First of all, the film presents the spiritual outlook of China's aesthetics. In the form of Chang 'an Three Wan Li, China traditional ink animation is widely used in the scene. We can see the majestic Chang 'an City, the beautiful water town in the south of the Yangtze River, and the pastoral poems written by the poets, which express the psychology and emotions of the characters in a freehand way and convey the artistic conception of the poems.
This technique of expression fully shows the aesthetic characteristics of China traditional art, which emphasizes suggestion and imagination, thus creating a very China aesthetic experience and making the audience feel the charm of China's aesthetics in the process of watching movies. Secondly, the film embodies profound humanistic care. Chang 'an Three Wan Li runs through a series of stories and characters in content.
It reflects people's life, emotion and pursuit in historical changes. The film attaches great importance to the restoration of historical figures, especially the images and poems of famous poets such as Li Bai and Du Fu in the Tang Dynasty, which makes the characters distinctive. People like Pei Min, Zhang Xu and Wang Wei, who are familiar to everyone in China, can be recognized at a glance as soon as they appear in the film.
Illustrates the intention of the producer. This restoration not only reflects the respect and inheritance of history and culture, but also makes the audience feel more deeply the charm and humanistic care of China traditional culture through vivid characters and poetic expressions. These designs in the film can touch the hearts of the audience and cause a * * * sound.
Let the audience have a deeper understanding and thinking about life and history while enjoying the film. Chang 'an Three Wan Li shows a very high level of production and technology. The film is rich in color and ingenious in composition, and the well-designed music makes the whole film very artistic.
The music in the film is mainly traditional musical instruments such as guqin, pipa and erhu. Through the performance of music, it presents the aesthetic pursuit of China's traditional aesthetics, such as manipulating feelings with music and expressing sadness with music. For example, in the film, we can hear the poet Li Bai's poem, such as thinking about a quiet night and drinking. These poems not only convey the poet's emotion through pictures, but also further strengthen this emotion through music.