life. Even after the "governance" that determines your whole life path, it is not as majestic, as certain, as supreme and as supreme as fate.
Supremacy is another feature of Baodai's love. Here, "the supremacy of love" is not so much a philosophy of life or an argument that is not necessarily desirable or reasonable, but rather the only straw for two extremely intelligent and witty young people to pin themselves, free themselves and comfort themselves in a spiritual black hole. This straw actually became Noah's Ark of their young lives.
Jia Baoyu is a "noisy" and pampered dude, his favorite elite, the old lady Jia Mu and Jin Yiwan? Rich fields, gentle countryside, picturesque environment of the Grand View Garden, especially the center of favor for women over the years, coupled with their delicate images and good intelligence, have so far given readers the feeling of being lucky. Perhaps how many young male readers in ancient and modern times will secretly envy Jia Baoyu and give birth to many reverie? But Baoyu's spiritual life is very painful, and a very abstract but certain sense of foreboding has been oppressing him. A primitive, ubiquitous, unexplained sadness and despair at the intersection of metaphysics and metaphysics has been permeating him. He repeatedly to xiren fine, etc.
For example, if I am lucky at this time ... I will die while you are here. If you can cry again, my tears will flow into a river, float my body, send it to a secluded place without birds, and melt with the wind. I deserve to die.
On the day when Daiyu buried the flowers, Baoyu heard Daiyu's cry:
I don't want Baoyu to hear it on the hillside ... I'm not afraid of falling down on the hillside ... As long as I think of Lin Daiyu's beautiful face, I'd rather be heartbroken when I can't find it in the future! ..... onto others, such as Baochai, Xiangling and Xiren. , but it is impossible to find. ..... Do you feel at ease? ..... and then, place, garden, flowers, willow, also don't know who! -so one and two, two and three, repeatedly pleading, I really don't know why I have to wait for something stupid at this time and know nothing, so that I can escape from the dust net and explain this sadness.
It is not surprising to lament the fleeting youth, the fleeting life, the impermanence of the world and the fear of one's own body. This is a sincere lament, but it is also a general moan. It's just that these things happened to Jia Baoyu, a playboy who enjoyed all the splendor and tenderness that might have existed at that time and was only in his teens. He was so sad and so cold. In this life, he not only hoped to "die a fair death", but also hoped to turn to ashes, "the wind blew away", "floated away" and "stop being a man" ... This is quite amazing. Jia Baoyu's vision and pursuit of the ultimate destination in this life is zero. It can be said that he has a "zero concept" or a "zero conclusion", which is quite different from the traditional habits and concepts of China people. He should not only cultivate this life but also cultivate the afterlife, not only take care of his own life but also his own children and grandchildren, not only enjoy happiness at birth, but also arrange his own grave at birth and arrange for their bodies to be preserved for a long time after death, so as to ensure that their children and grandchildren will flourish in the feng shui of the grave.
We know it here, but we don't know why. It can only be said that Baoyu's experience of life is too painful, which leads to such a false and cold "zero conclusion", but he can't tell the reason why Jia Baoyu is so painful. A Dream of Red Mansions does not directly tell the reason why Baoyu formed this concept, but only uses words like "crazy" and "crazy" to cover up for Baoyu. Or it can be interpreted as a harbinger of the decline of the declining class, which certainly makes sense. For a member of a declining class, the smarter he is, the more disappointed he is, the more affectionate he is, and the more sad he is, which is generally not bad. But no matter what the reason, we can all judge that Jia Baoyu, who enjoys all pets, does not get spiritual and emotional satisfaction from the pets he can easily get (in fact, it is not easy to get, and the supply is in short supply). It can even be said that his life acquisition runs counter to his emotional needs, and Jia Baoyu's spiritual life in Fortune is actually very sad. On the other hand, it also proves that Baoyu's requirements for feelings are as high as the sky, as big as the sky and as boundless as the sky.
Jia Baoyu is easy-going. For Jia Zheng, for Mrs. Wang, for Xue Pan, Qin Zhong, for Jia Lian, Jia Zhen, Jia Rong, for Aunt Zhao, Jia Huan, for xiren ... He is not out of place. There is no lack of admiration and respect for Baochai. Xiangyun, Qingwen and Fangguan are also considered youth companions. You can have a good time with them, and you can also fully enjoy the happiness of youth and give full play to the conditions of using his pet. He seems to have a lot of laughter, whether it's singing poems with his sisters, eating crabs and venison, accepting Fang Qun's birthday congratulations in Justin, or accepting the favor of Queen Yuan Chun or King Beijing with Mrs. Jia Zheng. On the other hand, in the depths of his conscious and emotional life, he is so lonely and miserable. In this deep level, the vast sea of people, colorful and fragrant, are all irrelevant strangers who are difficult to communicate. Only one person can share this deep loneliness and pain with him and chew with him. Others seem to be just stupid, crazy and incompetent, just a great sorrow and regret. Of course, this person is none other than Lin Daiyu.
Lin Daiyu is Jia Baoyu's only "confidant". More accurately, it is Baoyu's only "knowing sorrow". In the Shroud Red Party Banquet, any girl who is happy and rich can be Baoyu's "knowledge interest", "knowledge expensive" and "knowledge leisure", and Lin Daiyu's merger in such a casino is not outstanding. The reason why Lin Daiyu is Lin Daiyu is because she is the only one who dedicated all her tears to Baoyu. Baoyu also hopes to get the tears that these girls love, and finally he can only call them Daiyu's tears. What are tears? Tears are family, the most family. "God" created the developed lacrimal gland when he created man, so love became a crystal bitter or cold and hot tear. Who gets more affection, who gets more tears, who gets more tears, which proves that he has not wasted his life and walked in vain. It seems that only in the tears of girls' love can Baoyu feel some truth and comfort in life, otherwise, it will only be fleeting and unacceptable. This is in line with the theme of the story of returning tears between the crimson pearl fairy grass and the waiter Shen Ying.
As for Baoyu's position in Daiyu's mind, it seems that it is not enough to describe it as supreme. It should be said that it is "unique" and has more practical content and basis than Baoyu. For example, the situation of Daiyu's "orphan girl" and her sick and sad body can easily explain her monism of the supremacy of love. But just saying this doesn't hit the point. If we only take the situation and health factors as the starting point, why can't Daiyu go into a bleak business, and last stand? Why can't we go on, be content with contentment, or even go to the ancient Buddha of despair and blue light? Daiyu did not take these roads, but dedicated all her enthusiasm, hope, sadness, intelligence and reverie to Baoyu. She has reached the state of being born for Baoyu and dying for Baoyu. No matter how much textual research and criticism there are on Gao E's sequel in the last forty chapters, the ninety-sixth chapter wrote that Daiyu heard that Baoyu was going to marry Baochai and went to find Baoyu, which was still very touching and completely in line with the description theme of the first eighty chapters.
Daiyu ignored it and came into the room ... Daiyu sat down by herself and smiled at Baoyu. They don't say hello, don't talk, and don't give way. They just giggled at each other ... Suddenly, Dai Yu said, "Baoyu, why are you sick?" Baoyu said with a smile, "I feel sorry for Miss Lin." Aroma and Zijuan were so scared that their faces changed greatly that they quickly used words to distinguish them. They didn't answer, but they still giggled ... Then Daiyu stood up and looked at Baoyu and just smiled and nodded. ...
Alas, the love that makes them find themselves in each other and prove their existence also has the destructive power to make them lose themselves and their nature. The crimson pearl fairy grass, whose duty is to return tears, only smiled at the moment, and her tears have run out! Speaking of humor, I made it up and said, "Tears make you happy." . Tears ran out, just smiled and nodded. What is this? Unfortunately, Daiyu doesn't know what "humor" is. Because it is difficult for Xiren and Zijuan to be completely detached, they are not silent, but "Qiuwen smiles without saying anything ..." It is a bit humorous.
Against the loneliness and pain of life, against the pollution and darkness of the environment, Baoyu and Daiyu chose the road of mutual respect and mutual accommodation and mutual alliance based on their true feelings. In fact, they both died for each other in the end. This is heaven. Not everyone feels this way. It is also the ninety-sixth time, describing that Daiyu heard a person sobbing in the place where she and Baoyu were buried together. "I only suspect that these big girls in the house have something to hide, so I come here to vent." When I met this girl, I felt very interesting, because I thought about how such a fool would feel ... "From here, we can see that Daiyu's view of love is conscious. She believes that "love" is a kind of "spirituality" after getting rid of stupidity, that is, a kind of "consciousness of human nature" and a very advanced human psychological activity.
After the excitement of meeting for the first time, the laughter of two innocent people, all kinds of criticisms and tribulations with acid and vinegar, especially the sympathy and mutual recognition of life tragedy, the beating of Baoyu, that is, the "absurdity" of Baoyu's personality became clearer. By the 34th time, Baodai's love had been given a poem. The meaning of three poems written by Daiyu on a handkerchief at the moment is worth chewing carefully:
Eyes are empty, tears are empty,
Who did you give up for?
The sadness in the first two lines of the first poem is abstract and generalized. Even when "for whom" is not clear, it has been "hidden" and "idle". The so-called secret throwing refers not only to the surprise of crying secretly, but also to the pure sadness of being untitled and atonal. So the eyes that store tears are empty, and the tears that cry are empty. Empty people have no reason, no object and no purpose. Doing nothing without doing anything, tears without cause, object and purpose, that is, tears of pan-sadness for everything and everything. This kind of tears, of course, fell from the sky. Baoyu has universal love for girls, but Daiyu doesn't. Daiyu has a kind of pan-sadness about life, which is very strong and conscious. Baoyu has a pan-sadness, but it is not so strong and often not so conscious. The so-called "powder stains and oil stains pollute the treasure light", that is, the enjoyment of sensuality, often blinds Baoyu's spiritual wisdom road of ascending to heaven, pan-sorrowful, and finally realizing life. Baoyu often enters the door through the infection of Daiyu.
"Inchworm shark? Thank you for your hard work, you won't be sad! " The last two songs are addressed to Baoyu. After all, the weather is bleak, and it is tangible and can be commented and described. Here, human feelings are the expression of natural feelings.
The second and third poems, whether it is "throwing pearls and rolling jade just for stealing", "I don't want to have fun in town" or "I can't take pearls from the surface", are all about my affectionate daughter's endless tears. These tears are the materialization of Daiyu's natural feelings. It is good for Daiyu's tears, and metaphysical tears contain metaphysical sadness. Exactly: tears for no reason, there is a saying that makes people sad!
Baodai's love is a great tragedy.
Tragedy lies not only in the ending, but also in the fact that lovers get married. The tragedy is that this love stronger than life has turned into a definite disaster. This love itself, this process of love, is neither a full exchange of great joy, nor a sweet little warmth, but full of suspicion, picky, blame, sadness, jealousy, resentment and fear, which can be called the mental torture of two young men and women.
This is a life tragedy, full of the same emptiness and lonely life experience. This is a social tragedy, which indicates that the Hulala Building will collapse. This is a tragedy of character. Daiyu's triviality and nobility are often incompatible with Baoyu's carefree life of "nothing to do" and "wealth and idleness". This is the tragedy of fate. I only read the alliance of wood and stone, but there is a sword of Damocles hanging over their heads. It is also a tragedy caused by the disharmony of the situation: Baoyu, who is in the center of pampering, is in the power of ethics and habits centered on men. In fact, Jia Baoyu, who enjoys the privilege that men can have more wives and naturally love them more, feels the illusion and loneliness of "no one is the master" and can't get rid of the deep doubts. Even though Baoyu loves Daiyu with all his life and enthusiasm, Daiyu still can't let go of his peace of mind.
Song said, "One is Xianpa in Yuen Long, and the other is flawless jade." Write about the beauty of two people, the beauty and purity of their love, and the perfect match between Xianpa and Meiyu in Yuen Long. What a match! "If there is no romance, I will meet him in this life; If you say you have a strange fate, how can you be worried? " This is the fundamental problem, and this is the inexplicable pain. The joy of meeting proves the fate of Sanshengshi. It's not the strange words of friends who are not together and the experiences connected with them that enrich their romance, but meeting by chance doesn't mean that everything will be fine. All shall be well, jack shall have Jill, and romance develops fully, but there are flowers and no fruit. After "Meet Again", after tasting the ups and downs with him, the two can only break up, can only be separated, and can only become monks. Why does romance always have a beginning and no end, bringing hope and then disappointment? Why does romance often become a practical trick and scam, but it is only a flash in the pan at most, Shi Huo? Countless strange fates have become countless hopeful beginnings, but they may not have the result of providence. Countless strange fates have become flowers that bear no fruit or only bitter fruit. Isn't the strange fate on the earth like this? Why is there only Baodai's love?
Then he sang: "One is crying in vain, the other is worrying about nothing, the other is a moon in the water, and the other is a flower in the mirror." This goes back to the "old" proposition that "color is empty and emptiness is color". In vain, empty labor, just from the result, from the effect of marriage, is really empty. But if we regard life as a process and love as a process, then Baodai's love is not "wasted" and "wasted", but the most beautiful, fulfilling, wonderful and intense emotional support and many warm-hearted gratitude and intoxication in their youth and life experience. When Baoyu told Daiyu about rat poison in Linzidong, he smelled a faint scent coming from Daiyu's cuffs, so he reached out and scratched his arm under Daiyu's armpit. Isn't the joy of these two little conjectures enough in itself? Is it "in vain" and "in vain"? When Baoyu expressed his love loyalty to Daiyu through Zijuan, he said, "Live, let's live together; Don't live, let's turn to ashes ",isn't it clear? Living in a place is not "wasting time" or "wasting time". It is not living and hoping that "all directions that need strong winds will disperse, which is good!" But we still have to "turn to ashes and turn to smoke", still persistent, still reluctant, still not empty, and we can't ignore it! Not "vanity", not "empty labor", but extremely precious and unforgettable!
Such a persistent emotion failed to get the happiness it deserved, and such a regrettable shock has continued to this day! It is said that in the late 1970s, after the smashing of the Gang of Four and the resumption of the release of the Yue Opera film Dream of Red Mansions, young men and women in love committed suicide after watching the movie. We certainly don't want this to happen, but what a great love it is, which not only makes the characters in the book, the parties Jia Baoyu and Lin Daiyu crazy, but also makes the readers and audience die unsatisfied! Can be described as affectionate, can be described as family love! More precious than life and more powerful than death. To sum up: "Think about how many tears are in your eyes, and how to survive autumn and winter and spring and summer! "Not just spring, summer, autumn and winter, this tear will flow from generation to generation!
In this sense, Baodai's love has a classical romantic tone.
Buddhists say that troubles are caused by lust, which is not groundless. Take Daiyu as an example. Although ordinary people, such as Miaoyu, say "Miss Lin is mean-mouthed but cautious", on the whole, there is nothing wrong with interpersonal relationship. Except for the seventh time to send palace flowers, Daiyu looked askance at Baoyu and sneered, "I knew others wouldn't give me the rest." Except for one thing, she is very kind to her elders, Baochai and Aunt Xue. Playing jokes on Xiangyun and Xifeng, sometimes pretending to be "annoyed", actually there is no harm. In the third paragraph of Dai Yu's first arrival in Fu Rong, "many things here are out of place at home and should be changed one by one", including eating tea immediately after meals or "eating tea later will not hurt the spleen and stomach". She always does as the Romans do, preferring to change the habits she developed since childhood and the rules set by her father (such as not drinking tea immediately after meals) and follow the crowd. After Baoyu was beaten for the thirty-fourth time, Daiyu choked for a long time, sobbing, and advised Baoyu, "From now on, everything can be changed!" It also shows that Daiyu's "aloof" is mainly in her heart. As for shallow interpersonal communication, she is not blindly biased. However, it is precisely for Baoyu that she is almost never satisfied and never easy-going. Is this the smell of love? The above-mentioned gossip about Zhou Rui's family when sending palace flowers is not so much aimed at Zhou Rui's family as telling Baoyu that she should not vent her unhappiness in front of Baoyu and vent the resentment of an orphan girl, hoping to get Baoyu's sympathy and pity, at least to attract Baoyu's attention. Who can she judge in front of? What she said made Zhou Rui's family "not say a word" can be compared with Baoyu's behavior of throwing jade when he saw her. Love evokes a kind of repressed pain. Since then, Baoyu has given the King of Beijing a "holy kiss"? A string of "rosary beads" was given to Daiyu, who fell to the ground and said, "What a smelly man's thing". This may explain Daiyu's nobility, but it also shows her special waywardness in front of Baoyu. We can say that Daiyu's move was intentionally or unintentionally thrown at Baoyu, conveying two messages to Baoyu: First, I, Daiyu, am extremely lofty and never close to any dignitaries; Second, I, Daiyu, regard men as "smelly" and have no direct or indirect relationship with men-isn't it just to prove that Daiyu is particularly fond of Baoyu and regards Baoyu as the opposite of "smelly" confidant?
How much love, how much response is required. Love promised with life needs an answer promised with life. The supreme and only love demands the supreme and only response. One-way, single-minded love may have been described in books, but it is rare in reality, at least Dai Yu's love for Baoyu is not like this. The love between Daiyu and Baoyu is romantic and realistic, daily and sometimes trivial. It is rare to write love as romantic as in daily life, both at home and abroad. Reading the first forty times about Daiyu's criticism and accusation against Baoyu often makes people feel that the logic is contradictory and can't be justified at all. Back to the twentieth "Lin Daiyu's witty remarks", it is written that Baoyu and Baochai go to visit Shi Xiangyun who has just arrived at grandma's house. Daiyu sneered there: "I said, I was trapped at (Baochai), or I would have flown here." After Baoyu explained, Daiyu said, "If it's boring, it doesn't matter to me whether I go (to Baochai's house). I didn't ask you to relieve my boredom. " Then go back to your room angrily. Baoyu chased after him to make amends, and Daiyu said, "I ruined my health. What does my death have to do with you! " He added, "If you say die, I will die now. You're afraid of death. How about your long life? " ..... Later, Baoyu made it clear that he was estranged from Baochai. After getting close to Daiyu, Daiyu spat, "Did I tell you to be estranged? I did it for my heart! " Baoyu also said, "I did it for my heart ..."
It's so true, you have sincerity, I have sincerity, and it gives birth to a lot of troubles, which gives birth to Daiyu's importune and unreasonable troubles! Envy is born of love, and ugliness is born of beauty, which is also the dialectics of feelings. Cao Xueqin didn't idealize and purify his most sympathetic and attached love, nor did he avoid the countless isolation in this love. It didn't look beautiful or poetic.
On the other hand, why is Daiyu's jealousy illogical, unreasonable and unrealistic! In the end, didn't good luck destroy the alliance between Mu and Shi, and the real interests crushed the situation? This can also be called "man can conquer nature"
Seeing Bao Dai's jealousy, suspicion, picky, temptation, irony and ridicule, especially Dai Yu, sometimes we can't help but ask, is this love? Isn't love the most beautiful flower in life, the most beautiful gift given by God, the most beautiful glory in youth, but a series of mental torture, psychological tests, eternal mutual distrust and eternal vanity?
However, this is a fact. Not only in the face of career, knowledge, truth and love, but also in the face of hell, any timid and wise avoidance is useless and impossible to enter. Real life, real career, real knowledge and true love can only belong to fearless people, who have a certain "fool" temperament. The main reason for this kind of loved one may be the feudal ethics against humanity or Daiyu's lonely position. Perhaps the only thing that makes love so important and supreme is to turn love into a cup of bitter wine or a cup of poisonous wine. Is there still relaxed and happy love in the world? Free combination, free separation, happy embrace in a pile, unhappy goodbye waving away ... is this a much more reasonable love model? It's really relaxing. It doesn't matter at all. Is there such a thing as love?
Of course, the state and custom of love cannot be separated from the development and progress of society and social thought. Baodai's love tragedy may make us "remember the bitter and think sweet" and feel gratified; Baodai's deep and unforgettable love makes us even more moved and even envious: blessed is the person who can love in this way. He has tasted enough of the pain of love, and he truly and uniquely belongs to him. At least in love, he has not been "brought into the world of mortals in vain and experienced joys and sorrows ..." (the first time). The experience of heaven is like the experience of genius, the experience of talent and the experience of heaven and earth. It is extremely precious!