The end of the six-nation rule, the four seas are one; The mountains in Shu became bare and Epang Palace was built. Covering more than 300 miles of ground, covering the sky. Go north along Mount Li, and then turn west. Weishui and Fan Chuan are mighty, flowing into the palace wall. Five steps to the building, ten steps to the pavilion, cornices pecked like birds' mouths. According to different topography, they converge in four directions and compete with each other. Pavilions, winding, such as dense beehives, whirling water vortex, stand tall. I don't know. Tens of millions.
Overall appreciation
"Epanggong Fu" was selected in the seventh volume of Ancient Chinese Literature. The editor pointed out that this work is "a warning to Sui Guang (Yang Di), Bao Shu (Chen Houzhu) and others, especially about the problem of body treatment", which is very insightful; However, due to the lack of understanding of Du Mu's social environment and political attitude, the author's creative intention and the ideological significance of this work have not been accurately revealed.
In a relatively short period of time, this poem shows the grandeur of palace architecture, the fullness and beauty of harem, and the preciousness and luxury of treasures with typical artistic techniques and clear and concrete images, thus drawing the conclusion that the reason why Qin Shihuang ruled for a long time was that the mob used materials for no mercy, which provided a profound lesson and warning for the supreme ruler at that time. The full text not only has shocking ideological power, but also has high artistic value.