Housing is not about height, but about temperament and spirit. How to make the house have temperament and spirit depends on whether I can reach the proper thinking realm.
Regarding the height rules of the house, the standards are: high should have temperament, short should have spirit. The key lies in everyone's aesthetic values. The theory of geomantic omen is: Yin takes Yang, and Yang takes Yin. The spirit of all heights, all heights, the key is the style, temperament and spirit of everyone's house display.
At that time, Cao Cao thought that he was not as good-looking as a man. When foreign envoys visited, people pretended to be Cao Cao and slept in bed to meet the envoys. Cao Cao stood by as a bodyguard. Afterwards, Cao Cao sent someone to test the impression of the messenger. The messenger replied: Cao Cao slept well in bed, but the guards standing beside him were more energetic. Why do you want to tell such a story? It is intended to show that if you want a house with spirit, temperament and style, you must first have the ability to reflect on "spirit and temperament". With the unique investigation ability, we can imagine the impression of a house with spirit and temperament, and we can build a house with spirit and temperament and feng shui advantages.
How to examine the layout of geomantic omen with the concepts of outer circle and inner side, outer softness and inner rigidity, unexpected danger, unexpected danger, odd risks and obstacles, and ingenious victory? For example, in Zhuge Bagua Village, besides the rationality of terrain selection, the layout of Bagua is also an important theoretical source. The eight diagrams layout is a typical figure of the inner side of the outer circle, which is soft on the outside and rigid on the inside, seeking benefits in danger and winning by cleverness. Is to seek asymmetry in symmetry and symmetry in asymmetry. Symmetry and asymmetry in the aesthetic sense are reflected in the inner side of the outer circle, which is soft outside and rigid inside, and makes a wonderful victory. The Portrait of Venus is a model work of human beings, and it also has symmetrical and asymmetrical thinking aesthetics. The north and south buildings are not in a straight line, and the overall layout is reasonable. It's just that the outer circle is inside, the outer part is soft and the inner part is rigid. Taking risks and obstacles to win by cleverness means seeking asymmetry in symmetry and symmetry in asymmetry.