Ding is dedicated to his mother, Amyl.
Wu Ding, the stepmother, 1939 was unearthed in Wuguan Village, Anyang, Henan Province. It was named after the word "Wuding" was cast on the inner wall of the tripod. Empress Wuding, with a height of 133 cm, a mouth length of 1 12 cm, a mouth width of 79.2 cm and a weight of 832.84 kg, is a fine bronze ware of Shang and Zhou Dynasties and a national first-class cultural relic. It is now in the National Museum of China. Stepmother Wu Ding is the largest and heaviest bronze unearthed in the world so far. She is known as the "king of bronzes" and enjoys the reputation of "the treasure of the town and country".
Siyang fangzun
The square statue, bronze ritual vessels and sacrificial articles of Siyang in the late Shang Dynasty. 1938 was unearthed at the mountainside of Yueshan Brick Paving Lun, Huangcai Town, Ningxiang County, Ningxiang City, Hunan Province. Collection of China National Museum. Siyang Square Statue is the largest bronze square statue of Shang Dynasty in China, with a side length of 52.4 cm, a height of 58.3 cm and a weight of 34.5 kg. Known by historians as the "ultimate bronze model", it ranks among the top ten national treasures handed down from generation to generation.
Mao-Ding Gong
Mao Dinggong, a bronze ware cast by Mao Gongsuo in the late Western Zhou Dynasty, was unearthed in Qishan, Shaanxi Province (now Qishan County, Baoji City) in the 23rd year of Daoguang Qing Dynasty (1843) and is now in the National Palace Museum in Taipei. The tripod is 53.8 cm high and 47.9 cm in diameter. Round, with two ears, deep belly and bulging outside, three hooves and three feet, with heavy ring lines along the mouth, dignified and steady shape. The inscription in Dingnei is 499 words long, which records Mao Gong's heartfelt wishes for Zhou Xuanwang's advice for the country and is known as "the book of ministers". His calligraphy is a mature style of inscriptions on bronze in the Western Zhou Dynasty, which is fantastic, lively, vigorous, round and vigorous and has a long structure. It is an important historical material for studying the political history of the late Western Zhou Dynasty.
San series board
Gou Jianjian, the King of Yue in the Spring and Autumn Period.
The sword of Gou Jian, King of Yue, was a bronze ware of Yue at the end of the Spring and Autumn Period. 1965 Tomb No.1 of Wangshan, jiangling county, Hubei Province was unearthed. Gou Jian's sword is 55.7 cm high, 4.6 cm wide, 8.4 cm long and weighs 875 grams, which is extremely sharp. Gou Jian's sword is called "the first sword in the world" because it has been plated with chromium-containing metal for thousands of years.
He Zun of the Western Zhou Dynasty
He Zun, a national first-class cultural relic, is a ritual vessel made by a nobleman named He in the early Western Zhou Dynasty. 1963 was unearthed in Jia Cun Town, Baoji County, Baoji City, Shaanxi Province (now chencang district City, Baoji City) and collected in China Baoji Bronze Museum. Height is 38.8 cm, caliber is 28.8 cm, and weight is 14.6 kg. Inscriptions with the characters 12 and 122 are cast on the Zun insole, among which "Zhai Zi China" is the earliest written record of "China".
Ceng Houyi rings the bell.
Zeng Houyi chimed the bell, 1978 unearthed in Suixian County, Hubei Province (now Suizhou City). Zeng Houyi's chime is 748 cm long, 335 cm wide and 273 cm high. It is a large musical instrument composed of 65 bronze chimes. Its range spans five and a half octaves and twelve semitones are complete. Its exquisite casting technology and good musical performance have rewritten the history of world music and are called "rare treasures" by experts and scholars at home and abroad.
Western Zhou Dakeding
On 1890 (16th year of Guangxu reign), Dakeding in the Western Zhou Dynasty was unearthed in Fufeng, Shaanxi (now Rencun, Famen Town, Fufeng County, Baoji City) and collected in Shanghai Museum. The tripod is 93. 1 cm in height, 20 1.5 kg in weight and 75.6 cm in diameter. Da Ding Tong is 93. 1 cm in height, 75.6 cm in diameter, 74.9 cm in diameter, 43 cm in depth and weighs 20 1.5 kg. Da Keding, Da Yuding (now in the National Museum of China) and Mao (now in the Palace Museum) are also called "Three Treasures of Bronze in China".
Dayuding
The cauldron, also known as the Twenty-three Sacrificial Pot, was a cooker in the Western Zhou Dynasty. 1849 was unearthed in Licun, Shaanxi Province (now Meixian County, Baoji City). 1952 was collected in Shanghai Museum, and 1959 was transferred to China History Museum (now China National Museum). Tripod height 10 1.9 cm, diameter 77.8 cm, weight 153.5 kg. The inscription 29 1 records Zhou Kangwang's instructions to the imperial edict in Zhou Zong. Da Yu Ding truly reflects the social situation at that time and has important historical value. The inscription of Dayu Ding is an important historical material for historians to study the feudal system of Zhou Dynasty and its relationship with vassal States, which has always been valued by historians. As far as the achievements of calligraphy are concerned, The Great Ding Yu is the first one in the Cheng Kang era and the representative work of bronze calligraphy in the early years of the Western Zhou Dynasty.
White Pan of Polygonum cuspidatum in Western Zhou Dynasty
Baipan is a cultural relic of Zhou Xuanwang period in the Western Zhou Dynasty. It was unearthed in Guo Chuan Branch of Baoji City, Shaanxi Province in the Qing Dynasty and is now in the National Museum of China. Polygonum cuspidatum white plate is regarded as a masterpiece in the bronze inscription of the Western Zhou Dynasty. The white bowl of Polygonum multiflorum Thunb. It looks like a big bathtub, with a length of 137.2 cm, a width of 86.5 cm, a height of 39.5 cm and a weight of 215.3kg.. Polygonum cuspidatum white plate is regarded as a masterpiece in the bronze inscription of the Western Zhou Dynasty.
Bronze sacred tree
There are eight bronze sacred trees, which are bronzes in the late Xia Dynasty. 1986 was unearthed at Sanxingdui site in Guanghan, Sichuan, and collected in Sanxingdui Museum in Sichuan. Among them, the No.1 Great God Tree is 3.96 meters high and its trunk is 3.84 meters high. This sacred bronze tree, which was cast 3000 years ago, is very spectacular and unique in the world.
Li Chan in the Western Zhou Dynasty
Gui Li, also known as "ghost of business in Wu Wang", "ghost of heaven in Zhou Dynasty" and "ghost of Tangong Palace", was a bronze ware in the early years of Western Zhou Dynasty. 1976 Unearthed in Lingkou Town, Lintong County, Shaanxi Province, and collected by China National Museum. Li Chantong is 28 cm tall, 22 cm in diameter and weighs 7.95 kg. Li Chan is the earliest known bronze ware of the Western Zhou Dynasty, and it is a bronze ware of the town. Gui Li's figure on the upper circle is a typical figure of bronze ghost in the early Western Zhou Dynasty, and it is also the embodiment of China's ancient concept of round place.
Ceng Houyi Zunpan
Ceng Houyi Zunpan is a cultural relic in the early Warring States period. 1978 was unearthed in the tomb of Zeng Houyi, Leigudun, Suizhou City, Hubei Province, and collected in Hubei Provincial Museum. The whole set of instruments is 42 cm high, 58 cm in diameter and weighs about 30 kg. Ceng Houyi Zunpan is the most complicated and exquisite bronze ware in the Spring and Autumn Period and the Warring States Period. It is confirmed that the lost wax casting technology in China has reached a very high level in the early Warring States period 2,400 years ago.
Tongbenma
Empress Guan Feng of Ming Xiaojing
Guan Feng, the filial piety queen of the Ming Dynasty, 1957 was unearthed in Dingling, Changping County, Beijing, and is now in the National Museum of China. Guan Feng, the empress of the Ming Dynasty, has more than 100 rubies and more than 5,000 pearls with a total weight of 2,320g (four catties and six ounces). In contrast, the helmet weight of China soldiers is below 1.45 kg (less than 3 kg).
"Five Stars Out of the East, Benefiting China" shoulder pad
The "Five Stars Going East to Benefit China" hand guard, a brocade hand guard in Shu area in Han Dynasty, is a national first-class cultural relic, which is considered as one of the greatest archaeological discoveries in China in the 20th century. 1995 10 The members of the academic investigation team of the Sino-Japanese Niya Site found this tapestry in an ancient tomb of the Niya Site in Minfeng County, Hotan District, Xinjiang. Now it is collected in Xinjiang Museum. The brocade is a rectangle with rounded corners, with a length of 18.5cm and a width of12.5cm. It is woven with eight Chinese characters of Han Li: "Five stars go out of the East and benefit China". Through the study of the "five-star party", scientists have calculated that there will be a rare astronomical spectacle of the five-star party on September 9, 2040.
Statue of Hongshan Culture
1983 The statue of Hongshan Culture, unearthed from the "Goddess Temple" in Hongshan Culture, Niuheliang, Liaoning Province, is the earliest statue of goddess in China and is now in the Liaoning Provincial Institute of Archaeology.
Liu Shengjin travels to Yuyi.
Liu Sheng's golden jade costumes are cultural relics of the Western Han Dynasty. 1968 was unearthed in Mancheng County, Hebei Province in May and collected in Hebei Provincial Museum. This complete set of gold and jade burial clothes is the first major discovery famous at home and abroad. It is a very precious historical relic and a national treasure. Liu Shengyu's total length1.88m, 2,498 pieces of jade pieces, and gold thread1100g. Its appearance is the same as the human body. In the "Jade Clothes", 18 jade articles and things to eat and wear were also found.
Warring States crystal cup
Crystal Cup, a cultural relic of the Warring States Period, 1990 Unearthed from the Tomb of the Warring States Period in Shitang Village, Banshan Town, Hangzhou, Zhejiang Province. The Warring States Crystal Cup, with a height of 15.4 cm, a diameter of 7.8 cm and a bottom diameter of 5.4 cm, is the largest one of the early crystal products unearthed in China so far and an unparalleled treasure. This cup is now in Hangzhou History Museum.
Gold ornaments of sunbirds in Shang and Zhou Dynasties
Sunbird gold ornament, a cultural relic of Shang and Zhou Dynasties, was unearthed from Chengdu Jinsha Site on February 25th, 200 1 year, and is now collected in Chengdu Jinsha Site Museum. Sunbird gold jewelry, outer diameter 12.5, inner diameter 5.29, thickness 0.02 (cm), weight 20g, gold content 94.2%, made of natural placer gold. The golden ornaments of the Sun Bird are the representative of the brilliant achievements of gold technology in ancient Shu, symbolizing the dream of flying three thousand years ago.
Jade Peak in the Tomb of the Rich in Anyang, Henan Province
Yufeng of Fu Hao Tomb in Anyang, Henan Province, 1976 Unearthed from Fu Hao Tomb in Yinxu, Anyang, Henan Province, it is 13.6 cm long and 0.7 cm thick. It is now in the National Museum of China. This is the earliest jade phoenix shape found so far, and it is also the most exquisite ornament in Fu Hao's tomb.
Queen of the Western Han Dynasty Xi Yu Yin
The jade seal, a cultural relic queen of the Western Han Dynasty, was unearthed in Langjiagou Village, Hanjiawan, Xianyang City, Shaanxi Province on 1968. The imperial seal of the Queen of the Western Han Dynasty, 2 cm high and 2.8 cm long, is now in Shaanxi History Museum. The Empress Seal is still the highest-ranking and only imperial seal found in Han Dynasty, belonging to national cultural relics. Experts believe that the discovery of this jade seal has created two best in China: one is the earliest queen seal discovered in China; Second, the owner of the imperial seal was the earliest queen.
Dayu pavilion
Dayuge, a jade ritual vessel in the early Shang Dynasty, is a national first-class cultural relic. 1974 Tomb No.3 of Lijiazui in Panlongcheng, Huangpi was unearthed and collected in Hubei Provincial Museum. It is 94 cm long, 14 cm wide and only 1 cm thick, which is very rare in Shang jade articles. It is the longest jade ge unearthed at present, and it can be called "the king of jade ge".
king
In the Neolithic Age, the jade cong of Liangzhu culture was the first one. Collection of Zhejiang Museum. Jade cong tong is 8.9 cm high, with an upper diameter of 17. 1- 17.6 cm, a lower diameter of 16.5- 17.5 cm, an outer diameter of 5 cm and an inner diameter of 3.8 cm. It is the largest, heaviest and most exquisite jade cong in Liangzhu, and is known as "Wang Cong".
Yan Zhenqing's manuscript of offering sacrifices to his nephew.
Yan Zhenqing's memorial manuscript was written by Yan Zhenqing. It turned out to be cursive ink, 28.2 cm long and 72.3 cm wide, with 25 lines and 230 words. This is Yan Zhenqing's nephew and his father, Gao Qing, who died in the Anshi Rebellion in the first year of Zhide (756). Yan Zhenqing wrote this manuscript in extreme grief and indignation before he sacrificed his nephew's spirit in the first year of Gan (785). This manuscript is uninteresting, and it automatically enters the industry by seal cutting, such as gold smelting and metallurgy, which flows away everywhere and pours thousands of miles, sometimes exuberant and sometimes beautiful. As Su Dongpo said, "calligraphy is good but unintentional", it is called "the second running script in the world", comparable to Wang Xizhi's Preface to the Lanting Pavilion.
Su Shi's cold food post
Cold food post is also called Huangzhou cold food poem post or Huangzhou cold food post. This is a book written by Su Shi. It is plain ink, horizontal 34.2 cm, vertical 18.9 cm, 17 lines, 129 characters. It is now in the National Palace Museum in Taipei. Because of the praise of many scholars, the world called Cold Food Sticker, Preface to Lanting by Wang Xizhi in the Eastern Jin Dynasty and Sacrifice to My Nephew by Yan Zhenqing in the Tang Dynasty "the three major running scripts in the world", or simply called Cold Food Sticker "the third running script in the world".
Reply post
Ping Fu Tie is a calligraphy work of Lu Ji in Jin Dynasty, with 9 lines and 84 words. "Ping Fu Tie" was written in the Western Jin Dynasty, which is the earliest calligraphy post handed down by famous artists and the first orderly calligraphy post in history. It has the reputation of "the ancestor of legal posts" and witnessed the evolution of Chinese characters. Now it is in the Palace Museum.
Fuchun mountain residence
Fuchun Shan Jutu is a painting and calligraphy in Yuan Dynasty, which was painted by Huang Yizheng Zun (a useless teacher) for three or four years. The whole painting is set in Fuchun River, Zhejiang Province, with elegant brush and ink, proper landscape arrangement and changeable ink color. It is the representative work of Huang and is called one of the "Top Ten Famous Paintings in China". At the end of the Ming Dynasty, it was handed over to the collector Wu Hongyu, who loved the painting so much that he even ordered it to be burned and buried before his death, and was rescued from the fire by Wu Hongyu's nephew, but by this time the painting had been burned into two parts. The longer part is called Useless Teacher Volume, which is now in the National Palace Museum in Taipei. The previous paragraph is called "The Yushan Map", which is now in the Zhejiang Provincial Museum.
Han Wei's "Five Cattle Map"
One of the top ten famous paintings handed down in China, Han Ming's "Five Cattle Map" is one of the few original paper silk paintings handed down in the Tang Dynasty, and it is also the oldest existing paper Chinese painting, which can be called "the treasure of the town hall" and is now in the Palace Museum in Beijing. "Five Cattle Map" is made of hemp paper, with a length of 20.8 cm and a width of 139.8 cm. Without the author's seal, there are inscriptions by, Zhao Mengfu, Xiang, Jin Nong, etc. 14 people. In this picture, there are five cows of different shapes. Han Yun showed the highest level of painting cattle in the Tang Dynasty with his simple painting style and exquisite artistic skills.
By the river during Tomb-Sweeping Day.
The Riverside Scene at Qingming Festival is one of the top ten famous paintings handed down by China. It is a genre painting of the Northern Song Dynasty and the only masterpiece that Zhang Zeduan, a painter of the Northern Song Dynasty, has ever seen. This is a national treasure, which is now in the Palace Museum in Beijing. The Riverside Scene at Qingming Festival is 25.2 cm wide and 528 cm long, and it is in silk color. This is unique in the history of painting in China and even in the world. In this five-meter-long picture scroll, * * * painted 8 14 figures of various colors, including 73 cattle, mules, donkeys and other livestock, more than 20 cars and sedan chairs, and 29 ships of different sizes. The treasure of the town courtyard was made by Gu, a famous painter in the Southern Tang Dynasty in the Five Dynasties. After thousands of years of tossing, it is a miracle that it can still be preserved intact.
Northern Song Dynasty Ruyao sky-blue traceless narcissus basin
In the Northern Song Dynasty, the blue waterless narcissus basin in Ruyao was the only narcissus basin in Ruyao. Ru kiln has always been listed as the first of the five famous kilns in Song Dynasty. For a long time, Ruyao was considered to be in Linru County, Henan Province, but no ruins have been found. It is said that your enamel contains agate, and the main component of agate is silicon dioxide, so it can present pure sky blue. Ru kiln is known as the crown of celadon with its moist sky-blue glaze and unique style. Because it is rare and precious, there are currently less than 70 pieces in the world, and the National Palace Museum in Taipei has 2 1 piece.
Animal head agate cup
The animal head agate cup, a wine vessel of the Tang Dynasty, was unearthed in hejia village, southern suburb of An 'nan, 1970, and was collected in Shaanxi History Museum. The agate cup of the animal head in Tang Dynasty can be called the fine jade carving art in Tang Dynasty from the aspects of material selection, design and technology. It is the only exquisite jade carving seen so far, the most exquisite jade carving in the Tang Dynasty and unique in China. It is an orphan at home and abroad, and it is also the product of cultural exchanges between China and foreign countries in the Tang Dynasty.
Bao Zhuang Zhu Zhen site
Zhu Zhen Ruins Building,1978 April 12, three Suzhou pupils accidentally touched a loose brick in the Ruiguang Tower, and found a cave after opening it. A treasure house that has been dusty for thousands of years has been opened. Priceless treasure-the real pearl relic building in the northern song dynasty. The whole treasure house is beautiful in shape and exquisite in craftsmanship, which is rare in the world and represents the highlight of Suzhou craftsmanship in the Northern Song Dynasty.
Plain yarn in the Western Han Dynasty
The plain yarn (dān, often misspelled as Zen) embroidered in the Western Han Dynasty was unearthed in the No.1 Han Tomb of Mawangdui in Changsha on 1972, and is now in the Hunan Provincial Museum. Clothing length 128 cm, sleeve length 195 cm, cuff width 29 cm, waist width 48 cm and hem width 49 cm. Straight plain yarn clothing is the earliest, most complete, most exquisite and lightest clothing in the world, which occupies an extremely important position in the history of ancient silk weaving, clothing and scientific and technological development in China.
Blue and white glazed red porcelain warehouse
Blue-and-white glazed red porcelain warehouse, a pavilion-style porcelain warehouse in Yuan Dynasty, 1974 was unearthed in Jingdezhen, Jiangxi Province, and is now in the Jiangxi Provincial Museum. This pavilion-style porcelain warehouse has a unique shape. Although it is a funerary object, it is still a precious handicraft. Blue and white underglaze red porcelain is very rare. As a pavilion porcelain warehouse, it has a clear age and is only an isolated case so far.
Tricolor camels carry musical figurines.
Tricolor camel figurines are cultural relics of the Tang Dynasty. They were unearthed in the Tang Tomb of Bao Zhong Village in the western suburb of Xi, Shaanxi Province in 1959. They are 58 cm high and 4 1 cm long. Now it is collected in Shaanxi History Museum, which is the best of the three colors in the Tang Dynasty. Although buried underground for more than 1300 years, the three-color camel figurines of the Tang Dynasty are still dazzling when unearthed. It is the only tri-colored cultural relic of the Tang Dynasty that has been rated as a national treasure.
Gold-plated dancing horse cup silver pot
The silver pot of the Tang Dynasty gilded horse-bit cup was unearthed in 1970 in hejia village, the southern suburb of Xi, Shaanxi Province, with a height of 14.8 cm and a diameter of 2.3 cm. Now it is collected in Shaanxi History Museum. The horse body, hanging beam, pot cover and "concentric knot" are all plated with gold, which makes the silver pot magnificent and bright. The pot is ingenious in conception and exquisite in craftsmanship, which is unparalleled in ancient and modern times. It is a national treasure.
Qin
, Qin stone figures, named for their drum shape. Found in the early Tang Dynasty, there are ten * * * pieces, about two feet high and three feet in diameter, each engraved with a four-character poem of Dazhuan, with ten * * * pieces, accounting for 718 words. For thousands of years, scholars have been discussing the exact age of Shi Guwen and put forward various opinions. So far, there is no definite conclusion that can be unanimously recognized by everyone. Shi Guwen is the earliest stone carving in China. It is also the most respected "round pen book" scripture by ancient and modern calligraphers. The original stone is now hidden in the Shigu Hall of the Palace Museum.
Colored pottery pots of stork axe in Neolithic age
1978 The colorful pottery jar with stork axe unearthed in Yancun, Linru County, Henan Province (now Ruzhou City) is a burial tool in the early Neolithic period. It is red Tao Sha, with a height of 47 cm, a diameter of 32.7 cm and a base diameter of 19.5 cm. On one side of the outer wall of the abdomen is a famous picture of a stork axe. The picture is 37 cm high and 44 cm wide, accounting for about half of the surface area of the cylinder. The picture is vivid, harmonious in color, concise and beautiful, and full of artistic conception. This is the earliest and largest pottery painting ever discovered in China. Collection of China National Museum. In 2002, painted pottery jars painted with storks, stone axes and maps were listed as the first batch of precious cultural relics prohibited from going abroad in China.