Qiuyushan Cultural Park is known as "Jiangbei Orchid Pavilion". It is conceivable that this is the place where people set up altars to pray for rain in ancient times. It seems to be a treasured place for Feng Shui. At present, four outstanding contemporary art masters, Lin Sanzhi, Xiao Xian, Gao Ershi and Hu Xiaoshi, who are famous at home and abroad, have been built here. Calligraphy and painting exhibition hall. Lin Sanzhi’s original name was Lin Yilin. He was born in 1898 and died in 1989 at the age of 92. His ancestral home was Qikesong Village, Wujiang, Anhui. Later, his family moved to Jiangjiaban Village, Wujiang, Jiangsu. The two villages are not far apart. Lin Sanzhi’s eldest uncle He was very strong at a young age and joined the army at the age of 18. Due to his repeated military exploits, he was later awarded the title of General Jianwei and was stationed in Datong, Shanxi. He built more than 50 houses in his hometown and planned to retire and return to his hometown to take care of himself. However, due to his character Lin Sanzhi was born into such a declining family when he was assassinated by his enemies and died wherever he was appointed. Wujiang is a famous place in history. More than 2,000 years ago, Xiang Yu, the overlord of Western Chu, was defeated in Wujiang. The head of the Wujiang Pavilion prepared a small boat to send him across the river. Xiang Yu committed suicide because he felt ashamed to see his elders in the east of the river. Visit the "Wujiang Bawang Temple", a famous spot through the ages, where the great poet Zhang Ji of the Tang Dynasty, the great poet Zhang Xiaoxiang of the Song Dynasty, the great calligrapher Zhang Jizhi and many other celebrities were born.
The Lin Pavilion is a garden-style exhibition hall with typical Ming and Qing architectural styles. Entering the garden gate, the first pavilion that catches our eyes is called "Shujun Pavilion", and "Jun" means bamboo. , tie bamboo into a bundle, taking its elegant meaning. Displayed in the pavilion is the inscription of the Lin Sanzhi Painting and Calligraphy Exhibition Hall. From the inscription, we can see that the foundation of the Lin Sanzhi Painting and Calligraphy Exhibition Hall was established in 1988 and opened in 1992. Lin Sanzhi himself donated 210 pieces of fine calligraphy and painting, including two ancient inkstones, namely Zhuang Chang's inkstone and Lu Liuliang's insect-eaten inkstone. Lu Liuliang was a righteous man in the late Ming and early Qing dynasties, who was also the father of the heroine Lu Siniang in the martial arts novel. The inscription is one of the contemporary Chinese inkstones. Written by Yu Lu, the son-in-law of Li Keran, the master of landscape painting. There is a pool on the left hand side of the road to the stele gallery, and there is a stele on the side with the word "Mochi" written on it. When talking about these two words, we have to mention Dai Zongbao, the former secretary of the Jiangpu County Party Committee, who was responsible for his great efforts during his term of office. The garden was built against all opinions, leaving a precious cultural heritage to the people of Pukou. There are 43 works in the stele gallery. The first two works were written by two Chinese and Japanese calligraphers respectively, and the last 41 works are masterpieces of calligraphy by Mr. Lin in different periods and styles. Let us first take a look at the inscription written by Mr. Zhao Puchu, the former chairman of the Chinese Buddhist Association. The inscription reads: "You don't need the back of paper to identify the immortal body, and you can look at the vast piles of colored glaze. The wind and rain are blowing, and the pen is written, and the spirit is high to see the flowers blooming. The solemn color is the third level." It is a masterpiece of old-fashioned writing. After three years of being wiped away by Weng Qin, I still feel guilty." It is not difficult to see that the first four sentences are Zhao Puchu's praise of Lin Sanzhi's superb calligraphy skills, and the last four sentences are about Lin Sanzhi. Not only is his calligraphy good, but he is also excellent in poetry, calligraphy and painting. We all know that Zhao Puchu was the former chairman of the Chinese Buddhist Association, but he said that through the correspondence between you and me over the past three years, I found that my state of mind is not as completely transcendent as yours. It can be seen that in addition to Lin Sanzhi's superb calligraphy and painting skills, He also has a noble spiritual realm. You may think that the writing on this second tablet is weird. Here I would like to introduce when and why Lin Sanzhi became famous. Before the 1970s, Lin Sanzhi was only well-known locally, but not known to the world. In August 1972, in order to celebrate the restoration of diplomatic relations between China and Japan, People's Magazine prepared to publish a special edition - "Selected Works of Modern Chinese Calligraphy" and Extensive collection of calligraphy masterpieces across the country. At that time, there was a person named Tian Yuan in the magazine who had contacted Lin Sanzhi in his early years. He asked Mr. Lin to write a piece of work to participate in the collection. In this way, Lin Sanzhi's cursive banner Chairman Mao's poem "The East Desires Dawn" was sent to the magazine. After Beijing, Tian Yuan wrote a limerick: "There are scattered forests in Wujiang River, the deaf trumpet is half disabled, three unique poems, calligraphy, and paintings, one pond returns, three hats are taken off after the meritorious service, Lifu rolls his eyes, Pu Lao pays tribute, and is angry Die one, two, three. "The meaning of the poem is: There was an old man named Lin Sanzhi in Wujiang, who claimed to be half disabled because of his deafness. He was excellent at poetry, calligraphy and painting. One winter, when he was taking a bath, he accidentally fell into the boiling water. Later, I was rescued at Gulou Hospital. Mr. Lin joked that it was the Queen Mother who refused to accept me, and engraved a seal saying "Return from Yaochi".
In Beijing, Qi Gong read Lin Sanzhi's calligraphy, looked at it carefully for a while, then posted the calligraphy on the wall, took off his hat and bowed three times to the calligraphy. Dun Lifu rolled his eyes after looking at Lin Sanzhi's calligraphy, He raised his thumb and said: "This is called calligraphy." Zhao Puchu looked at Lin Sanzhi's calligraphy and said: "Give my regards to Mr. Lin and hope to get his calligraphy." "One, two, three" Refers to the first, second, and third leaders in the Revolutionary Committee. In this way, Lin Sanzhi's words were sent to Japan as the front page of the special series, which quickly aroused huge repercussions in Japan. In 1984, a Japanese calligrapher delegation headed by Japan's most famous calligrapher Aoyama Sugiame visited China and asked to see Lin Sanzhi by name. The Nanjing Municipal Government at that time arranged for Lin Sanzhi to meet with Qingshan Shanyu at Yujintang in Mochou Lake. During the entire conversation, Qingshan Shanyu always regarded himself as a late student. After the conversation, they wrote inscriptions to commemorate each other. Yu then wrote these seven words: "The legacy of the Holy Grass is here." From then on, Lin Sanzhi's name as "Grass Saint" began to become famous at home and abroad.
Lao Lin’s masterpiece of cursive script in the 1970s, the content is “One Essay on Calligraphy” written by Huai Su, a cursive master of the Tang Dynasty. Two or three lines, but I couldn’t write after I woke up. “It seems that it’s really impossible to write well without drinking some wine.
The couplet "Closing mountains and cultivating forests is the most important matter, farmland water conservancy is needed now" was created in 1953 when Mr. Lin was the director of Jiangpu County Agricultural Committee. Mr. Lin must have been deeply touched when he wrote this line. of. Here is a little story: Since ancient times, people have called the low-lying areas on both sides of the Yangtze River polder areas. Mr. Lin’s hometown is a typical polder area. In 1931, a rare flood occurred in the Yangtze River in a century. Many polder areas were affected. In 1932 In the spring of that year, the Kuomintang government established a disaster relief committee, and a disaster relief branch was also established in Jiangpu. The villagers elected Lin Sanzhi as director of the fair to come to the county to receive relief food. Because Lin Sanzhi was an upright person, he failed to give gifts to officials, so he was always When he was unable to do anything, he angrily went to Song Ziwen's younger brother Song Zijing, who was the director of the disaster relief committee at the time. Song Zijing was a very talkative person. He advised Lin Sanzhi not to be anxious and go back to collect relief food as soon as possible. Because Song Zijing called, the officials quickly handled the matter for him after Lin Sanzhi returned to Jiangpu. Lin Sanzhi was very grateful to Song Zijing for this matter. When he was 37 years old, he planned to travel thousands of miles after listening to his teacher Huang Binhong's teaching that "it is more important to learn from nature". At the same time, he knew that this trip might have great consequences. Risk, because I have always remembered Song Zijing's help to the villagers, I planned to visit Song Zijing, but unfortunately I could not see him. Later I wrote a poem: "I am frightened by the wind, rain, desolation and waves. I am sad and still remember the love of last year. Let's talk about some sadness. Ink, sent to Song Zijing in the south of the Yangtze River." Lin Sanzhi's helplessness about the current situation and his infinite gratitude to Song Zijing were beyond words. There is also a monument here which is a new poem written by Mr. Lin when the delegation of Japanese calligraphers came to Nanjing to meet Mr. Lin in 1973, "Gift to the Japanese Calligraphers Visiting China Delegation". "Volume of Lin Sanzhi's Cursive Poems on Japanese Friendship" was inscribed by Qi Gong, the former chairman of the Chinese Calligraphers Association. "San Weng Er Miao" was written with the left pen of the famous calligrapher Fei Xinwo. "Two wonderful things" fully refers to both poems and books. This painting of Li Bai's "Songs in Cursive Script" was created by Mr. Lin in 1974 using the three fingers of his right hand to hold the pen.
The central part of the forest pavilion, the scattered wooden mountain house, has a flat forehead inscribed by Xiao Xian, the most outstanding female calligrapher in the world. The bronze sculpture in the middle of the hall is Lin Sanzhi, and behind it is a couplet written by Zhao Puchu, "The majestic pen reflects the ages, and the great rivers are not the same source." Here you can also see the picture of Lin Sanzhi traveling thousands of miles. In 1934, he traveled on foot and went through many hardships. He passed through seven provinces and traveled more than 18,000 miles. He produced more than 800 paintings and more than 160 poems, which brought Mr. Lin's poetry, calligraphy and painting art into a new realm. , which laid a solid foundation for his subsequent artistic development. The longest work in the collection is his own calligraphy poem, which reflects Mr. Lin's understanding and experience of calligraphy. "Ancient Ginkgo Journey" describes the three thousand-year-old ginkgo trees in Huiji Temple in Tangquan Town. It is said that they were planted by Liang Zhaoming, the prince of Emperor Liang Wu of the Northern and Southern Dynasties. They have a history of more than a thousand years. The entire text is 521 words and is part of the collection of the museum. The work with the most words.
On the second floor of the mountain house, there is the "Jiangpu Spring Repair Picture", which is known as the "treasure of the Linguan". This picture was created in 1955.
In 1954, a severe flood occurred in Jiangpu. Mr. Lin worked on the embankment day and night with fellow villagers to protect the embankment. When the embankment burst, thanks to everyone's efforts to rescue him, he was spared the disaster. The following year, Mr. Lin said what he saw After hearing what he heard, he created this painting, which reproduces the labor scene during the embankment construction. It depicts 635 workers of various types carrying soil and tamping. They have different shapes and are lifelike, so this painting is known as a contemporary painting. "Along the River During Qingming Festival", because Mr. Lin also participated in labor at that time, he was also included in the painting. You can find him in the painting.
“I have grasped the magic to draw pictures, and I have never been willing to be an ordinary person. There are many sages and saints in the present and the past, no one, no one, no masters and slaves. A kind of illusory spirit seeks not to be ignorant, and realizes the truth through many wonderful phenomena. "How much of the natural beauty remains, the grass is green and the grass is thicker than the grass." This work was created by Mr. Lin on two feet of rice paper when he was 83 years old. It is the largest piece in the collection. Mr. Lin only wrote two such large works in his life. This self-composed poem expresses Mr. Lin's ambition and passion to climb to the peak of art with all his heart.
There is a stone tablet in the White Horse Pavilion in the museum. Friends who love calligraphy must not miss this opportunity. "This meeting is necessary in life, so why bother to ask about the clouds and clearness. The Qi of the universe is turbulent, and the cauldron is mixed with the cauldron. When the father comes to the mountain pavilion to rain, the weather is full of love for the master. Before the Ehu Lake is revived, Jiangcheng kills more people. The cold wind blows the horn short, The drizzle lasts longer. God’s will is to keep the luggage, and the lights and flowers are happy to meet each other. When the spring is coming, the plum blossoms will continue to be fragrant.” A couplet with Mr. Huai Yulou, Mr. Dingshan and Mr. Shidong in Baima Nunnery, recorded as a gift to the nunnery master, Shi Zhai Shu. "It can be seen that this poem was a collaboration between four people, with Chen Xianzhang writing it. Chen Xianzhang was born in Gongpu, No. Shizhai, from Baisha Village, Xinhui, Guangdong, known as Mr. Baisha in the world. Since he was poor since he was a child and had no money to buy paper and pen, he tied thatch into bundles and practiced calligraphy on the beach. After he became successful, he still He is good at using thatch as a ghostwriter, so people at that time called him "Mao Long". Only three of his works exist in the world, and they are collected by the Palace Museum in Beijing, the Shanghai Museum, and the Guangdong Museum. Experts commented that this work of his was done in one go using Da Kuang's cursive brushwork. , the whole article is majestic and upright. Among them, the word "moving" in "turbulent world energy", the word "lai" in "Gonglai Mountain Pavilion Rain", the word "city" in Jiangcheng, etc. all have the meaning of Xi Xian's writing. Another example is The two characters "dingnai" are of the same thickness. The thick one is as heavy as a rock, the thin one is as thin as a gossamer. The two characters "denghua" are condensed into one, just like the sparks of a silver lamp, twinkling and shining. The three updated characters of the whole stele, the second The first one is quite free and easy, and the third one is even more powerful. The five words "At the end of the day, the eel lake is prosperous" can be said to be free and smooth, strong and powerful. The last one, "The plum blossoms are constantly fragrant", is particularly powerful and unrestrained, which makes the whole calligraphy more brilliant. The character "香" is even more unique and different from the calligraphers of the past dynasties. Therefore, this character is included in the "Chinese Calligraphy Dictionary". You can see that the inscription mentions a person named "Mr. Shidong". This Mr. Shi's name is "Shi Huai". He is a young genius in the Ming Dynasty who is well-known to women and children in Pukou. Carrying it around his neck, neighbors jokingly said that he "liked his father to be a horse", and he replied "I hope my son will become a dragon". After he won the Jinshi, the imperial court once sent him to Jiangxi to be the chief examiner. In ancient times, he competed in martial arts in the examination room and wrote in the examination room. , before entering the examination booth, he had to pass through the school field. He had a pillar planted in the middle of the school field, with a row of scissors inserted on the pillar. After the candidates entered the examination booth, he would not answer the questions. These candidates were stupid. I was stunned and didn't know what to do. When Shi Huai saw this situation, he ordered everyone to go out for a walk and then come back to take the test. In fact, Shi Huai wanted to remind everyone to pay attention to the pillar in the middle of the school field. What did Shi Huai say? What's the question? It turns out that there is a row of neat scissors inserted on the pillar, which is called "Qi Jian Broken Wood". The four characters are homophones. It talks about Bai Qi and Wang Jian of the Qin State during the Warring States Period, and Lian Po and Li Mu of the Zhao State. .
But none of the candidates who studied hard had thought about what they would do if they failed in the exam. As the saying goes, "A strong dragon cannot suppress a local snake." The candidates were ready to teach Shi Huai a lesson. They all said that the monks and Taoists had foresight. A monk invited Shi Huai As guests in the temple, the two of them sat around a stone table. Four small plates were placed on the table, containing dates, pears, ginger, and watermelon. The first word together was "Leave Jiangxi early." , he quickly packed up his things and left. As soon as his boat left the shore, the people looking for him caught up with him. Seeing that he could not catch up, an examinee stood on the shore and cursed loudly, "The tiger has gone and the mountain is still there." The implication is that , even if you Shi Huai is a tiger, you can't defeat my Qingshan. The tiger is gone, but my Qingshan remains motionless. However, the young and energetic Shi Huai also stood on the bow of the boat and shouted "Shan Qinghu is coming again."
The "Yuecui Building" of Qiuyushan Painting and Calligraphy Academy is a base for calligraphy and painting training for young people in Pukou. The "Moxiang Pavilion" and "Shiqu Pavilion" on the left are for calligraphy and painting enthusiasts to exhibit and compare their skills.