The painting method of "Spring River Picture":
This work depicts the scenery of the south of the Yangtze River. The picture does not see high mountains and steep rocks, but dim peaks, dense forests, misty clouds, and islands. The scenery of the mountains and rivers, such as the Nagisa, expresses the plain and innocent taste. The Jiangnan landscape focuses on the ink painting method, emphasizing that "ink is better than the image". Through the changes of ink, it shows the "moisture" of the Jiangnan landscape. This work adopts an up-and-down correspondence composition, with distant mountains and close-up views being in an echoing relationship.
1. First determine the composition of the picture, start with the close-up view, use light ink to outline the nearby soil slope, and use heavy ink to draw the trees on the soil slope.
2. Use a medium-sized brush dipped in thick ink to scratch the dark side of the slope, then dip it in heavy ink and add some moss spots.
3. After processing the close-up part, use light ink to outline the mountain in the distance, paying attention to the changes in the shade and density of the lines.
4. Use light ink to chaff the distant mountains, and then chaff the areas that need to be emphasized, and then use wet ink to dye the mountains further away.
5. From near to far, continue to add chaffing brush to the distant mountains to enhance the three-dimensional sense of the mountains and rocks. Then use heavy ink dots to create moss spots.
6. Finally, use a small wolf brush to draw the water plants with heavy ink. Use the pen quickly and freely.
The painting method of "Fishing Alone on the Cold River":
The real scene of the snow is vast and moist. Ice and snow cover the mountains and trees in nature, making people pay more attention to the vast white snow and ice. The process of accumulation and melting, this natural attribute perfectly complements the form of ink. Therefore, snow scene landscape painting has always been a very distinctive part of Chinese landscape painting. The theme of snow scenes has always been highly praised by those who return to the tomb, mainly because it is very difficult to create. White space is often used to express the thickness and texture of snow.
1. Use a medium-sized wolf brush with heavy ink to outline the line drawing of the entire work.
2. Use a small brush with heavy ink to add branches to the nearby trees, then use light ink to point out the vegetation in the distance, and outline the boat and fisherman.
3. When the ink is semi-dry, use a large brush dipped in light ink to dye the picture. Pay attention to the white areas covered by the snow, and also pay attention to the transition effect of the ink color.
Step-by-step drawing method of "Spring Mountain Picture":
This work has clear outlines, dots, and lines, and a stable shape, but they are all auxiliary points to express the momentum. A majestic spirit. The peaks and ridges with equal attention to points form a lush and lush picture. The pen requires twists and turns, and the scroll is vivid.
1. First determine the overall structure of the picture, push the painting from near to far, and grasp the effect of near reality and far virtuality in the picture.
2. Add leaves, you can use pointillism or outline, and then use light ink to dot the areas that need to be emphasized.
3. On the basis of the previous ones, use different shades of ink to enrich the layers of the picture, whether dotted, dyed, chaffed or rubbed.
4. Finally, dye the picture, use the bones of the mountains to separate the light and dark sides, and grasp the mountains. The colors are mostly divided into layers of azurite, and Zhu Zhu is used to support the mountainside, making it bright and majestic. The contrast between warm and cold in the painting must be properly controlled, and the characteristic of the technique is to use pen and ink to create a melting atmosphere.
Alpine waterfalls have always been a favorite subject of landscape painters. They are scattered among the mountains and rocks, with strange pines and abrupt pines. The waterfalls cascade down from the top of the mountains, passing through dense bamboo forests and pavilions, and impacting the rocks. It pours into the deep pool, sprays snow and dances with beads, which is breathtaking. The rocks are roughened with indifference and rubbed with thick ink. A variety of roughening methods are intertwined with each other, with light and hair, water and ink mixed in. The use of thick ink moss spots combined with the grass picked out by a sharp pen makes the whole picture lush, vast and profound, reflecting a kind of heroic and unrestrained magnificence.
1. Make artistic choices based on the trend of the mountain, and use ink lines to outline the line draft (beginners can first lightly outline the line draft with a pencil).
2. Next, draw the mountain, add leaves to the trees, and color the mountain with light.
3. Use wet ink to dye the farthest hilltop.
4. Continue to add chaffing or rubbing brushes to the vegetation on the mountain to add a sense of space to the picture.
5. Finally, use a large brush dipped in light ink to dye the picture, and then dye the areas that need to be strengthened.
The step-by-step painting method of "Visiting Friends in the Mountains":
This work adopts the painting form of Dou Fang. First, outline the scenery and people in the painting, and pay attention when outlining the characters. , simply show the form. Then the landscape is painted with ink dot dyeing to fully express the fusion effect of ink. The effect of the ink smudge creates a subtle charm. Where there is water, you can use white space to express it.
1. First, conceive the overall picture and determine the layout of the scenery in the picture. The center uses his pen to outline the rough outline of the close-up part.
2. Adjust the ink color slightly, use dot technique to draw the leaves, then use a small wolf brush dipped in heavy ink to outline the mountain figures, and finally use heavy ink to dot the moss.
3. Use wet ink to dye the distant mountains, paying attention to the change of ink color between virtual and real. Adjust and improve the picture to complete the creation of the work.
Sketching in Chinese painting is an important lesson in learning landscape painting. Landscape painters in the past have attached great importance to sketching and absorbed nutrients from sketching. The sketching of Chinese painting is different from the sketching of Western painting: the sketching of Western painting is to compare the scenery with the real reflection of the scene; the sketching of Chinese painting is that the painter faces the scenery and observes and remembers more. Generally, he uses the technique of sketching to outline the characteristics of the scenery, and the sketch is used to strengthen the memory. And provide materials for the next step of creation, and then select and refine the drawings, process and create until the complete work is completed.
This content is excerpted from "New Edition of Traditional Chinese Painting Introductory Training: Green Landscape", edited by Liu Jianxin, publisher: Anhui Fine Arts Publishing House, publication date: June 2010. If you need to study in depth, please learn from formal channels Buy genuine books!
Big Green Sketching Method
Wuyi Mountain Tianyou Photos
Step 1: Copy the draft of the sketch to the original manuscript, and use ink lines to outline the rocks, The outlines of trees, clouds, and rocks are rubbed with a small amount of light ink, and finally the yin and yang sides of the rocks are dyed with ink.
Step 2: Make the background color. Use ocher to base the entire painting twice. After drying, use cyanine, grass green and other water-based pigments to dye the mountains, rocks and trees, and use cyanine to mix the ocher to dye the clouds to create layers.
Step 3: Dye the rocks with azurite and stone green, dye the leaves with three greens and three greens, dye the distant mountains with Zhuqi and Erqing, dye the sky with a little cyanine, and dye the pavilion with dawn. Red is used for dyeing, and trees and water surfaces are dyed with cyan.
Completed picture: The sunny side of the mountain stone is brightened with three greens, three greens and a little white, the overall relationship of the picture is adjusted, moss is added, and finally the seal is signed.
Small green and green sketching method:
Small green and green landscape painting is a type of painting that uses light colors on the basis of ink bone. It has more ingredients than big green ink bone. The colors are relatively weak, and the small green sketches are made by applying light colors on the ink manuscript.
Step 1: Copy the draft of the sketch to the main manuscript, and use ink lines to outline the outlines of rocks, trees, and clouds. Use light ink to rub the rocks with a small amount, and finally use ink to dye the rocks. The yin and yang side.
Step 2: Make the background color. Use ocher to base the entire painting twice. After drying, use cyanine, grass green and other water-based pigments to dye the mountains, rocks and trees, and use cyanine to mix the ocher to dye the clouds to create layers.
Step 3: Dye the rocks with azurite and stone green, dye the leaves with three greens and three greens, dye the distant mountains with Zhuqi and Erqing, dye the sky with a little cyanine, and dye the pavilion with dawn. Red is used for dyeing, and trees and water surfaces are dyed with cyan.
Completed picture: The sunny side of the mountain stone is brightened with three greens, three greens and a little white, the overall relationship of the picture is adjusted, moss is added, and finally the seal is signed.
Start with a small scene.
First draw the tree, and then draw the rocks or hillsides next to the tree; you can also draw the tree, the tree, and the rocks at the same time. Hooking, chapping, dyeing and dotting are carried out in a crosswise manner. These small scenes are natural scenery that is easy to see and can be sketched at any time. The sketch is a good material for painting creation.
1. Use light ink in the center to outline the shapes of leaves and stones.
2. Add another tree.
3. Use dry, warm, thick and light dot methods to dot the leaves.
4. Cement the rocks and render them.
Steps to draw a complete landscape painting:
1. Use light ink to outline the structure of the entire landscape. The context of the mountain should be clear. Pay attention to using a concise pen when outlining.
2. Based on the outline, the mountain is dyed. This landscape uses folded belt dyeing. In the process of painting, we should use it flexibly according to the natural conditions of the mountain. Point out the grass and trees, and pay attention to the points used to be dense but not messy, and sparse but not scattered.
3. Further dye the overall situation. The ink color should be divided into shades. You can use light ink to break the light ink. In some places, you can also use light ink to break the thick ink. The basic veins of the mountain should be re-outlined with thicker ink. Use light ink to render the veins of the mountain. Note that one dyeing is not enough. You can dye it in layers according to the situation, so that the thickness of the mountain can be revealed.
4. Use light ocher to dye the various parts of the mountain, and use cyan and lime green to dye the wooden parts. This time, be careful not to dye enough at one time. Dye the clouds and water to create a sense of space.
I have previously posted many paintings of flowers and birds. This time I will introduce a landscape painting for friends who love landscape painting to appreciate.
Wang Nianci was a native of Wuxian County, Jiangsu Province. He was talented in calligraphy and painting. He once served as an official in Anhui Province. After the Revolution of 1911, he could not bear the chaos of the current situation. He resolutely abandoned politics and focused on painting. One of the most famous maritime figures. Mr. Wang Nianci's landscape drawings include more than 300 landscape drawings, which can be used as a graphical reference for beginners to learn landscapes. Now they are shared with friends. Due to the large number of pictures, they will be divided into several articles and will be continuously pushed from time to time.