Edit the historical evolution of this paragraph.
Liangzhu Town, Yuhang District is13km west of Hangzhou. This is an ordinary town, but it has a very poetic name-Liangzhu: a beautiful island in the water, "Beautiful Island". 1936 A discovery by Mr. Renshi in Liangzhu made this beautiful and poetic Liangzhu Culture Museum.
The name Liangzhu is well known by more people, and Liangzhu has since become famous. Mr. Shi's discovery is the earliest discovery place after archaeologists named it "Liangzhu Culture". Since the earliest archaeological excavation of Liangzhu site by Mr. Shi, subsequent archaeologists have continuously uncovered the long-forgotten historical features of Liangzhu culture with shovels, and a concept has gradually become clear: from 5300 to 4200 years ago, Liangzhu culture lived and multiplied in this beautiful land of Taihu Lake Basin in the lower reaches of the Yangtze River for more than 1,000 years. After fully absorbing the nutrients of Majiabang culture and Songze culture, Liangzhu culture has created a glorious chapter of Chinese civilization for 5,000 years, and ushered in the initial era of civilization that can be called nuclear change: plowing rice, finely developed handicrafts, large-scale construction projects, complex social structure, complete etiquette system, and outstanding artistic achievements represented by jade, lacquerware and black pottery ... Although there are still many Liangzhu cultures.
Edit the design features of this paragraph.
1. The interior and exterior space and functional design of the museum are surrounded by mountains and rivers. In terms of architectural style, it not only embodies the contemporary advanced architectural design concept, but also embodies the continuation of the inner spirit of Liangzhu culture in time and space; It not only has distinct personality characteristics, but also completely blends into the natural landscape, and talks with the surrounding environment just right, becoming a "natural" landscape. In the composition of internal units, the requirements of contemporary advanced museums in education popularization, academic research and collection preservation are fully considered, and there are basic exhibition rooms, temporary exhibition rooms, film and television lecture halls, academic conference rooms, audience service facilities and rest areas, VIP reception rooms, reading rooms, technical rooms and administrative rooms. At the same time, through appropriate gardening means, the internal and external space will naturally transition, and the internal and external space will be different; The scenes echo each other. In terms of exhibition means, archaeological relics exhibition, multimedia demonstration, scene simulation, feature film projection, curved surface and three-dimensional chart indication are adopted, in order to give the audience a clear impression and intuitive feeling. 2. Multi-faceted and multi-angle content expression 3. This paper expounds the irreplaceable lofty position of Liangzhu culture in the history of human civilization and its great role in exploring the origin of Chinese civilization in terms of cultural space-time coordinates (involving contemporary domestic and foreign civilization and cultural forms with inheritance relationship with Liangzhu culture). 4. Make use of archaeological evidence as much as possible, supplemented by Shengliangzhu Cultural Museum, so that visitors can truly feel the atmosphere and rigidity contained in the gentle garden and taste the natural concept of heaven and earth hidden in the mystery and romance of Dongwan style.
. And tell them that 1300' s unremitting pursuit of spirit and culture, as well as the extraordinary creative spirit and original ability shown in this pursuit, are the fundamental driving force for1300 to create brilliant Liangzhu culture. It is not only a solemn altar of contemporary culture, but also a place that makes the public feel kind and approachable. The simulation of scene and production scene shows the extensive and profound achievements of ancestors in large-scale agricultural production, engineering construction, water transportation, jade production, the development of ceramics and textiles, and the formation of market in Liangzhu cultural era. 5. By means of multimedia demonstration, a complete form of good cultural etiquette independent of material culture and its great influence on China's social consciousness and Japanese way of thinking in later generations were demonstrated. It is still of practical significance to explore the spiritual internalization of Liangzhu culture today. 6. Using the method of cultural comparison, show the relationship between Liangzhu culture, Maya culture, American culture and the culture around the ocean, and sort out the cultural context of Liangzhu feminization spreading overseas. 7. Describe the discovery and excavation process of Liangzhu culture, show the latest research results of Liangzhu culture, put forward unresolved related topics, and stimulate visitors' enthusiasm for inquiry.
Edit this memorabilia
Liangzhu site, as a famous archaeological site in the late Neolithic period in China, has long been recognized by academic circles at home and abroad for its status and value. As early as 1994, Liangzhu site was included in the preparatory list of China's application for World Heritage List because of its unparalleled important value and preservation integrity in the origin stage of Chinese civilization. Some people commented: "The continuous revelation of the great value of Liangzhu site has changed people's previous understanding of the time, way and way of the origin of Chinese civilization;" Liangzhu Site is one of the regions with the largest scale and level in China's 5,000-year history of civilization. " Bathed in the sunrise of new China, Liangzhu archaeology entered a golden age.
L936
Mr. Shi of the West Lake Museum excavated the chess board tomb of Liangzhu, Xunshan area and Zhongjia Village of Changmingqiao in his hometown of Liangzhu, Yuhang. He also learned that there are more than 10 similar sites, and a large number of black pottery and stone tools have been unearthed. Based on this, Mr. Shi wrote and published the "Preliminary Report on the Black Pottery Cultural Site in the Second District of Liangzhu-Hangxian County", which initiated the research on Liangzhu culture. However, with the continuous war, Liangzhu archaeology, which has just started, has also come to a standstill. Until the 1950s, after the founding of New China, the socialist construction flourished, and the archaeological cause in China entered a golden age. Liangzhu archaeology began to accumulate a lot of data.
1955
Zhejiang's excavation of Yuhang Changfen Site is the first archaeological excavation within Liangzhu Site after the founding of New China. Archaeologists' hand shovels constantly uncover the historical dust of Liangzhu's lush greenery, making its ever-changing face gradually friendly. After the ups and downs of Paleolithic Age, Majiabang Culture and Songze Culture in Neolithic Age, complicated social structure and complete etiquette system, outstanding artistic achievements represented by jade, lacquerware and black pottery were presented to the world one by one ... With the spring breeze of reform and opening up, the great value of Liangzhu site was revealed layer by layer.
In the early 1980s.
With the excavation of Wujiabu as a symbol, the archaeological work in this area has entered a substantive stage, and the mysterious Liangzhu culture has also been unveiled. The excavation of Fanshan and Yaoshan caused a great sensation, which quickly set off a wave of research on Liangzhu culture and Liangzhu jade. Soon, important sites such as Guanhui Mountain and Jiaomo Mountain were discovered, and the study of Liangzhu culture was pushed to a new climax. "Liangzhu Site", as a special concept of large sites, gradually formed. Large-scale sacrificial buildings, high-level altars and powerful cemeteries gather in one place, and a large number of different types of sites are constantly being discovered. Liangzhu site, as the political, economic, religious and cultural center of Liangzhu period, was quickly recognized by academic circles. Liangzhu Site is one of the most complete and huge archaeological sites in the Neolithic Age in China, which is a representative of human creative genius and a model of early urban planning and architectural design. It is a unique witness of a lost culture, which is closely related to current traditions, ideas, beliefs and arts. It is an outstanding example of traditional human settlements.
1996
Liangzhu site was announced as "national key cultural relics protection unit". National Cultural Heritage Administration said: The continuous revelation of the great value of Liangzhu site has changed people's previous understanding of the time, methods and ways of the origin of Chinese civilization, and will continuously enrich people's understanding of the history of Chinese civilization. Liangzhu Site is one of the regions that have proved the largest scale and level of Chinese civilization history for 5,000 years, and it should become a holy place for people to commemorate, educate and visit the Chinese nation and the oriental civilization in the future.
In 2000,
Yuhang District cooperated with Du Nan Group to introduce Liangzhu Cultural Village project. In the past eight years, through market-oriented operation, the project has raised 250 million yuan for the protection of Liangzhu site.
March 25(th), 2002
Nearly 10,000 Hangzhou citizens signed to support Liangzhu Site's application for World Heritage List.
April 2006
After a villager found jade in a building in the ruins area, he immediately took the initiative to hand it over to the cultural relics management department and assisted in the subsequent archaeological excavation, thus preventing the loss and destruction of more than 200 precious cultural relics.
In 2007
The "Liangzhu Ancient City" excavated by the archaeological team led by Liu Bin, a researcher of Zhejiang Institute of Cultural Relics and Archaeology, is based on Liangzhu Cultural Museum.
Dagui, called "the first city in China" by archaeologists, is the capital of Liangzhu culture, and at the same time, it has advanced the history of Hangzhou's construction by more than 3,000 years. "Liangzhu culture is a strong culture." At the first "Liangzhu Forum 2008 Chinese Culture Forum", experts and scholars at home and abroad described it in poetic language: Liangzhu culture is the star of Chinese civilization. Its most obvious characteristics are originality, originality and originality, which is its unique cultural creativity. Liangzhu site is also a typical example of site protection in China. As early as 196 1, Liangzhu Site was listed as a key cultural relics protection unit in Zhejiang Province, and 1996 was announced by the State Council as the fourth batch of national key cultural relics protection units. On 200 1, National Cultural Heritage Administration listed Liangzhu site as the first project of the first category of the special plan for the protection and exhibition of great sites in China during the Tenth Five-Year Plan period. In 2007, it was selected into the list of 100 important sites determined by the national "Eleventh Five-Year Plan" for the protection of great sites. Looking back on the excavation and protection of Liangzhu site for many years, we can read many touching stories. In the spring of the new century, the protection of Liangzhu site is getting better and better.
the year of 2008
Three people around the site donated jade, stone tools and other Liangzhu cultural relics 10 to Liangzhu Museum. With the increasing atmosphere of understanding, support and participation of cadres and the masses in site protection, enterprises are also showing a trend of actively participating in Liangzhu site protection.
Edit the layout of this part of the museum.
Turn right from the preface hall and enter the first exhibition hall, which briefly introduces the connotation and distribution of Liangzhu culture. Throughout the first exhibition hall, in the large-scale background mural scene with the ancient primitive ecological environment and daily life in Liangzhu culture period as the background,
Restored the vivid scenes of the ancestors' fast-wheel pottery and textile at that time. In the exhibition, we can see the advanced agricultural production tools in Liangzhu culture period, including stone plows, shovels, stone knives, soil breakers, stone sickles, stone hammers used for hunting at that time and nets used for fishing. Their complete sets of well-made production tools are the most complex and are in a leading position in archaeological culture at the same time. It is not difficult to imagine that the ancestors of Liangzhu lived a very moist life, eating rice, drinking soup and eating fish, and enjoying fishing and hunting. Highly developed agriculture has provided a solid material foundation for the emergence of a well-defined and specialized handicraft sector, which has produced many handicraft production categories and made amazing achievements. Exquisite black pottery, fabrics full of latitude and longitude beauty, sacred and exquisite jade, precious and gorgeous lacquerware and developed bamboo and wood products in the exhibition will let you appreciate the primitiveness and colorful life interest of the ancestors of Liangzhu. The second exhibition hall is located on the east side of the second floor of the main building of the museum. Six groups of display cases are used to display some exquisite cultural relics of Liangzhu culture, including beautifully carved jade, finely ground stone tools and well-made pottery. There is a set of light box paintings connected between each two groups of display cabinets, and some exquisite jade and pottery photos that are not collected in our library are selected. In the center of the exhibition hall, there are four groups of glass screens with the same height as the exhibition hall to symbolically block the line of sight. Each group of glass screens is composed of two pieces of glass, with a picture of exquisite objects on each side, which has a strong three-dimensional effect. On the one hand, these light boxes and screens create a good atmosphere for the whole exhibition, on the other hand, they expand the exhibition capacity and enrich the information of the exhibition. Jade * * * is divided into two parts, one part is a heavy-duty ritual vessel, including jade cong, jade bi and jade yue; Yiliang bamboo culture museum
Some are mainly decorative jade, including trident, crown, yellow, cone, hook, bracelet, spoon, dagger, necklace and animal ornaments such as birds, turtles, fish and cicadas. In the pottery part, in addition to displaying various types of pottery, there are also pottery engraved with original characters, such as single cups, oval beans, cans and so on. At the end of the exhibition hall, the life story of Shi, the earliest archaeologist at Liangzhu site, and He Tianxing, the pioneer of Liangzhu culture research, as well as some materials of experts and scholars studying Liangzhu cultural achievements over the years are also introduced. The third exhibition hall is located on the west side of the second floor of the main building of the museum. It shows a tomb of "Yu Lian's burial" in Liangzhu culture period, which has a strong visual shock. At the same time, photos of tombs of different grades are also displayed on the surrounding walls. Through the comparative display of rich tomb materials, it reveals the social class differentiation and class formation of Liangzhu culture, and the interpretation of Liangzhu culture has risen to the height of civilization, and the whole exhibition has reached a climax. The contents of the three exhibition halls reflect each other, each with its own emphasis, fully demonstrating the high material civilization and spiritual civilization created by the ancestors of Liangzhu, indicating that the origin of Chinese civilization can be traced back to the Liangzhu period four or five thousand years ago. In 2006, in order to commemorate the 70th anniversary of the discovery of Liangzhu culture, a special exhibition of anti-Yaoshan jadeware was held in Hall 23, with more than 600 pieces (groups) on display. This is the first time that the museum has exhibited a large number of exquisite jade articles in the 20 years since the archaeological excavation of the anti-mountain and Yaoshan sites. The exhibition is divided into four parts, showing the unique connotation and function of Liangzhu jade from different angles. In the second exhibition hall, under the mapping of lights, the jade articles of Liangzhu culture exude the unique colors of "chicken bone white" and "pumpkin yellow", which are eye-catching and spectacular. The first part introduces the ritual system of jade storage in Liangzhu society. In Liangzhu period, jade was endowed with sacred character. The three instruments of Liangzhu period: Jade Cong, Jade Bi and Jade Yue, are noble and sacred. They are spiritual objects that communicate with heaven, earth, man and god, sacred instruments, important ritual objects that maintain social hierarchy and order, and symbols of secular power. The second part is good.
Zhu Ren's exquisite jade carving. The ancestors of Liangzhu were good at cutting jade, and formed a whole set of processes from raw material selection, design and sample setting, blank cutting, decorative carving to polishing. More than 60 jade articles with different expressions and exquisite carvings were unearthed from Fanshan and Yaoshan sites/kloc-0. They are reasonable in layout, unique in shape and exquisite in decoration, which all reflect the exquisite jade carving technology and unique ingenuity in Liangzhu period. In the face of precious cultural relics, people stop to see the mystery. That uncanny workmanship is not as good as the master of modern arts and crafts. The third part is the types of jade. The extensiveness and gradation of jade used in Liangzhu society complicate the function of jade. At present, there are more than 40 known species. In order to make it easy to distinguish, in the exhibition, according to the different unearthed conditions and the shapes of utensils, we divide Liangzhu jade into two categories: single piece and composite piece, and composite pieces are further divided into four categories: assembly, assembly, wearing and inlay. The whole exhibition board and cultural relics correspond to each other, which will give you a feeling of the exquisite life of our ancestors. The fourth part, located in the third exhibition hall, reproduces the No.23 tomb of the anti-mountain site of Liangzhu culture by means of restoration and exhibition. The cultural relics unearthed from this dignitary's tomb include jade, jade-inlaid lacquerware and pottery, with a total of 467 pieces. Among them, 54 pieces of jade were unearthed, which is the most abundant burial jade in Liangzhu cultural site. The exhibition also vividly reveals the polarization between the rich and the poor and social stratification during the Liangzhu culture period through the huge differences in the scale of tombs, the number and categories of funerary objects.
Edit this popular myth.
Dayu killed windbreaks-The myth of "Dayu killed windbreaks" occurred in 2 1 century BC, about 4 100 years ago. Its legendary windbreak country is near the birthplace of Liangzhu culture today, only a few miles from Anxi, between the two mountains in Feng Ying County. This myth has long been recorded in historical books, such as Lu Yu, Huainanzi, Historical Records, Classic of Mountains and Seas, Search for Ji Shen and so on. In recent years, folk writers in our province have collected a lot of information, which is very valuable. (1) A long time ago, King Yao and Shun attached great importance to water control, because when there was a flood, people would lose their lives, grains and grain would be washed away by water, and even sand would be washed away. Shun Wang sent guns to control water, and the guns blocked the water in low-lying areas. But when it rains and winds, the water overflows the bank again. The gun has been treated in this way for three years, and it has no effect. So King Shun cut his gun in a rage and continued to recruit talents and talents to control water all day long to control floods. Many, many years later, a space appeared. He is Gun's son and was born three years after his death. Yu was born like a bug, but he grew up quickly and soon became a strong young man. He heard that his father was a hero of water conservancy, but he was killed by Wang Shun. Because water conservancy was illegal, he was determined to water conservancy. He believes that since the plugging is unsuccessful, we must find another way. He traveled all over the country and summed up the characteristics of geomantic omen: water flows downwards and turns into flood with the wind, even if there is fatalistic power, it can't stop them from coming. Therefore, it is necessary to use the method of dredging to help the rainwater in the lake port flow along the river to the rivers and seas, and not to accumulate on land. I turned over five mountains and walked three rivers. On the way, he met a friend named Xiao Wu. They often talked about everything and walked together. When they were blocked by the flood, they dug up the old embankment day and night, moved a hill, and sometimes split a mountain with a mountain axe. Coming to Taihu Lake on the coast of the East China Sea, Yu and Xiao Wu temporarily settled down in a place called Tushan by the Qiantang River. Before Yu and Xiao Wu arrived at Tushan, they found a piece of land north of Qiantang River, which was particularly fertile. Later, they found that a windbreak was contemporary with a gun, and was named as a "water control hero" by Wang Shun. It is said that water control is very good. I asked Xiao Wu to go to the field to see what kind of person Fang Feng is. Collection of Liangzhu Culture Museum
Xiao Wu has a good figure. He obeyed Yu's orders and set off at once. He walked for five or five days and came to the territory of King Fang Feng. Seeing many people grinding stones there, Xiao Wu asked, "What is this for?" Everyone said in unison, "Shi Li." At this time, a mysterious turtle poked its head out and added, "The Wind King has gone to Taihu Lake to control water. Where are you from? " Xiao Wu thought about it, which means to control water. What can such a turtle do? Xuangui has long been aware of Xiao Wu's mind and suddenly became a much taller person than Xiao Wu. This scared Xiao Wu. He took a deep breath and said, "I am Xiao Wu, Wang Yu's strategist, and I have been ordered to learn from Fangfeng." Xuangui said politely: "The body embryo becomes bigger and smaller, which is our means to control water. Our windproof king has stronger ability and thicker frame embryo. " Xiao Wu returned to Tu Shan and reported to Yu Wang what he had seen and heard in Fangfeng, with special reference to the giant embryo of Fangfeng. This made him feel incomprehensible, so he said to himself, "His method of water control must be very good. I will visit him and ask him for advice. " Two days later, Fang Feng came back from harnessing water in Taihu Lake. This time, they rebuilt the West Mountain of Taihu Lake, built high mountains, dug caves and filled ditches in the basin, so that the four brothers "Jinyin Longhu" could take turns to guard here and teach the people there to farm. On the way back, Fangfeng cleaned up the rainstorm in Tiaoxi and arranged for some people to live in some small highlands (these small highlands are around Fangfeng, namely Daguan Mountain, Fanshan Mountain, Guanhui Mountain, Yaoshan Mountain, Denglongshan Mountain, Yujiashan Mountain and Hengshan Mountain). Fang Feng passed Huzhou when he was controlling water and met a group of people trapped in a small highland by floods. Everyone shouted "help" as soon as they saw Fang Feng. Fang Feng was really tired at this moment, but he wanted to save people, so he ordered the fourth brother "xianggong" to act immediately and put pressure on the lake with his own body, squeezing it into 749 tributaries and flowing into the sea. The small highland turned into a hill, and people were saved, but the wind king was trapped in the lake. After three days and three nights, his body turned into a mound, just like a tower. Later, everyone called it a "windproof tower". It is rainy in the south, and it has been 998 1 day to use wind to control water around the clock. As soon as he got home, Xuanzang greeted him happily and said, "Yu, Gun's son, has been to the windbreak cave." Fang Feng and the fourth brother "xianggong" said, "In a few days, we will go to Tushan to exchange water control experience with him." Dayu has been harnessing water in the southeast for thirteen years and settled in Tushan to marry. He often goes out and makes friends with some heroes in water conservancy. He plunged into the valley upstream and ditched in Pingchuan downstream, with Tiantai Mountain on his head and Dongyang River on his foot, which was very effective. Therefore, Shun appointed Yu as king and Xiao Wu as prime minister. Yuli pays tribute and its capital is Yue, which is world-famous. Fangfeng also belongs to Yu. Since then, Yu has been called Wang, King Dayu or "Pingshui". However, Wang Yizhi of Dayu has never seen the wind. In case of a flood, you have to deal with it yourself, so you have to postpone your visit to Yu again and again. (3) Just when Fang Feng was going to Tianmu Mountain for water control, Xuangui received a notice from Xiao Wu, saying that he would exchange water control experience and reward those who made meritorious deeds, and invited governors to meet in Huiji, especially asking Fang Feng Wang to introduce his water control experience. The day of the meeting has arrived, but the wind on the mountain is still there. When he came back, he said to Xuangui, "Let's start at once, maybe we can catch up with the end of the meeting." Because Wang Yu has a meeting in Maoshan, people come and go from one mountain to another. When Yu Wang came to the meeting, all the governors presented tributes, including pheasants, rabbits, minks and tiger bones ... At the meeting, Yu Wang publicly read out the merits and demerits of the kings governing the country and safeguarding national security, and rewarded the governors' performance, and punished them if they had merits and demerits. So everyone was in high spirits and the scene was full of joy. At this time, Yu Wang remembered the windbreak he wanted to see many times, but it was nowhere to be found. After asking several times, everyone said they had never seen it. Asked Xiao Wu again, Xiao Wu said, "This is not a notice. The notice was issued at the same time. Everyone came on time, but he didn't. " Xiao Wu walked up to Yu Wang and whispered. Yu Wang's face fell at once and stopped talking. Xiao Wu invited the kings to eat large pieces of meat and drink in a big bowl, and invited everyone to come on a whim and enjoy themselves. Soon, the sound of wind music sounded around Maoshan, and everyone was immersed in the dancing figure of dancers and forgot the time. On the last day of the conference, I saw a group of people coming out of the pond. The first one was a tall man with a lot of wet mud stuck to his rolled trouser legs. Dozens of people with long hands and feet behind him are all like soldiers who have just come down from the battlefield, all exhausted. Someone shouted at the meeting, "The King of the Wind is coming." But Yu Wang said coldly, "Bring up the windproof one." The second monk Fang Fengzhang walked doubtfully to the third pedestal of Yu Wang, only to the first level. Dayu saw that Fangfeng was tall and strong, and her voice was like Hong Zhong. He was shocked at once: "What a genius!" However, there was a nameless air in his heart, and he shouted: "Wind! Do you know the crime? " Fang Feng looked at Dayu, who was praised by everyone, and there was a pile of tributes in front of him. Suddenly he heard Dayu's words and blurted out, "Am I guilty? I have worked hard all my life in order to cure the flood of heaven and solve the disaster of the Great Lakes. I defended the country and the people lived and worked in peace. What crime have I committed? " Dayu thought Fang Feng's words were very reasonable, but Xiao Wu said aside, "Our king called this meeting. Why did you come today? Isn't that a crime? " Hearing this, Fang Feng glared: "I just treated a flash flood and came from the top of the mountain overnight. I didn't even have time to prepare the tribute, only brought some jade cong. Every piece of jade is made by gold and silver and ordinary people day and night. " Fang Feng said, turned and left the meeting. Seeing that he was going to explain the situation to Dayu, Mr. Jin and Mr. Yin, who came with Fang Feng, shouted, "Your Majesty, ministers, what Fang Feng just said is completely true. Please forgive Yu Wang. We arrived on the last day of the three-day meeting. How can it not count? " Fangfeng is striding out of the venue, not listening to what Jin Xianggong and Yin said. Seeing this, Dayu became even more angry. He shouted, "Bring back the wind and behead it." A group of people under his command hugged him. Xiao Wu tried to catch Fang Feng most actively, but he was not as big as Fang Feng's waist and was thrown out by Fang Feng. King Fang Feng is on the mountain pond, and no one can catch him nearby. The four "xianggong" of gold, silver, dragon and tiger asked him to go back to Fang Fengguo together, but he stepped back at the foot of Yuwangtai. Hold your head high, as if waiting for Yu Wang to cut your head off. There was no sound at this time, and the vassals were waiting for Dayu's next move. Suddenly a counselor said, "lay the foundation." They immediately set up a mound next to Fangfeng Wang, which rose step by step, but the soil was one foot high and Fangfeng Aric was one foot high, but he still couldn't reach to cut off his head. Another counselor said, "Fire." They took pine, cypress, camphor and other branches around the wind to build a wooden frame to form a scaffold and lit it with fire. Smoke filled the air around the scaffold, and Fang Feng laughed three times in the fire and quickly turned to ashes. People watched it for a long time before it gradually dispersed. Dayu looked at this sad scene and asked himself if he had done something wrong. After returning home, he fell ill in bed. Ten days later, he made a tour to see Maoshan Mountain, wrote the word "Yudong" on a boulder, and walked to the punishment pond by the way. I saw a seven-foot small earth temple built all the way by the pond. Seven-foot Temple in Shili Punishment Pond, he knew that it was the memory of the common people for the righteous act against the wind, and he thought that this unpopular influence must be saved. (4) Dayu decided to visit Fangfeng Cave again to learn from Fangfeng's experience in managing water and governing the country. He found Xiao Wu and others, crossed the mountains and waded into the windproof hometown. Dayu saw that the rivers and lakes were calm and the people gathered in twos and threes. They all have a division of labor, and everyone is quick. They began to burn kilns, cut soil and dig ditches, and lay stones to build walls. It was a scene of prosperity. Yu Wang and his party crossed several ravines, crossed several mountain roads and came to the windproof cave at the foot of the mountain closure. The sunlight reflected on the water, making the cave emit bright light. Yu Wang couldn't help it. Everything goes well, the country is peaceful and the people are safe, and the wind is really a good monarch! "When they came to the depths of the cave, they saw the mysterious tortoise and the gold and silver" xianggong "gathered together to discuss the organization of a grand memorial ceremony for the wind king. Dayu and his party came in and immediately fell silent. As soon as Xuangui saw Xiao Wu, he said excitedly, "You are the chief culprit in killing King Windbreak. You didn't send the notice here until the day before the meeting. Even though he was there, he couldn't arrive at Maoshan on time. The wind king arrived on the third day. How can this be too late? " Dayu immediately questioned Xiao Wu. Xiao Wu had to say that he deliberately made Fangfeng late, because he saw that he valued Fangfeng very much, and Fangfeng's water control ability was stronger than himself. If Fang Feng is reused by Dayu, his position as prime minister may be lost, so he designed this trap ... Dayu suddenly realized that this friend who has been with him for more than ten years is actually a villain and immediately fired him. Dayu also listened to the story of Xuangui, Jin and Yin Xianggong telling the story of preventing wind, and deeply felt that he had killed a capable, moral and noble great man by mistake, and felt very guilty. After reading Fang Feng's works, he decided to incorporate them into his Xia Lv, and especially added contents, such as reusing talents, guarding against spies, maintaining morality, self-defense and so on. Xuangui listened to Yu Xia's words and his manners before and after his mountain-closing trip, and gradually diluted Dayu's anger at killing Fangfeng. He agreed to build a temple of Fangfeng in the mountain-closing, and buried Fangfeng on the high pier in the north of the city on August 25th every year. Yu Wang thought that these works could make up for his crime of manslaughter. However, many Fangfeng people did not forgive him. Some people swear not to worship, to avenge the windproof king. On the way back to Maoshan after visiting Fangfeng in Yu Wang, a group of mountain gods with bows and arrows stopped him. Dayu shouted, "I am Yu Xia! "God ignored, continue to bow and shoot arrows. Yu Wang's guards rushed over and caught the two men. Without saying a word, they suddenly grabbed two arrows and stabbed them in the chest. Two strands of deep red blood were sprayed on Dayu's face. Seeing that both men were dead, Dayu ordered his men to take out two groups of fairy grass and stuff them into their mouths. They survived at once. Dayu said, "They are the subjects of the wind. They came to attack me for revenge. Let them go home. What an honor it is to be windproof! There are such loyal ministers. " The next morning, when Dayu returned to Maoshan, he had stopped breathing. Everyone obeyed his orders: three collars for clothes, four inches for reeds and three inches for tung coffins, and they were buried beside Yi Hui Mountain, and his system of "those who died in the mountains were buried in Yuling" was implemented. Take a flint next to it and carve the word "jade". The founder of the temple, Yu, collapsed in Huiji. He lived 10, lived 160. The subjects who are windproof will never forget the kindness of the windproof king. They built wind-proof temples everywhere. In Zhu 'ao (later named Hengtang, at Amaranth Bridge) at the southern foot of Jiaoshan Mountain, there is a large-scale temple with statues made by civil engineering, faucets and ox ears, and ancient music of wind prevention is played during the sacrifice. People often sing all night and miss their ancestor, the king of the wind. This custom has lasted for thousands of years. Confucius also mentioned it in Lu Yu You Yue. Until the 1940s, you can still see this windbreak temple!
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Bus stops and routes of Liangzhu Museum (Xinliangzhu Museum): main entrance of Liangzhu Museum: 49 1A (the loop line of Liangzhu Culture Village), and rear entrance of Liangzhu Museum: 49 1A (the loop line of Liangzhu Culture Village). Liang Bo (Liangzhu Culture Museum): 3 13 (Hexin Village-Pingyao Station), 348. 49 1A (Liangzhu Cultural Village Ring Road) Liang Hua: 478 (Yuhang Dongmentou-Liangzhu), 787 (Linping North Station-Pingyao Bus Station) Hangzhou West Bus Station: Take bus No.91to North Bus Station and transfer to bus No.348 to Hangzhou South Bus Station: Take bus No.516 to Harmonious New Village and transfer. Hangzhou North Bus Station: Take bus No.348 directly; Hangzhou Bus Terminal: Take Bus No.69 to North Bus Station and transfer to Bus No.348; Hangzhou Metro Station: Take bus 188 to the North Bus Station and transfer to bus 348. Hangzhou South Railway Station: Take Bus No.537 to Chengzhan Railway Station, transfer to Bus No.0/88 to Bus North Station, and then transfer to Bus No.348; High-speed railway station, Yuhang, Hangzhou: Take bus 76 1 and transfer to bus 787 at Linping North Station; Hangzhou Xiaoshan Airport: Take the airport bus (Hangzhou downtown line), go to Wulinmen North, and transfer to No.348. ..