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There are many kinds of lotus flowers, which are divided into ornamental and edible categories. China is native to tropical and temperate Asia and was planted as early as the Zhou Dynasty. Lotus is precious all over the body, lotus root and lotus seed are edible, and the germ of lotus seed, rhizome, lotus node, lotus leaf, flower and seed can be used as medicine. Its character of emerging from the mud without staining has always been praised by the world. "The next day, the lotus leaves are infinitely colorful, and the lotus flowers reflect different colors in the sun" is a true portrayal of the beauty of lotus flowers. The noble character of lotus flower "straight through, not crawling, not stained with mud, clear but not demon" has always been one of the themes of poets' singing and painting.
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There is a piano statue on the seat. Yan Yan is a friend.
There is no calendar day in the mountains, and flowers bloom and fall in spring and autumn.
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In the afternoon, I dreamed of the bottom of the boat, and the fragrance filled the West Lake. ? The sound of heavy rain hitting the tent surprised the dream at first. ? However, it is a pool that jumps in the rain, and the real beads are still together.
Gather like a nest of mercury, and clear the waves.
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Lotus crab flower-and-bird painting in Southern Song Dynasty
In the picture, the withered lotus leaves are yellow and mottled, half immersed in water, and a female crab crouches on the leaves. Polygonum hydropiper, cattail, duckweed, algae, etc.
The edges of its leaves have all turned yellow, indicating that it is autumn, and the withering of lotus leaves is in sharp contrast with the freshness of the mother crab.
Lotus leaf is depicted by double hook and leaf clamping method. Ye Jin, stripes and thorns on the leaves are deliberately looking for a job, and the mother crab uses her pen carefully.
Sketch of Ma Xingzu's Flower-and-Bird Painting in Northern Song Dynasty
Wu Bing's Lotus Out of the Water in the Southern Song Dynasty
Lotus and Yuanyang in Chen Hongshou in Ming Dynasty
"Lotus Yuanyang Map" signed by: "Xishan Old Union Chen Hongshou, written in Qingyitang." Xia Zhong: "Chen Hongshou Seal" (white character) and "Zhang Hou" (Zhu Wen).
This painting takes lotus as the theme, from budding to budding, from morning dew to blooming. The pitch of the lotus leaf reflects its anthropomorphic style of "emerging from mud without dyeing, drowning in purple without demon". A Taihu stone stands between the lotus leaves. Two colorful butterflies are dancing in the air, moving silently and echoing each other.
Graceful lotus leaves and delicate lotus flowers are in sharp contrast with the thin and hard layering of ancient stones. A pair of mandarin ducks swam leisurely on the water, breaking the tranquility of a pool of clear water.
The author's pen is not rigid, the color is mellow and good, and the painting style is concise and lively.
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Qing Yu? Sketch Qing court meticulous flower-and-bird painting lotus flower-and-bird atlas (4)
This book is twelve pages long, with simple and elegant composition, bright and beautiful colors, neat and delicate brushwork, accurate and realistic shapes of flying butterflies, grasshoppers and birds, and solid sketching skills. This atlas depicts orchids, peonies, plums, lilies, lotus flowers, autumn chrysanthemums, peach blossoms, begonia, magnolia, plum blossoms and wintersweet.
Description of Baodi in Shiqu.
I learned Lian's Lotus Egret Map.
? The painter splashed ink on the lotus leaf and traced it with heavy ink; Write lotus flowers with double hooks. Egrets are painted about white.
Wu Yingzhen's Lotus Picture in Qing Dynasty
The author did not deliberately depict water in the picture, but subtly hinted at a pool of clear water through the free fish in the lotus bushes. It also skillfully expands the far-reaching space of the picture through the staggered swimming of fish, no matter how far or near. The flowers and leaves in the picture are brightly colored but not greasy, which leads to full bloom.
Vertical Axis of Flower and Bird Painting in Li Shanshan's Lotus Picture Axis in Qing Dynasty
The painter wrote on the painting: "You can't cover it with water and dye it with mud, and the ink is light (Li). Last night, dark clouds dragged the lotus and the thatched cottage was stormy.
"Money Department" Yong Zheng Yi Mao Zhong Dongyu will travel to the north, boring and crying, and writing Li Shan on the bamboo ". Zhong Mo Mo Man was printed in white.
The flowers are sparse, the water is cloudy, the red turns green, and the colchicine is boundless.
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Zhu Qing da? Mo Lian axis
Modern? Vertical Axis of Zhang Daqian's Lotus Flower and Bird Painting
Inscription: The bright moon once called the white jade plate, and the jade bar is more dry. Incense blew all night, and the west wind was full. Se of Shuisi was shocked, Han Xu. In 1956, it was not summer.
This "Lotus Out of Water" is a lotus leaf and a pen hook dripping ink, which is rich in layers and unrestrained.
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