Yang Gong’s Feng Shui theory mainly embodies the idea of ??peaceful coexistence between man and nature. In the theory of Kanyuology, the top priority is given to the situation at the top of the mountain, and emphasis is placed on adapting measures to local conditions and selecting acupoints based on the dragon. Yang Gong's feng shui theory works include "Shaking the Dragon Sutra", "Suspicious Dragon Sutra", "Qing Sang Ao Yu", "Heavenly Jade Sutra", "Jade Ruler Sutra", "Instructions for the Son of Man", "Four Major Acupuncture Techniques", "Pull Out" Works such as "Sha Tu", "Fetal Belly Sutra" and "Wanglong Sutra" have been handed down from generation to generation, leaving a large amount of detailed written materials and physical heritage for the study of ancient Chinese geography. Yang Gong's Feng Shui inherited the essence of Guo Pu's "Cheng Qi" in the Jin Dynasty, emphasizing the organic combination of dragon, water and Xiang. Qi is the core. Those who ride on the dragon's qi are lucky, those who ride on the strong dragon's qi are lucky, those who cannot ride the dragon's qi are bad, and those who destroy the dragon's qi are bad. The good or bad luck of the Yin and Yang House depends on whether it can take advantage of the strong dragon's energy internally and whether it can reasonably accept the energy of the hall externally. Yang Gong Feng Shui believes that the dragon energy should match the "mountain" of the Yin and Yang house, and the water that comes and goes should match the "orientation" of the Yin and Yang house. This is also the main rule of Yang Gong Feng Shui theory. When Yang Jiupong settled in Sanliao Village, Meijiao Township, Xingguo County, he determined the Yin and Yang residence sites for the local people, solved their problems, and visited the famous mountains and rivers in southern Jiangxi. At the same time, he wrote books, taught apprentices and skills, and built and repaired houses. The tomb spreads the geography culture to the world for future generations to study and study.
Yang Gong Feng Shui is not only a science, but also a culture. It is also a method for harmonious coexistence between man and nature. In the practice of Feng Shui, architecture is an important carrier of Feng Shui culture. Many archways, bridges, temples, ancestral halls, residences and tombs, as well as palaces and hills, all bear traces of Feng Shui culture. The disciples of Yang Gong’s Feng Shui in the past dynasties were inspired by this culture. Inheritors and communicators. Celebrities in Kanyu such as Zeng Wenyi, Liao Yu, Liu Bowen, Lai Buyi, etc. are all true disciples of Yang Jiupong. Later, Kanyuology spread widely in southern Jiangxi and has been passed down from generation to generation to this day. There are many well-known contemporary Yang Gong Feng Shui scholars, such as Zeng Wuliang, a 39th generation disciple of the Zeng family, Liu Guosheng, a 37th generation disciple of the Liu family, etc., all of whom have inherited the secret method of Yang Gong Feng Shui. Yang Gong's Feng Shui not only emphasizes the situation, dragon veins, but also regulates Qi. Yang Junsong is revered as the founder of Chinese Feng Shui, and Yang Gong's Feng Shui has become an important part of Hakka culture in southern Jiangxi. Gannan became the hometown and birthplace of Chinese Kanyuology. Most of the Kanyu masters in the past who have received Yang Gong's true biography are highly skilled. The ancient tombs and tombs designated by Duke Yang and his disciples have endured for thousands of years. Their names are recorded in the family books of many prominent families not only in southern Jiangxi, but also in Guangdong, Fujian, Guangxi and other provinces. History is the best witness, and practice is the only criterion for testing truth. Facts have proved that Yang Gong Feng Shui is the mainstream and banner of Chinese Feng Shui. Yang's Kanyu activities to relieve poverty caused Kanyu culture to spread rapidly, and a large number of architectural practices made Yang Gong Feng Shui inadvertently leave many precious historical and cultural heritages to future generations.