The influence of Badashan people's freehand brushwork on Wang's flower art? A: Badashan people are good at freehand brushwork in ink painting and are epoch-making figures. He was the first painter to make full use of the characteristics of raw rice paper to strengthen artistic expression. Raw rice paper has strong water absorption and is easy to spread ink. This was originally a shortcoming, but the Eighth National Congress turned it into an advantage, which not only opened up a broad prospect for freehand brushwork in ink painting, but also created a new concept of freehand brushwork in ink painting, and its achievements were immortal. The freehand brushwork of Badashan people influenced Wang's flower art, but he was not dull. Wang Bu began to get rid of copying antiques and gradually formed his own style. Wang Buyi changed the delicate, meticulous and fresh expression technique in the Republic of China. The blue and white rendering of a large area of water is done in one go from thick to light, and the material is divided into five colors. The artistic tension is as hearty as Xu Qingteng's ink painting, and there is no fireworks.
In composition and layout, Wang Bu often leaves a large blank, trying to make the picture fresh, the theme concise and clear, and at the same time make the blank without image become the space of image. The picture is ethereal and open, and the details are magnificent, just like the beautiful suddenness of Badashan people, which impacts the vision. Thus establish that cognition of "one Wang Bu in 500 years" for future generation.