There is a view circulating in western design circles: "Without China elements, there will be no extravagance." The charm of Chinese style can be seen. Although today's urban young people are more accustomed to wearing suits, drinking foreign wine and watching friends practice their English listening, as long as you are from China, it is not difficult to understand the traditional culture of China. The key is whether your heart has reached it. 1, a cheongsam in China space, some people dress elegantly, some people dress dignified and elegant, and some people dress with amorous feelings. This is actually the most charming and the most difficult charm of Chinese style, which considers an inner and implicit temperament. For home, if possible, the authentic Chinese style begins with the space system. It is precisely because the enclosure of architecture is an art that our feelings in big houses and small houses are different. Chinese architectural space, one is a palace, such as the Forbidden City. The second is the framework of stealing luxury from residential buildings? The traditional China style house is a closed courtyard layout, which generally includes three main areas: hall, bedroom and study. On the whole, it has the characteristics of ritual system and is more pleasant in function. What is the ratio of the length, width and height of a house, so that it can be warm in winter and cool in summer? Chen Jiaci gave the answer. In addition, the balance between Yin and Yang and the mellow atmosphere developed in five lines of gossip are the characteristics of Chinese-style space, so some experts pointed out that the advantages of traditional architectural space in China are in line with the current world trend of "ecological environment protection and energy saving". Zhang Qiman, director of the Interior Design Department of the Central Academy of Arts and Crafts, pointed out that in ancient China, when choosing a residence in nature, there was a saying that "Yin and Yang combined to watch the flowing spring", that is, when choosing a homestead, we should pay attention to the place where sunshine, running water and air flow, that is, the place where "mountains and rivers meet and wind energy control water" is said by folk geomantic theory. When analyzing the reflection of Huizhou merchants' thought of "getting rich" in architectural modeling and indoor material selection, she said: "In order to prevent theft and gather wealth, the external walls rarely open windows, and the lighting and ventilation depend entirely on the patio, which is also auspicious for" no outflow of wealth ". On sunny days, sunshine pours from the patio to the front of the hall, which is called "scattered gold", and on rainy days, rain falls into it, which is called "flowing silver". The roof on all sides inclines to the patio, and rainwater flows into the front of the hall, which is also called "four waters return to the hall". People in China think that "water" means "wealth". According to the custom of "rich water does not flow to outsiders", it means "financial resources are rolling in from all directions" In addition to grasping the volume, the prominence of Chinese spatial temperament is also reflected in the layout. According to historical records, in his later years, Yang Di lamented that the grand palace is good, but the curved room is more comfortable and pleasant. Therefore, designer Xiang Sheng designed a maze with thousands of families and hidden rooms for the emperor. Once a person goes astray, he can't get out without someone to lead the way. Perhaps it was from Yang Di that the layout of Chinese houses was characterized by ingenious twists and turns. In a single internal space, the typical Chinese space is also very particular about "partition", and the purpose of this partition is not to partition the space, but a transition, a reminder, an instruction, and often it is "separated but not continued". Blue dress cabinets, floor covers, flying covers, screens, antique shelves and curtains are not only used for "continuous separation", but also very decorative. So today's popular solid walls and virtual walls were used by China people a long time ago. 2. The western design circle of China furniture thinks: "Without China elements, there is often no extravagance. "At present, the most fashionable home styles are mainly western decorative styles and furniture. Mixing one or two pieces of Chinese furniture often produces extremely beautiful effects. In fact, after thousands of years of inheritance, the Chinese furniture that can still be seen at present is already a classic after big waves, so it has a high degree of integration. When we pay attention to Chinese furniture, we should not only consider its material, but also pay attention to the home wisdom of China people reflected in its internal design. ■ The case is subdivided into confession, painting and writing. Advertisements are usually displayed in the hall, and sculptures are often used for decoration. The case appeared on a sacred occasion, and the later paintings and books were vivid furniture of the case, which reflected the aesthetic characteristics of China literati. ■ The tables in Chinese furniture include long tables, square tables, desks and kang tables. The square table in the hall is the facade of a family, usually made of fine hardwood, with stable and dignified shape, meticulous workmanship and exquisite decoration. The desktop is usually 1M away, which is the social distance of ancient Chinese. ■ Chairs Chinese furniture chairs include plush chairs, official hat chairs and round-backed chairs. Different chairs vary in size, among which the Qing Dynasty plush chair is the largest and is often placed in the main hall. ■ Bed At present, the Chinese bed we can see is a four-column or six-column frame bed with curtains on the shelf and a top cover on the bed. Does this mean something like "a house in a house"? Chinese beds and arhat beds, a bit like widened benches, have no shelves and are generally used during lunch breaks in the study. 3. The decorative technique of China traditional interior design is the embodiment of China people's implicit temperament. Bats, deer, fish, magpies and plum blossoms are common decorative patterns. The reason is that "bat" and "fu" are homophonic and can contain happiness; "Deer" and "Lu" are homophonic, which can be rich and generous; "Fish" and "surplus" are homophonic, which can mean "more than one year". "Plum, Orchid, Bamboo, Chrysanthemum" and "Three Friends at the Age of Cold" are metaphors, and some ecological characteristics of plants are borrowed to praise the lofty sentiments and conduct of human beings. Bamboo has "knots", which means that people should have "integrity", and plum and pine are cold-resistant, which means that people should not be afraid of violence and difficulties. Similarly, pomegranate symbolizes many children and grandchildren; Yuanyang symbolizes the love between husband and wife, and Song He represents health and longevity. The number of rooms and steps in traditional China architecture is very particular. The ancients worshipped "yang number" (odd number) and regarded "nine" as the respect. Nine characters or multiples of nine characters are good choices. In addition, Chinese interior decoration, including celebrity calligraphy and painting, is not necessarily written by famous artists, but it needs to be taken from the perspective of conception or the skill of painters or writers, otherwise hanging some perfunctory ink will ruin the overall home environment. 4. China's Design Thought The ancient people in China studied and pursued the living environment, and its meticulous degree far exceeded our imagination. Some of their interior design ideas coincide with the most popular minimalism at present. ■ Set the right place and be good at it. In the Ming and Qing Dynasties, "Yi" was the core concept and value standard of interior design. The explanation of domestic experts is: "Suitability can be divided into three categories, one is to suit local conditions and suit people, the other is simple and uncomplicated, and the third is natural and unadorned. (New Vision of Environmental Art Design) "Wen Zhenheng described the bedroom design in" Chronicle of the Long Story ":"Generally, there are only a few couches in front of the couches, and there is nothing on them; Set up two Little Square and a small cupboard; The room is clean and elegant, beautiful as a boudoir, and not suitable for quiet people to sleep. "■ Simplify the complex. After painting, simplifying the complex refers to removing the decoration that is too complicated, but simplifying the complex is actually very important. Nowadays, when many designers talk about people-oriented, they think it is "putting a cake around their necks". In fact, people's inconvenience and convenience in home life complement each other. Too extravagant pursuit of "a cake that can be eaten on their necks with their heads down" may have a negative effect. "Painting afterwards" is Confucius' words and his aesthetic view. In the eyes of Confucius, painting is the kind of beautiful effect after dressing up, and the elements are the beauty of nature and temperament. Confucius thought elements were more beautiful than paintings. This reflects the cultural pursuit of China scholar-officials that "beauty is silent and elephants are invisible". ■ Readers who have been to Suzhou Humble Administrator's Garden to borrow scenery from each other know that this beautiful garden has a feature of "borrowing scenery", and the tower built in the center of Suzhou City has been cleverly "borrowed" into the garden. Borrowing scenery embodies the holistic view of China's architectural design. Room, residence, courtyard, small environment and big environment should be considered together to realize the artistic living environment benchmark;
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