On Jinhua Mountain, 23 kilometers north of Shehong, Suining, Sichuan, there is a place where Chen Ziang, a poet of the early Tang Dynasty, studied in his youth. It was formerly called Reading Hall, or Chen Gong School, and its former site is behind the ancient scenery of Jin Huashan. Jin Huashan has beautiful scenery and is a good place for Chen Ziang to concentrate on his studies.
Statues of Chen Ziang and poems on the wall can be seen everywhere.
In the Tang Dynasty, our envoy in Dongchuan, Xian Shuming, erected a monument to Chen Ziang's merits in front of the library.
The reading desk is quaint and dignified, hidden among pines and cypresses.
Enter the reading desk in the Thanksgiving Hall.
The Feeling Hall was built in the fourth year of Guangxu in Qing Dynasty and named after Chen Ziang's Feeling. The white marble statue in the hall is Chen Ziang when he was young. The front of the wooden wall is engraved with 38 poems by Chen Ziang, and the back is engraved with the biography of Mr. Lu Zangyong, a good friend. Chen Ziang's poem of "controlling the microwave of Zhenguan, setting the elegance of Kaiyuan" made "the world suddenly changed and the quality changed", which was regarded by Fang Hui as "the ancestor of the prosperous Tang Dynasty" and praised by Li Bai and Du Fu as "a phoenix" and "a peerless wizard".
? There is a double gallery of embossed wall poems behind the Thanksgiving Hall, which surrounds the "Collection Pavilion".
Preface to Zhu Xiudong Yingzuo's Poems is the representative work of Chen Ziang's poetic innovation. Chen Ziang took the literature of Han and Wei Dynasties as a high standard, denounced the floating style of writing since Jin and Song Dynasties, and advocated returning to "style" and "prosperity" to regain the style of literati. This relief work selects the images of Cao Cao and his son, the representatives of Jian 'an School who have great influence on Xiao Ang's spirit, and the scene of Zi Ang's dialogue with Oriental Autumn, which shows the style realm pursued by Zhuzhu and reproduces the poet's spiritual artistic conception of "elegance and luxury".
After the middle Tang Dynasty, the political situation was chaotic, wars were frequent and the school declined. During his reign, Pang was ordered to build a collection pavilion on his site. The colorful sculpture on the niche in the pavilion is a sitting statue of middle-aged Chen Ziang. The left and right sides of the statue are woodcut with Chen Ziang's articles "Motto" and "Preface to Bamboo Cultivation", and the back wall is engraved with Wen Tong's "Notes on the Collection of Relics Pavilion". Cloisters on both sides show Chen Ziang's representative works "The Creep of Zhu Zhu", "Zi Tong Zhi Jian" and "All Tang Wen" in the form of bamboo slips and bronze carvings. Chen Ziang's motto is displayed with the copperplate corrosion painting. Chen Ziang's "academic hook is deep, and the wind is far-reaching", and later generations "praise virtue as a monarch, as quiet as the breeze". A generation of literate literati have always been "saints" in the hearts of ordinary people and have always been worshipped.
Walking through cloisters and pavilions is like traveling in history. In the early Ming dynasty, the pavilion was destroyed, and the statue of the old infrastructure building was built, with the Ming Garden Pavilion on its side. At the time of Chenghua, the county magistrate Guo chiseled the pavilion, and all the above buildings collapsed in the early Qing Dynasty. In the fifty-first year of Kangxi, Tang Linxiang, a magistrate of a county, built a square auditorium in the former site of the school and set up a plaque as an ancient reading desk. Eight to eleven years after Daoguang, the city ordered Qian Bingde and Wang Shu to move the reading desk to Wugang Mountain behind the mountain. In the sixth year of Guangxu (1880), the study room of the magistrate of a county donated money to persuade people to raise money, demolished short walls, eliminated fine awns, and built three new halls in front of the pavilion, with cloisters on both wings and a portal pavilion outside. There are three pavilions on the right side of the pavilion, and three halls will be built behind the pavilion. It is planned to build Yunshan Pavilion, surrounded by verandahs and dazzling walls. Finally, a large building, Ye He Pavilion, was erected, including three boathouses and a small pavilion, which has begun to take shape. Since then, it has remained basically unchanged, with a slight increase. There are many pairs of plaques on the ancient reading table, mostly written by famous writers in ancient and modern times. His woodcuts "Thirty Senses" and "Biography of Mr. Wang" are important cultural relics, and there are few documents about Chen displayed in the museum.
? "Xiuzhu Pavilion" is taken from Chen Ziang's famous poem "Xiuzhu Pian", which concisely summarizes the poet's proposition of poetic innovation, points out that the disadvantage of Qi Liang's poetic style lies in "taking beauty for change, but not prospering", and calls on the poet to inherit and carry forward Jian 'an style. Speaking from the heart, he writes like a man. Zi Ang is pragmatic all his life, sticks to the personality of the admonisher, is true, is not afraid of power, and is outspoken. However, his traditional Chen family style of "being diligent at home, teaching children well, being easy to enter the people and being honest" is as resolute, open-minded and quiet as bamboo cultivation.
Poetry Lian Zhai takes poetry as local records and poetry as sincere praise. In view of the decadent style of writing since the Six Dynasties, Chen Ziang put forward the ideas of "style of character" and "prosperity", which created a new generation of poetic style from both concept and practice. Chen Ziang was not only a standard-bearer who opposed the elegant and soft style of the court poems in Qi Liang and the early Tang Dynasty after the four outstanding poets in the early Tang Dynasty, but also an honest official who boldly intervened in current affairs and politics and paid attention to the sufferings of the people.
Mingyuan Pavilion and "Mingyuan Pavilion" written by modern people.
Standing by the Fujiang River and staring into the distance, I read the eternal poems in my heart and realized how charming and sad the poet is. I unconsciously put my heart close to the distant middle Tang Dynasty, and the deceased was like this-
Chen Ziang (AD 66 1-702) was born in a rich family with no prominent family background. He was born as a Confucian scholar, and his family was handsome and generous. Fairy tales were cool. When I was a teenager, I was uninhibited, like being brave and good at fighting injustice. At the age of eighteen, Chen Ziang ushered in an important turning point in his life. He is determined to study hard at Jin Huashan Reading Desk and become a student and poet who is familiar with Wang Ba and cares about the rise and fall of the country and the sufferings of people's livelihood. He is ambitious and determined to make progress. Twenty-four years old, a scholar, was praised by Wu Zetian for an article "Exorcising the Spirit into Beijing". He was appointed as Lin Taizheng and later promoted to right. The poetic style in the early Tang Dynasty was praised as "Lin Feng" and "gifted scholar" by Li Bai and Du Fu, and "China Literature School" by Wang Shi.
In the first year of Long Live Wu Zetian (AD 696), Qidan and Sun Wanrong captured Yingzhou. Wu Zetian took Wu Wang You You (nephew of Wu Zetian), the secretariat of Jian 'an in the same state, as the right general of Wuwei, and led the army to conquer the frontier. Chen Ziang served as a staff officer in the 1898 shogunate and went out with the army. Wu Youyi is reckless and has no strategy. In the second year, defeat was imminent. He asked to send 10 thousand men as pioneers to attack the enemy, but Wu refused. Later, Chen Ziang talked to Wujin again, refused to listen, and reduced him to sergeant. He went out with the army twice. Due to disagreement with the commander-in-chief, he resigned at the age of 38 and returned to his hometown. Later, he was killed by the county magistrate Duan Jian at the age of 4 1. Chen Ziang suffered setbacks one after another, but his political ambition could not be realized. Instead, it was hit and made him feel depressed. He boarded the Jibei Tower and wrote the famous:
No one can see the ancient wisdom of the ancient king, only those wise men who can't see the afterlife can see it.
Only the boundless universe, boundless, can't stop the tears full of sadness. ?
Finally, before going down the mountain, there was a "smelly stone" that everyone was "happy": this stone has been in Jin Huashan for more than 400 years. In the Qing Dynasty, Mr. Yuan Lin once wrote "Song of Smelly Stone": "Knocking on the stone makes you happy, and boiling the stone makes you taste. So, when you hit a stone, you will smell this smell. " If you don't believe in smashing stones, the smell will start at hand and last for thousands of years. Who knows the Dou Shi Committee? "According to legend, the smelly stone was simplified when Wu Sansi's confidant framed Chen Ziang in Shehong County. The original height was 1.2 meters. As long as you hit it with a stone, it immediately gives off a bad smell. The metaphor of yes-man will be beaten by everyone and will be remembered for thousands of years.
The "Mufei" pavilion in the back hill.
(Related content comes from Baidu and scenic spots)