In 29, the international art world selected the top ten painters in China. Qualification is a painter who will have great innovation in art, respect and appreciate the international community, and is still alive. Ten painters are Wu Guanzhong, Zhao Wuji, Ding Shaoguang, Fan Ceng, Ou Haonian, Huang Yongyu, Guanling Fan, Chen Danqing, Gao Zhanxiang and Liu Guosong. Strength is neck and neck.
Wu Guanzhong, alias Tea, won the first prize in painting for studying abroad at public expense in 1946, returned from studying abroad in 195, and worked as a teacher in the Central Academy of Fine Arts. In 1953, he became an associate professor in the Department of Architecture in Tsinghua University, and worked as a teacher in the Art Institute in Beijing in 1956. In 197, he was sent to work in the rural areas of Hebei during the Cultural Revolution, and in 1973, he was transferred back to Beijing to participate in the painting of hotels. In 1978, he held an exhibition of Wu Guanzhong's works in the Central Academy of Arts and Crafts. In 1979, he was elected as the executive director of the China Artists Association. In 1987, he hosted a retrospective exhibition of Wu Guanzhong in the Hong Kong Art Center. In 1992, the British Museum broke the previous rules and specially held it for Wu Guanzhong? Wu Guanzhong? China painter in the 21st century? Art exhibition, and the collection of Wu Guanzhong's huge ink paintings.
Zhao Wuji was born in a scholarly family in 1921. Zhao Wuji was interested in literature and Chinese and foreign history since he was a child. His family also attached great importance to the art of painting. He studied in Hangzhou Fine Arts College when he was very young, and his early works tended to be westernized, which is the so-called figurative period. Finally, he went to Paris, where his painting began. In Paris, he got rid of the figurative painting style and made the objective form appear in a simple form by decomposing the subjective appearance.
After Yun's works in 1958, his paintings began to have no titles. His works in the 196s and 197s began to get rid of all the shackles, wantonly flaunt his painting style, and express his inner needs and feelings in various innovative ways. After the eighties, with the growth of age and experience, more warmth and comfort were injected, and the passion and opposition of that year gradually merged into the clouds or water vapor. People have also discovered his changes. If writing is a milestone in their creation, then the use of color is to expand the artist's painting language. He once said? I'm not afraid of death or getting old. As long as I can pick up a brush, I'm not afraid. I just hope I can have enough time to finish a work, which is better and more free than the last one.