In a small village with beautiful scenery in the southern mountainous area, Zhu Jin, the wife of the miner Wang Dameng, took her daughter to Huanhuan and was preparing meals for her husband's birthday. Suddenly, the news of Dameng's unfortunate death came, and she was in great pain. Zhu Jin, a virtuous woman, is willing to bear the burden of spirit and life by herself, leaving the work of comforting and taking care of her to her husband's younger brother, Ermeng.
After Damon died, life in Zhu Jin was very difficult. Ermeng saw the hardships of her sister-in-law's life and had the idea of becoming a family with her, but she dared not act rashly out of respect for her. After fierce ideological struggle, Ermeng finally poured out her love to her sister-in-law before returning to the mine. Unexpectedly, she was rejected by her sister-in-law.
Who knows that unexpected things have happened. Due to Yue Feng's carelessness in his work, the agency caught fire. Ermeng rushed to put out the fire, fell from the roof and hurt her leg. She was admitted to the hospital. When Yue Feng was nursing Ermeng, she heard that he might be disabled and left him.
With the help of his mother and others, Yue Feng married a city cadre who had just been widowed, regardless of the age gap. In Ermeng's most painful moment, kind Zhu Jin resolutely came to his side and promised Ermeng's love.
Episode evaluation:
This colorful feature film showing real rural life has a winding mountain road. By describing the life experience of an ordinary rural woman, Zhu Jin praised the new soul and lofty moral quality of rural women and lashed the power of social customs. The content of the film is substantial, the plot is tortuous and touching, and the characters are vivid, which has strong practical educational significance.
Through the description of the life experience of an ordinary rural woman, Zhu Jin, Mountain Road Bends praises the new soul and lofty moral quality of rural women and lashes the power of social customs.
The recurring story of snail shells and snail girls in the film is the poetic core of the film, which makes Zhu Jin's clean and white soul more dazzling. The story of the snail girl and the appearance of the snail shell several times are the results of the film director's painstaking exploration, serious thinking and efforts to express the beauty of life, which is very natural, relaxed, coordinated and harmonious.