In daily life and work, the use of reports has become the norm in daily life, and different kinds of reports have different uses. I believe many people will find it difficult to write the report. The following are six internship reports of sketching collected by Xiaobian for everyone. You are welcome to learn from and refer to it. I hope it will help you. Internship Report on Sketching 1 Looking back on the 15-day journey of sketching, I have left many wonderful memories during this time, not only in my heart, but also in all our hearts. We set off in the early morning of October 2th. After more than 17 hours of bumpy journey, we arrived at our destination-Hongcun, Anhui. This sketch is a 15-day sketch and watercolor sketch practice in the practice bases of Hongcun and Pingshan, yi county, Huangshan City, Anhui Province, led by five teachers. On the bus to Hongcun, there were many unspeakable excitement and many longings in my heart. We talked and laughed all the way, and time passed quickly. It was already 11 o'clock at night when I arrived at my destination. The teacher arranged a rest and ended the day. Many students got up early the next day. They can't stand it anymore. After breakfast, we followed the tour guide around Hongcun, which made us really understand Hongcun. As soon as we entered the village, we were greeted by green tree-lined paths and a blue lake. The tour guide said that it was South Lake. We walked along the bluestone path, laughing and coming to Nanhu. Next to it, there is a Nanhu Academy, which was once the place where Li Xiaojuan, a famous contemporary scientist, was taught. Inadvertently looking up, the roofs are stacked on top of each other, and the mountains in the distance are looming under the mist, just like a shy girl veiled. The morning in Hongcun is slightly cool and chilly. The ancient bluestone paths and quaint residential buildings are particularly quiet against the backdrop of green mountains and green waters. Behind the village, with the green hills as the barrier, the ancient trees beside the lake embankment are towering, green and dripping, the trunk is coiled with green vines, birds sing, weeping willows and graceful branches and leaves, like a girl dressing in front of a mirror, sprinkling her hair into the lake water and pointing out a lot of small circles. The lake is swaying with green lotus and ducks splashing in the water, which is really a unique sight. What impressed me the most was the painting bridge across the South Lake. It was unique and unique, but it could blend into the surrounding scenery and bring out the best in each other! Of course, between this black tile and white wall and the flowing water of the small bridge, students can be seen everywhere who are holding easels and writing attentively. Students sketch here to show the uniqueness of the architecture and the beauty of the scenery from their broadest feelings, and to integrate their feelings into their paintings, and at the same time exercise themselves and show their painting style. By painting the bridge, we continue to walk forward. Hongcun is full of high horse-headed walls and winding alleys. The water system running through the village not only provides convenience for villagers to use water for production and life, but also creates a good environment of "why not take a long walk and have a clear spring in front of every house", as well as dazzling green and perfect Huizhou architecture? Let Hongcun, an ancient village, feel smart and more attractive! In the painter's eyes, Hongcun is a paradise on earth. At the same time, it is a dream paradise for painters to find the origin of painting materials. Mountains, water, trees, rocks, and cultural customs are all depicted by painters. The most artistic Huizhou architecture here, such as the horse head wall, quadrangles, canals, etc., are basically the same in the architectural styles of southern Anhui. Why is Hongcun better than other residential scenic spots? I think an important reason is that Hongcun has water. From the comparison of several nearby villages, for example, Guanlu and Nanping villages lack water circulation, which is somewhat less lively than Hongcun village. It can be seen that water is very important. If you feel water, you will have aura, which is felt by painters. Hongcun is backed by beautiful green hills, and the village is surrounded by clean water. Hundreds of residential buildings in the Ming and Qing Dynasties stand quietly. The tall and magnificent horse head wall has a proud and arrogant expression, as well as a falling charm; The gray house wall is mottled by time, which has a dignified and quiet effect; There are also clan ci halls, academies, memorial archways and genealogies. Walking into the houses, beautiful brick carvings, stone carvings and wood carvings are everywhere. Door covers, patios, gardens, leaky windows, beams, screens and furniture are all silently showing elaborate design and exquisite craftsmanship. After a day of getting familiar with the environment, we should get on the right track and start sketching! Because we are used to a comfortable life at school, we can't even sketch, so it's really a shame to draw there on the first day, so we should just practice our hands, but we still have some gains, and we know our purpose of coming to Anhui. At first, I didn't dare to paint in many places, so I hid in a relatively remote place. After painting for a few days, I finally got some gains and made some progress. I also improved my mastery of techniques and so on, and sometimes I felt that I painted well. However, some students from other schools and curious tourists often watched, and of course I could not help commenting. What I heard was also good and bad. Our second stop in sketching is Pingshan. The combination of heaven and man, the wind and water, the peach blossom source, the hometown of farming and studying for thousands of years, is located in Pingshan between Xidi and Hongcun, a world cultural heritage. In Tang and Song Dynasties, it was called Changning Li, which was a place of long-term peace, and "capital" was the natural establishment of ancient towns and villages. At the end of the Tang Dynasty, Jiudu took a fancy to this fast-growing land of geomantic omen, and Juzu moved from Lujiang to Jiudu. Here, surrounded by mountains and water, the area is open, and there is a screen-like Pingfeng Mountain in the north, so it is named Pingshan Village. There is a stone mountain in the south, Jiyang Mountain in the east, Sangufeng Mountain in the west and Shuangfeng Mountain in the west. Jiyang Mountain is in the northern section, which is the birthplace of Jiyang River in the village. The three peaks of Sangu Mountain are located side by side, with little difference in shape and size. According to ancient legend, the three daughters of a rich family in the village went into the mountains to eat peaches. The most unforgettable thing was climbing Huangshan Mountain. We got up at four o'clock in the morning, had breakfast and were ready to leave for Huangshan Mountain, even though it was already seven o'clock there. The whole class is very active in climbing mountains, especially when climbing Tiandufeng (Tiandufeng is the steepest and most dangerous mountain in Huangshan). The weather was fine that day, and all the students kept moving forward. None of them left behind and finally climbed to the top of the mountain. The most beautiful scenery of a mountain is often not seen until the top of the mountain. The most comfortable feeling is the feeling that everyone has finally reached the heights after going through some difficulties together! Is it the collective charm? Is it the beauty of the scenery? Everyone knows best! Then we passed through Yuping Mountain, crossed the first sight (the first sight was completely "climbed"), and arrived at Guangmingding. We were happiest in our hearts, because the mountain climbing in one day was completed and we were going down soon. Think about how we walked for so long, stopped and stopped, greeted each other and snuggled up to each other, especially in dangerous areas. That kind of mood is beyond words. Through the practice of sketching, my sketch and watercolor have been greatly improved. Composition determines the first feeling of a picture, which is very important, so there must be a beautiful composition first. Secondly, the collocation and expression of colors, that is, to have a pair of "bright" eyes to express colors, because there are too many colors in nature. In order to improve our understanding of art aesthetics, colors and Huizhou architecture, we went to Xidi and Hongcun again, which gave us a better understanding of the culture of this ancient city of Anhui and made us proud to own this city. In the process of sketching in Hongcun, Anhui Province, the students United and cared for each other. In learning, they urged each other, communicated with each other, and made progress together. After a short 1-day sketch course, the students learned a lot and realized a lot. They were fascinated by the scenery, architecture and streets here, and were deeply touched by the humanities and history here. In short, coming to Hongcun is really glad you came, and it also promotes the friendship between us, which is one of the biggest gains of this trip.
Internship Report of Sketch 2 The school curriculum arrangement, 8~1 weeks is a professional practice inspection, and the school decided to go to Taihang Mountain. Learning purposes: Through going out (sketching), the ability to feel the natural scenery is further strengthened, the aesthetic ability of sketching is improved, and the cultivation of beauty in sketching is strengthened and broadened; At the same time, exercise our willpower, hard-working spirit, cooperation and friendship in practice. Cultivate the ability to feel and express the shapes and colors of nature, scenery, houses and other buildings. Many students regard sketching as a pleasant thing, a kind of enjoyment, going to Taihang Mountain? Of course, I felt very painful, because when I first went in the mountains, I felt that the conditions were quite difficult. I was carsick and took the bus for so long, and then I saw Taihang Mountain, which was not what I expected, and then I was able to eat and live. Anyway, I was not in a good mood at that time. On that first day, the teachers explained a series of matters needing attention. Because of their curiosity about the mountains, the teacher didn't ask us to draw in the morning, but asked us to look around nearby, get familiar with the terrain and enjoy this masterpiece of nature by the way. There is a mysterious feeling in the Woods on the mountain, especially in the morning, when the first ray of the sun shines on the mountain, I am shocked, attracted by its beautiful colors and intoxicated. I can't help but want to show it. Then, with longing and impulse, I started my sketching with a painting box and oil painting tools? Because of the first contact with oil painting and the characteristics of Taihang Mountain, I always felt that I couldn't show my passion when I saw it. I just painted it for a while and then the light changed. I thought about the light at that time and tried to show what was in my mind. I found that my hands didn't seem to work. The color was always close to the ideal and I was depressed. So it was time to eat, so I packed up and went back. Anyway, the first oil painting was just a feeling. Then I also thought about my own problems and the problems that should be solved. Through the last few sketches, I have some new understandings: First, it is a matter of time. Painting landscape oil paintings is different from what we used to do indoors. As early as before the emergence of Impressionism, the light in painting was mostly artificial light made indoors by painters according to their own needs. Even landscape paintings were first sketched in the wild and then completed indoors. Since the emergence of impressionism, oil painting landscape as an independent painting has become more and more mature. This is not accidental and simple coincidence, but the natural scenery provides a broader world for the expressive force of light and color in oil painting, and the richness of oil painting color and the vividness of brush strokes provide the greatest possibility for the description and expression of natural scenery. This feeling of sketching is not something you can have in school. Standing among the mountains and green waters, I want to let go of everything to paint, and I want to write everything I see vividly, which is beyond words. All I saw when I came to Taihang Mountain were stone houses. They are made of stones from the mountains, which are concise and distinctive, and can best represent the mountain customs of that side. Therefore, I took more small landscapes and painted stone houses. I clearly remember that on the second day in Taihang Mountain, a group of us climbed to the top of the mountain after breakfast and wanted to draw sketches. The breeze was slow and everything was quiet all the way, feeling the sound of nature and the fetal sound of the earth, stepping on the steps, and the sound of nature was knocking. As a result, it was noon at the top of the mountain, and I was too tired to talk about painting, so I couldn't go back for lunch. But we sang and laughed all the way, drank spring water and had enough persimmons. Hawthorn, wild jujube. Haven't you been so happy for a long time? A spiritual journey, a return to nature, a spiritual baptism, you can't feel the glitz and catharsis of the city here, and you can't feel the endless fast pace outside. What you feel is only the tranquility and remoteness here, the harmony and peace of movement here, a quiet place that can inspire your creative inspiration. Feel it with your whole body's skin. This feeling is really indescribable, as if you have stopped subconsciously for a long time. This made me realize the purest and simplest life in Shan Ye, and occasionally I thought that it was a good life. People want nothing, but they can't do it after all. However, it is necessary to clean up life, remove unnecessary blockages and fetters, expand the space of thought and purify the journey of the soul. Every few nights, two teachers will comment on our paintings. Through the teachers' explanations, I keep looking for my own shortcomings, so that I can further improve my painting ability in this rare opportunity. The teacher's generosity and guidance have really benefited me a lot! The teacher's profound knowledge has brought me great gains. In the following days, I also drew a lot of paintings through my own feelings and summary. While sketching, I also felt the beauty of nature. I saw many strange stones on the mountain. Those stones are really like living people with all kinds of postures. Those valleys are even more shocking. If you shout there, the echo will spread all over the mountain. I can't even imagine that it is so magical! In the process of climbing, on the journey of walking, we lamented the magic of the Taihang mountains, felt the vastness of the blue sky and white clouds, and tasted the unremitting happiness. The short sketch soon ended. In more than ten days, we tasted hard work and realized life; I have gone through hardships and thought about life. In this process, fatigue is our companion and pleasure is our friend. There are many memories left, which are memorable and thought-provoking. On the way back to school, everything began to blur. The spring mountains, green water, pink peach blossoms, lovely grass, clever fish, happy birds, simple smiles and warm laughter in Taihang Mountain Grand Canyon are gradually fading away. When we just got used to the lifestyle there, we came back and didn't go to many scenic spots, which is my most regret. After the practice of sketching, we returned to the campus. We have a clearer understanding of the purpose of our future study, a deeper feeling of beauty, and a lot of new understanding of people and things. If we observe from different angles and analyze from different positions, we will get different results. We should look at the problem from different angles and solve it better! This social practice teaching in our school is of great practical and historical significance for cultivating creative talents, which is also the only way for art to succeed. Because art comes from life.
Sketch Practice Report 3 In August this year, we embarked on the journey of Anhui Sketch Practice. This is the first time for our 2xx architecture to go out for an internship. The first stop we arranged was Xidi Village. After getting off the bus, we walked into the village and entered the reserved hotel. Suddenly, we felt refreshed, the noise of the city and the dust on the road were washed away, and the sketching in the next few days became more attractive. Putting down our luggage and not taking a break, we visited some representative scenic spots in the village under the guidance of the tour guide. After that, we each toured around the village and tasted it carefully. The small river in the village and the pool water beside the village made me lament the agility and beauty of southern Anhui. After all, such clear water is rare in my hometown. In the afternoon, according to the plan, students began to walk around the streets with painting tools to find suitable scenic spots to paint. In fact, in Xidi, satisfactory scenery is everywhere; The long alley, the ancient official residence and the mottled walls were all left on our drawing paper. When I painted along the street for the first time, I was a little embarrassed, because the level was really poor and the technique was even more crude. I really didn't dare to face the occasional eyes of passers-by. But later, I found that most people didn't care about your paintings. Even if they thought you painted badly, they would only encourage you to smile or give you a simple indication. I also understood. It is the poor level that requires more practice and practice, no matter what others think. I comforted myself that I didn't lose heart for the first time after an afternoon, and the teacher carefully pointed out the shortcomings of our paintings and encouraged them.