Dong Quanzhou, whose name is Yuxuan, is Wenxi. Now he is a national first-class artist (calligraphy), awarded the title of "People's Artist" in China, and an academician of China International Painting and Calligraphy Research Institute. He is a famous calligrapher in China. The following is Dong Quanzhou's calligraphy works that I have compiled for you. I hope they are useful to you!
Appreciation of Dong Quanzhou's Calligraphy Works
Pictures of Dong Quanzhou's Calligraphy Works 1
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Overview of Dong Quanzhou's Calligraphy
Dong Quanzhou, Zi Yuxuan,No. Wenxi. Now he is a national first-class artist (calligraphy), awarded the title of "People's Artist" in China, and an academician of China International Painting and Calligraphy Research Institute. Born in Qingdao in 1956, he benefited from his grandfather's enlightenment since he was a child, and he wrote in Linchi. During his middle school years, he received professional counseling from many painting and calligraphy teachers. I have been obsessed with calligraphy for more than 5 years, and I have worked hard on famous calligraphers such as Wang Erwang, Zhao Mengfu and Zhiyong, as well as Yu Youren and Dong Qichang. In recent years, I have studied calligraphy professionally. He is proficient in regular script, official script, running script and cursive script, especially in running script, which is highly praised by many domestic publications and won the praise of experts in the industry. His works have been collected by the United States, French, Italian, German, Japanese, Taiwan Province, Hongkong and other countries and regions, as well as the Chinese People's Armed Police Force, the Second Artillery Corps, the National Development and Reform Commission, the National Health Planning Commission, the Tsinghua University Library, Peking University and other units and leaders, and have attracted enthusiastic attention from all walks of life, especially academic friends.
The National Day of 214 is the 1th anniversary of the retirement of Professor Zheng Fuyu of Tsinghua University, a famous nuclear physics expert in China, who was the chief assistant of Mr. Zhu Guangya, a founding father with two bombs and one satellite when he was young, and enjoyed the special allowance of the State Council. Relevant state departments and the Party Committee of Tsinghua University are going to hold a symposium specially for him, because Professor Zheng is a scientist and educator who has made great contributions to the country and Tsinghua. Professor Zheng decided to present ten calligraphy works to the leaders as a thank-you gift. By chance, Professor Zheng saw the work of a Shandong calligrapher named Dong Quanzhou in a friend's WeChat circle, and suddenly his eyes lit up: it was him.
Professor Chen Yan of Qingdao Agricultural University commented on Dong Quanzhou's calligraphy as follows: The overall appearance of Mr. Quanzhou's calligraphy is based on Wei Bei's style, which has won the essence of the two kings, and at the same time, it has the characteristics of being integrated into the Tang Dynasty's big grass, flowing continuously and freely. It draws lessons from the Song Dynasty's running script, which is suitable, random and elegant. However, it strengthens the characteristics of the joint of the pen, highlights the square folding of the pen, and emphasizes the rhythm with ink color.
When I appreciate Mr. Dong Quanzhou's works alone, I obviously feel the strong personal features of the works, which are calm and gentle. This is inseparable from Mr. Wang's comprehensive cultivation. It can be said that Mr. Dong's calligraphy is basically a rational writing process, but it presents a very emotional result. Every stroke pays attention to the pen, pen and pen in place. Highlight the statutes of knot writing, composition and ink painting. It not only keeps the essence of traditional techniques, but also meets the aesthetic requirements of modern people.
Looking at contemporary book circles, there are many talents, styles and patterns. And Mr. Dong Quanzhou can stick to his own creative style, learn from others, and explore himself subtly, which is commendable.
Dong Quanzhou was born in a scholarly family. His grandfather went to Qingdao at the age of 15 and went to Beijing to make a living at the age of 18. Influenced by grandpa, 6-year-old Xiao Quanzhou began to go to school and of course began to write. In the computer of the whole continent, the ink of grandpa's vigorous vicissitudes is still preserved.
since childhood, the whole continent has a very special feeling about writing. On the first day when he entered the classroom, he saw the fonts of the rows of square teams at first sight, and his heart jumped, and suddenly an uncontrollable passion welled up in his heart. Later, whenever he sat in front of his desk and looked at the pen and paper, he felt that the brush in his hand suddenly turned into a mountain spring. The spread paper was a piece of Shan Ye, with criss-crossing ditches. The spring water gushed from the pen filled the gullies and gullies in the field, and a wonderful pattern thus framed a square array of fonts?
Perhaps this is the starting point of Dong Quanzhou's calligraphy art..
Dong Quanzhou loved calligraphy since childhood. In the years to come, whatever he was doing, he only saw calligraphy. No, as long as it is a word, he has to study it carefully and try to figure it out. Many years later, he recalled that as long as he saw good calligraphy, a torrent would gush out of his heart, which would gurgle along the font of calligraphy. Sometimes I encounter passion, the calligraphy font has been filled, and passion will continue to swim in the space in front of me until I wake up from intoxication.
His "heart calligraphy" has benefited him a lot. As long as he closes his eyes, a famous copybook in the history of calligraphy will appear immediately. The treasures of these ethnic groups have been deeply rooted in the hearts of the whole continent.
It can be said that the motto of Mr. Dong Quanzhou's life is to establish a character first, and to practice both the character and the mind. Moreover, for decades, he has been respectfully following this law of life and art and constantly practicing. Looking back at the road that Mr. Quanzhou has traveled, it is clear for people, clear for officials and clear for writing. Mr. Quanzhou's 8-year-old mother is still there. Every day, Mr. Quanzhou respectfully coaxes the elderly to be happy. After her recreation, her mother is actually influenced by Quanzhou and learns hundreds of words every day.
Mr. Quanzhou's love for calligraphy is really like holding Guiyu.
In the sacred hall of national calligraphy, the whole continent is looking for the deep footprints of artistic giants. He studied Wei Bei with Zhang Raptors and Zheng Wengong's copybooks as his teachers. Later, the practice book took Wang Xizhi and Wang Xianzhi as teachers; Later, he learned cursive script from Zhang Xu and Huai Su, and also learned from Yu Youren's cursive script, and the essence was vivid.
as time goes by, the subtle spirit of calligraphy art gradually begins to show up in him.
He deeply understands the hidden ways of calligraphy: "To establish a character first" and "to practice both the character and the mind". He always insisted on studying and tempering calligraphy. When it was inconvenient to use paper and pen, he practiced on the palm of his hand, on the ground, in his heart, got the message, and calligraphy was dyed on Xuan paper, which eventually pushed the calligraphy art to a spiritual and thorough situation. In Dong Quanzhou's words, he has "four behaviors", namely, learning from Qin Zhuan as the source of calligraphy, coming to Wei Bei as the source of calligraphy, mo Tangkai as the bone of calligraphy, and Zhang Zhang's cursive script as the charm of calligraphy.
In Dong Quanzhou's calligraphy, the fonts are smooth and steady, the lines are flexible and vigorous, and the words are elegant and varied. Fonts vary in size, spacing and spacing, and they change wonderfully from time to time. There is a break between words, which is spontaneous, interesting and natural, dense at the break, sparse at the continuation, stretched in strokes, bright in lines, expressive in strokes, combining rigidity with softness, flying pearls and splashing jade, leaving a blank for reverie. From the perspective of the whole calligraphy work, it shows chic in restraint, simple and heavy in subtlety, unique in boldness, and simple and natural in richness.
The characters written by Dong Quanzhou are integrated into his hard work and profound "external merits".
Mr. Quanzhou has served as township head and party secretary, and his hard work at the grass-roots level has made his mind bigger and bigger. Later, he served as a leading cadre of municipal organs, and slowly received and sent this kind of mind out, which made his life value and artistic value volatilize and publicize at the same time during this period. During his tenure as director of the State Oceanic Administration (Beihai Branch), the whole continent became more and more natural and unrestrained like the sea. People dance like the spring breeze, and words are as high as the spring breeze. The official has a clear voice and a broad mind, and the brush is frosty. His works during this period are enough to show that the galloping life of horseshoe is chic and open-minded.
Over the years, Dong Quanzhou has been like a devout pilgrim, and his steps have traveled to many art shrines and temples in order to broaden his artistic knowledge. His calligraphy art has an increasing influence in the United States, Italian, Japanese, Hongkong, Taiwan Province and other countries and regions.
However, Dong Quanzhou doesn't mind fame and status. He said that a calligrapher speaks by his works. He urged calligraphers to be scholars. He said that ancient calligraphers were first scholars and then calligraphers. Countless famous calligraphers in history are great scholars, knowledgeable and knowledgeable. Their calligraphy all reveals the great spirit of learning, and their learning also reveals the bones and muscles of calligraphy. A true calligrapher is a person who combines knowledge and calligraphy perfectly.
in his view, calligraphy is not only "writing", but more importantly, it is to raise the strength of personality to a higher level, which is the real art of calligraphy.
Dong Quanzhou just walked along such a road. He is versatile, not only proficient in the art of calligraphy, but also has deep attainments in writing, photography, tourism, archaeology and other disciplines.
We are faced with Dong Quanzhou's exquisite calligraphy art, and we feel, taste and weigh Dong Quanzhou's calligraphy works, and it seems that we feel a strong pulse. This is the pulse of the times. These works "have pictures in words and poems in pictures", and you will feel that his calligraphy has a soul and is alive. You stand in front of them, as if you were talking to history, art and your soul?
Mr. Quanzhou is a well-read man. He was influenced by the fine traditions of Confucius and Mencius, and cultivated by the noble family style of scholarly family. Because he has read a subset of classics and covered a wide range of social sciences, he knows astronomy from the top and geography from the bottom, and knows everything. According to Mr. Quanzhou, the art of calligraphy is not a display of skills, but a condensation of cultural details. Why China's calligraphy has such charming charm is precisely because it is the profound embodiment of China culture. No wonder Professor Zheng Fuyu of Tsinghua University was very sure when he saw Mr. Quanzhou's works, because Professor Zheng saw from the outline and layout of his works that Mr. Quanzhou was not only a well-read man, but also a rational man with a strong sense of responsibility and sincere feelings for society and the people, a man with a profound understanding and lofty aspirations for his career and life, and an expert with foresight and keeping pace with the times.
As we stare at Mr. Dong Quanzhou's works, there is only one sentence in our hearts: I wish Mr. Dong Quanzhou's calligraphy art is deeply rooted!