Tips for teaching calligraphy
Tips for teaching calligraphy. Calligraphy is a long-standing and excellent traditional culture in our country. To learn calligraphy well, you can first read some calligraphy tips that have been passed down to this day. Only if you understand it well, Only in this way can you improve your understanding of the art of calligraphy. The following are tips for teaching calligraphy. Tips for teaching calligraphy 1
1. Square characters are not square, but both left and right are good. (Tian Bai returns)
The yin strokes are thin, and the right yang strokes are thick and clear
2. The italics should not be slanted, and the whole should be straight. (Wugu Zhizi)
Although the slant is obvious, the main function is to stand firmly.
3. The middle stroke is long and the lower stroke is long, and the cross arms should be clear. (Happy Lou'an)
A single pass without losing the mainstay.
4. Eight-crossed herringbone, with the top of the cross in the air. (Meeting the Golden Ming)
The lower part should be aligned, not east-west.
5. Cross under the eight characters, also in the middle of the characters. (Heavenly Father Wen Zhi)
If it is tilted to the east or west, the character will not be formed.
6. Originally, the characters were straight, with horizontal strokes running diagonally upward. (The king is born upright)
If it is flat or low, it will reduce the beauty.
7. There are words but no straight strokes, and the strokes are slanted. (Yi Mu Li Nai)
Those who are partial should be slightly corrected to achieve overall beauty.
8. The upstroke should not be long, the downstroke is the main work. (Pi mutually stand together)
The overall arrangement should be moderate between the two divisions.
9. If the left and right sides are vertical, the left side should be short and thin. (The page is solid because of its nature)
The right vertical line is thick and strong, and the main stroke is rounded.
10. There are horizontal and vertical words. Remember the horizontal and vertical words clearly. (Mumi Zhuwei)
The vertical length must not be reduced, and the long wind can be suppressed.
11. Some words have many strokes, long horizontal lines and short vertical lines. (Dyeing millet frame with mulberry)
The pinna should be contracted, and the emptiness should be filled with points.
12. The character B is originally skewed, and the curvature is hard work. (Yi has begged)
It is better to live than to die. If you don't have a lot of time, you will be windy.
13. If the book is thin, it will not reduce the appearance if it is thick. (Divination of Moon and Earth)
This character should not be long to avoid emaciation.
14. There are points up and down, with the upper point pointing inwards. (Also fry the lamb)
The lower point should be outward, with roots in the west and east.
15. Use the dot as the edge of the word, and take care of the top and bottom. (Leng Ci Honghai)
Stand down and look at the stars.
16. If you point too much, you should close it and don’t show it. (Also Chiran point)
The directions should be opposite to each other, and the gravel should be paved in the fairy palace.
16. Horse teeth are the most difficult to write, and they must be straight in the middle. (What does a horse and a bird do?)
The upper part is the base point, and the lower part is aligned with the center.
17. The left side should be straight and short, giving way to the right side. (Yi Chi Shi Shi)
The left and right sides look at each other, and the right hand should be unrestrained.
18. For those who are left-handed and right-handed, the left should be shortened and the right should be extended. (Chuan Sheng Maobang)
In order to make sure the center is not empty, look to the left and right.
19. The sky should be large enough to cover the sky, and the coverage should be strict. (Judger Fu Palace)
Everything is included, and no side is allowed to be exposed.
20. The earth must be wide enough to support thousands of treasures. (To Emperor Meng Gai)
The density should be appropriate, with the axis in the center.
21. When two words are combined into one, the left should be high and the right should be low. (The red part is red)
The left part occupies the important position, and the right part gives way.
22. Put the left and right parts together, and the right part is the main body. (Read Butterfly Pond)
The right part is higher than the left part, and the right part occupies the vast world.
23. The vertical division is not about competing for superiority.
(The book will be used again)
The characters are all beautiful in shape and uneven.
24. It is better to spread the horizontal lines evenly and keep distance between the length and length. (Three-Yang Measurement Book)
Don’t overdo it, and the fonts are extremely beautiful.
25. The strokes are sparse and small, and the pen is thick and powerful. (Kou Gong Rixi)
Although small, it is not small, but it is rare but not rare.
26. The strokes are multi-shaped and large, and the strokes are fine and proportional. (Zhensangbiba)
The density should be appropriate, even if there are too many, the bottom will not be seen.
27. The sparse strokes should be small and the arrangement should be appropriate. (Xiao Qian Monkey)
The strokes occupy their position without any deviation.
28. Secret writers have many strokes, so be careful when writing. (Ying Zhen Ji Mao)
The white cloth should be even and the thickness should be appropriate.
29. Horizontal strokes are not horizontal, diagonal strokes are the rule. (Mao Qiye Ge)
In the oblique middle, you can see the positive, and there is an oblique pen in the middle.
30. The word "Yun Qu Qie Dan" is also suitable if it is slightly slanted. (Yun Qu Qie Dan)
Although it is not as good as Mao Qi, it is generally similar.
31. The same word should be arranged up and down, and the small one at the top should be big at the bottom. (Brother Lu Changgui)
Although they are father and son, the father is subordinate to the son. Calligraphy Teaching Tips 2
"Song of Writing Tips in Running Script"
It is not difficult to write running script.
The structure of regular script is in your mind;
Meaning Look at the structure of the pen first,
Who is strong and who is soft in front of the ink;
Avoid top-heavy structure of the upper and lower parts,
Arrange the strokes to avoid losing weight;
There is method and rhythm in writing,
There are changes in posture and angle from the front and side;
The changes are reasonable and realistic,
The left and right structures are divided into primary and secondary;
Lift the paper in an orderly manner,
Follow the rules and see the soft rhyme;
Put down the pen and raise your head without pausing,
Up and down The strokes should be connected together;
Practice radicals separately,
The priorities should be harmonious;
Seek the connection between the right and wrong,
The attached hooks are sentimental;
The dots and strokes are flexible,
The curves, straight corners and circles are vivid;
The rhythm is smooth and flexible,
Jumping cranes dance in flowing water springs;
Write horizontally in running script with the center line,
Write vertically in running script with emotion;
Regularly participate in calligraphy competitions ,
Finding the shortcomings will determine success.
Things you need to know about practicing running script:
Wang Xizhi's "Lanting Preface", Jin Dynasty, is the best running script in the world
Yan Zhenqing's "Manuscript of Sacrifice to My Nephew", Tang Dynasty, is the second running script in the world
Su Shi's "Huangzhou Hanshi Tie" in running script is the third in the world, Song Dynasty
Wang Xun's "Bo Yuan Tie" in running script is the fourth in the world, Jin
Yang is the fifth running script in the world Ning style "Leek Flower Tie" Five Dynasties
The sixth running script in the world Liu Gongquan's "Mengzhao Tie" Tang Dynasty
The eighth running script in the world Mi Fu's "Shu Su Tie" Song Dynasty
The ninth running script in the world, Huang Tingjian's "Songfeng Pavilion Poems", Song Dynasty
The tenth running script in the world, Li Jianzhong's "Tumu Tie", Song calligraphy teaching formula 3
The first point of the first trick is at the beginning just.
Taizong of the Tang Dynasty commented on brushwork: "The points should be sharp and angular, avoid being round and flat, and value flexibility." The first point should be like a dragon's eye, a phoenix's eye, or a stone falling from a high mountain. Above the center of the whole character, the edges and corners are highlighted and the spirit is bold, which is the key to the stroke technique.
The second trick is to look forward to changes.
Li Yangbing’s discussion of brushwork says: “If the point remains unchanged, it is called chess layout.” In one word, the point of the stroke is the most important, while those with more than two points must be flexible and each has its own shape. They should be connected from beginning to end and echo each other.
If it is straight, similar, and uniform, it is not a book.
The third key point is vertically aligned.
In a word, if there is a dot at the top and a vertical line at the bottom, you should think about whether it is straight. If it is straight, think about the position of the pen. The points are vertically aligned, some are in the middle of the characters, and some are on the left and right of the characters. The so-called straight alignment means that the center of gravity is vertically opposite and must not be turned sideways. In this method, you should think first and then write, visually check the position, and then follow with your hands.
The fourth trick is straight in the middle.
In a character, there are two uprights in the upper and lower parts. The two verticals should be aligned vertically. If they can be aligned, the character body will not fall down. However, one of the two vertical pillars must be firm and vertical to establish its momentum, while the other vertical pillar must be slightly inclined to the left to soften its plank. The method of alignment is based on the center of gravity. If the two strokes are stiff, the charm will be lost.
The fifth trick is straight to the right.
Anyone who is in a straight position should be vertical and strong, and follow the trend. Regardless of whether the needle is hanging, whether it is hooked or not, bending the body is a taboo. Youjun commented on Zhongzhi and said: "It is as tight as spring bamboo shoots in a cold valley." Taizong also said: "In order to be vertical, you must work hard, and you must fight to be heroic." Although Zhongzhi should be vertical and straight, it must be slightly to the right. In order to change the rigidity, Kai and Xing are the same.