Decorative patterns are rich in content and have a wide range of themes, mainly including dragon pattern, Feng Huangwen pattern, hippocampus pattern, lion hydrangea pattern, unicorn pattern, marine animal pattern, Hua Die pattern, Yuanyang Lielian pattern, Okra pattern, pine and bamboo plum pattern, Ganoderma lucidum pattern, chrysanthemum alfalfa pattern, orchid mast pattern, treasure pattern, camellia pattern, morning glory pattern, lotus eight treasures pattern, baby play pattern, high stone pattern and so on. The inside and outside of the mouth of the vessel are mostly decorated with string patterns, and a few are decorated with grass patterns or brocade patterns. The outer wall of the foot is usually surrounded by two or three chords, one at the top and two near the bottom edge of the foot.
Dragon patterns include Shuanglong, Wulong, Naohai in Kowloon, Solanum nigrum, Pterosaur, Tuanlong, Yunlong, Chuanhualong and Liantanglong. Most of the dragons are painted in detail, and the dzi beads seem to be wearing a pair of glasses and crooked their long necks when they look up. Solanum nigrum has a strange shape. His lips are like a trunk and there is a bunch of lotus flowers in his mouth. Pterosaurs have flying wings, painted with front paws and no back paws, and their tails are curled.
During Chenghua, the cross pestle pattern was the most popular, and the double-headed pestle crossed into a cross. This pattern first appeared in blue and white porcelain bowls in the Yuan Dynasty.
There are cherries, pomegranates, persimmons, peaches, lychees, bayberry and so on. Melons and fruits draw vines, some have roots, and most of them are set off by sloping fields.
Birds in Hua Niaowen are plump, childish and dull, and their ornaments are not very particular. They are only decorated with strings at the mouth and feet of the vessel.
Most of the stone patterns have no concave-convex three-dimensional sense, and they are painted in the shape of Ping Jian, and some are like cactus.
Flower patterns have white edges, flowers are only painted on the front, leaves are palm-shaped, leaf edges are serrated, and there is no opposite face between yin and yang, which is the characteristic of Chenghua Dynasty.
Chenghua folk kiln blue-and-white porcelain is elegant in style, and most of its decorative patterns are more complicated than those in the early Ming Dynasty. The common decorative patterns are vanilla dragon, lion, unicorn, marine animals, lotus pond mandarin duck, lotus pond, okra camellia, Sanqiu, rock flowers, peony with branches, baby play, high rocks, knot pestle and so on. Some decorative patterns are soft and some are scrawled, no matter which one is chic and lively.
Decorative patterns with the characteristics of the times include ganoderma lucidum, lotus flower, peony or sweet-smelling branches. Grape is a kind of vine, and the vine is painted in the shape of spring; The lake stone is painted in a spiral shape, and there are symmetrical flowers or three fruit trees beside the stone. The pattern of Bailianchi is based on a row of drainage waves, painted with white lotus algae, slender as bean sprouts, lotus is symmetrical and lotus. Peony leaves are serrated, with a circle of white edges on the outer contour, clear veins, chicken feet-shaped leaves and vines on flowers and fruits. Generally, the feet of the circle do not need decoration, and only two blue chords are drawn. The common edge of the mouth is decorated with turtle back patterns and Sanskrit. Sanskrit used to be used as an auxiliary decoration, but when it was formed, it formed a three-dimensional pattern, which influenced Hongzhi Dynasty.