Chengdu Wuhou Temple takes the culture of the Three Kingdoms as the main line, and organically integrates the solemn temple landscape with the fresh and vivid western Sichuan garden landscape, forming a unique temple garden landscape. The overall layout of Wuhou Temple in Chengdu is divided into two parts: the layout of sacrificial buildings in the middle is regular and symmetrical; The layout of the gardens in the west and north is natural and smooth. Although the two parts were built in different years and in different forms, they are connected and interesting and harmonious through the unified context of the three countries to create the overall landscape artistic conception.
2. The general layout of the temple landscape determines the tone.
The sacrificial buildings in the central part are composed of two axes, namely, the main axis area with temple buildings as the main body and the auxiliary axis area with Hui Ling and other mausoleum buildings as the main body. The temple complex faces south, and there are seven buildings from south to north, including the gate, the gate, the Zhaolie Hall, the Guoting Hall, the Jingyuan Hall, the Sanyi Hall and the Jieyi Building, which constitute the landscape sequence of the main hall of Wuhou Temple. The gate, the gate, the Zhaolie Hall and the cloisters of civil servants and military commanders on both sides form two quadrangles, which are the main architectural landscape pattern of the Han Zhaolie Hall dedicated to Liu Bei. The second half consists of Guo Ting Hall and Jingyuan Hall, which is a narrow temple of marquis of Wu dedicated to Zhuge Liang.
There is also the method of using the natural layout of western Sichuan gardens to set off the atmosphere, so I won't go into details.