Blue-and-white porcelain is a kind of underglaze colored porcelain, which is made by drawing patterns on the porcelain blank with a pen and gathering transparent glaze, and finally firing at a high temperature of 1300 degrees. Under-glaze cobalt is blue after high temperature firing, which is customarily called "blue and white". Blue and white porcelain designs are clear, bright and elegant, and are deeply loved by people.
Blue-and-white porcelain first appeared in Gongxian kiln in Tang Dynasty, and the firing technology of Jingdezhen blue-and-white porcelain in Yuan Dynasty became more and more mature, which gradually became the mainstream of China porcelain production in Ming and Qing Dynasties. Jingdezhen has thus become the "porcelain capital of China". Blue-and-white embossed tea set Emperor Dragon series tea sets are all made of blue-and-white bucket-colored embossed golden dragon technology and fired at high temperature for four times. "Huangdi Jiulong Precious Porcelain" in Huangdilong series tea set was collected as a modern ceramic treasure by Shenyang Palace Museum in June 5438+February, 2005, and won the special prize of the second China Shenzhen Cultural Fair in May 2006. Emperor Dragon series tea sets are increasingly becoming the top administrative gifts, top business gifts, top conference present, top office and household items in China. The pastel porcelain picture of the Qing Dynasty covers the tea bowls. This pastel porcelain picture covers the tea bowl, and the seal script is stamped: "Light-year system of sweeping the road". Pastel porcelain produced in Jingdezhen during Daoguang period was a large number of colored porcelain, which was the mainstream product of ceramic production at that time. In terms of modeling, the lid is closed and the wall is closed and circled. The porcelain tire is thin and light, and the glaze layer is thin. The style of decorative painting was influenced by female painters Jin Tingbiao, Fei and others at that time, and the lines were slender. Picture characters, dressed in Qing Dynasty costumes.
In the 20th year of Daoguang (A.D. 1840), the Opium War broke out, the national power of the Qing Dynasty gradually declined, and the porcelain manufacturing industry also began to decline. But feudal hedonism prevailed in the late Qing Dynasty. At this time, drinking tea has become a special hobby popular all over the world, and the drawing of tea sets is still very vivid and meticulous. The patterns of Daoguang pastel porcelain are often close to life scenes and easy to understand. In addition to retaining the traditional intricate and auspicious patterns, the paintings on tea sets gradually lost the quaint flavor of Kangxi and Yongzheng periods, and also changed the complexity of painting patterns in Qianlong and Jiaqing periods. Pastel porcelain in Daoguang period followed the process of tracing gold in Jiaqing pastel porcelain, and exquisite tea sets were often decorated with tracing gold in the mouth.