Poetry with the theme of water town gardens.

Speaking of modern poetry, the landlord used Xu Zhimo's poem In Biekang Bridge! Best! However, he only described the garden, and of course there are other poems about the water garden he created. He is a model of modern poetry ... and several poems by Dai Wangshu are also good. The most famous poem about the water town in the south of the Yangtze River is: Rain Lane depicts the rain, beauty and smell of the south of the Yangtze River ... I'll give you one or two examples here: title of the work: producer of country music: Xu Zhimo genre: full text of the poem: the boat floats slowly under the shade of weeping willows-a cool breeze in early autumn blows down the water. This is the call of brittle children, the work in the field is varied, and the dog crows at the edge of the bamboo fence: but this unprovoked wailing and sadness! White clouds are flying in the blue sky: I want to put the annoying age, I want to entrust the annoying love to the boundless ethereal-disappearance; Reply to my simple and beautiful childlike innocence, a spoonful of cold spring in Xiangshan Valley, like a white-headed milk magpie in Xiaofeng, like a grass flower in Chi Pan, natural and vivid. Xu zhimo is in a hurry! Come on, come on! A cigarette, a mountain, several clouds, a piece of water, a bridge, a muffled sound, a piece of pine, a clump of bamboo, a piece of red leaves: colorful fields, colorful autumn scenery, as clear as a dream, vague, obscure and inspiring! Is it a wheel or time? Urging old Qiu, urging old age! Zhimo's poem "On the Shanghai-Hangzhou Train" is also a typical example of "blending things with me and deep artistic conception". A cigarette, a mountain, a few clouds,/a piece of water, a bridge, a paddle,/a pine forest, a clump of bamboo and a piece of red leaves naturally write the autumn colors in the south of the Yangtze River. Autumn is crisp, maple leaves are boundless, and it is quiet and serene. We just need to close our eyes, gallop through our thoughts, feel and listen, and then we can appreciate that it stretches out in our minds like a landscape painting. The last sentence "urges old autumn, urges old age." If the author writes autumn to write that life is easy to get old, isn't it admirable to write autumn so beautifully? "Every grass and tree is a metaphor, and everything contains Zen." Is to let us know that things and I are one, and things change when the heart changes. Although this is idealistic thinking, it is reasonable in understanding the appearance of things and the change of mentality. Another poem by Xu Zhimo, The Voice of the Village (selected from the Poems of Zhimo), says: "The boat floats slowly in the shade of weeping willows-/A cool breeze in early autumn,/Blowing a velvet on the water,/Blowing sounds in the countryside on both sides." The natural beauty of rural areas in the south of the Yangtze River made Xu Zhimo write the rhyme of nature. The autumn colors in the water town turned into beautiful melodies. White clouds are flying in the blue sky:/I want to forget the annoying years,/I want to forget the annoying love/trust with flawless ethereal spirit. How pleasant it is to hear the peace from nature when you are upset! For a poet who can leave natural beauty in the painful experience of life, it is even more awe-inspiring. Nature can wash away the sadness and boredom in the author's heart, because nature is always fresh, and the author's pure pursuit of world love is also the detachment of the soul. Lei Feng film under the moon? I send you a shadow of Leifeng Tower. Thick dark clouds and white clouds all over the sky; ? I'll give you a Leifeng Tower. The bright moon is projected on the sleeping heart. ? It's late at night, the shadow of the tower, moonlight and slender waves-if you and I set off a bare boat, if you and I create a complete dream! ? Note: ① This poem was written on1September 26th, 923. Xizi said: "I don't love nine songs or three pools to print the moon." I like to see the quiet shadow of Lei Feng in the moonlight-when I see that, I don't want to die. " The song "Leifeng Pagoda-Xu Zhimo" is the tomb of Bai Niangniang, (swiping your fingers to point to the depths of weeds; ) guest officer, you know the story on the west lake. Bai Niangniang is an affectionate monster. ""In order to be affectionate, she suffered instead and fell in love with worthless Xu Xian, her lover; After listening to a monk's words, he was confused for a moment, took a alms bowl and built the prototype of his wife. " Up to now, it has been a thousand years, but she has been pressed at the bottom of Leifeng Tower, a dilapidated ancient tower, desolate and solemn, alone in the midnight bell of Nanping! This poem was published in 1923 65438+ 10/2 morning paper. Literary Xun magazine. The original poem is marked "(Bai Hang)". It was once included in the first edition of Zhi Mo Poems. Don't leave Cambridge Xu Zhimo gently, just as I have been here gently; I waved my hand gently and bid farewell to the clouds in the western sky. The golden willow by the river is the bride in the sunset; Beautiful shadows in the waves ripple in my heart. Green grass on the soft mud, oily, swaying at the bottom of the water; In the gentle waves of He Kanghe, I would like to be an aquatic plant! That pool under the shade of elm is not a clear spring, but a rainbow in the sky, broken in floating algae and precipitated a rainbow-like dream. Looking for dreams? Support a long pole, wander to a greener place on the grass, load a boat with splendor, and sing in splendor. But I can't play the piano, just a farewell flute; Summer insects are also silent for me. Silence is Cambridge tonight. I left quietly, just as I came quietly; I waved my sleeve without taking away a cloud. Poetry Review: Grasping the Eternity of Moment-Farewell to Cambridge is one of Xu Zhimo's most influential works. This is a short poem describing the beauty of nature and the author's mood. Poets are noble and praise nature. The description of the scenery in the poem is true and delicate, which shows that Cambridge has laid a deep imprint on the poet's heart. Not only that, Cambridge is also a poet's ideal. He said: "Cambridge has taught me to broaden my horizons. My thirst for knowledge was moved by Cambridge, and my self-awareness was given to me by Cambridge." However, the devastated China is in an era when right and wrong are reversed, and the difficult livelihood of the people has gradually shattered the poet's Cambridge ideal. This poem was written on the way back to England in 1928. Revisiting the old place, scenes of the past evoke the author's memories of the past. How can the poet's sensitive heart not be sad when he leaves soon? The theme of this poem is to describe the natural beauty of Cambridge, and to show the author's attachment to Cambridge and his inner melancholy. Poems expressing Xu Zhimo's unique spirit are all the rage. His poems are light and elegant, graceful and free and easy, integrating artistic conception, architecture, syllables and painting. At the same time, he integrated Chinese and foreign poetic art and pursued a "pure poetic sentiment". All these can be seen in Farewell to Cambridge. This poem has a beautiful artistic conception, profound and implicit emotions, and delicate and unique poetic thinking. The poet takes the natural scenery of Cambridge as the direct lyric object and adopts the indirect lyric method, which embodies the feelings in the scene and the interaction between people and the scene. Reading through the whole poem, there is no place that is not about scenery, and there is no place that does not contain the poet's faint sadness of parting. The first sentence of the poem: "gently, I left, just as I came gently;" I gently waved goodbye to the clouds in the western sky. "The writing seems to be free and easy, but in fact it is helpless and melancholy: the poet knows that the beauty of Cambridge is eternal and can't be taken away, which changes people's state of mind, loses their dreams, and takes away only seemingly dull attachment and sadness. Next, the poet used metaphor to regard Liu Jin as the bride in his heart, even willing to be a weed in the He Kang River, "oily and swaying under the water". In the fourth quarter, is the clear spring reflecting the rainbow in the sky, or is the rainbow in the sky integrated into the clear spring? The artistic conception of "moonlight is like water" is open and distant, just like the poet's faint but ubiquitous sadness. That gorgeous rainbow dream has long been crushed and precipitated in it. Perhaps it is a mourning for the ideals of Cambridge in the past? Emotion is constantly sublimated to a climax in every artistic conception. If the first four sections of this poem describe natural scenery, then the fifth section is about recalling people's activities. The poet seems to see himself wandering in the past and dreaming in Cambridge. He was so high-spirited at that time. In reality, the poet can't help singing-but he can't sing because he wants to leave, because when he leaves, he is full of sadness and disappointment. Only silence is Cambridge tonight. The poet's mood is like a taut bow. The arrow was captured alive before it left the string. The faint thoughts once rose in an instant, but disappeared in an instant, just as he came quietly, echoing the beginning. The emotional clue of poetry is: faint sadness-gradual sublimation-rising moment-returning to faint sadness. In this clue, the whole poem is integrated with the scenery. The subtlety of the poet's conception is reflected in the ingenious selection of materials. At the beginning of the poem, "Gently, I'm leaving" and at the end of the poem, "Quietly, I'm leaving", two tandem "I'm leaving" rain lanes-Dai Wangshu wandered alone in a long, long and lonely rain lane with an oil-paper umbrella. I hope to meet a girl as sad as lilac. She is lilac-like color, lilac-like fragrance, lilac-like sadness, sadness in the rain, sadness and hesitation; Like me, she is wandering in this lonely rain lane with an oil-paper umbrella, as indifferent, as sad and as melancholy as me. She silently approached, approached and took a breath. She floated like a dream, dreamlike, sad and confused. Like a lilac field in a dream, this girl floats by me; She walked away silently, walked away, walked towards the decaying fence, and walked through the rainy path. In the elegy of the rain, her color faded, her fragrance dispersed, even her sighing eyes and the melancholy of lilacs. Holding an oil-paper umbrella, a person lingers in a long, long, long, long rain lane, hoping to float past a girl with a clove knot. There are too many poems describing Jiangnan in ancient poems: I can't help but think of the beauty of Jiangnan, and I know the scenery once. [1] At sunrise, the river is redder than the fire. In spring, the river is as green as blue. [2] Don't forget Jiangnan. From: "Memorizing Jiangnan" Time: Tang Author: Bai Juyi's whole poem: As long as Bai Juyi's result puts Jiangnan geese in pairs in Jiangbei, that is, dividing water and returning to where will you go, we miss each other for a long time, so why not go now! The power of destroying feathers, if there are ghosts, there are poems in the reunion. Put it in the north of the Yangtze River, put it in the south of the Yangtze River, and pay a hill of land. Still for you, the grass is quiet and beautiful, and the sound is sour. Where is Jiang Qiuying filming? Kill the wood to confuse the dike tree. Frost's soul is bitter, which is better than Judas'. Wang Qiang Zhong Qing Zhenniang Tomb. With who? Sighing the bird road in the sky, crossing the ancient river dragon boat, the horse's ears are full of tears. ..... from: "Mai Bei Tang" Time: Tang Author: Complete Poems of Li Zhi and Li Zhi. As long as the result of Li Zhi's geomantic omen remains in the mountainous area of Yin Mo in the south of the Yangtze River, you should feel sorry for yourself. The tooth wound faces the water and looks bitter and frosty at night. Fishing goes away and the wind comes, and firewood is covered with snow and rocks. Why don't you come for a drink? You are drunk and tired. Don't be a farmer, you should worry about yourself. Plow the fields in spring and feed the cows at night. When several officials raise taxes, it is rare to have autumn every year. Why don't you have a drink and get drunk? Don't be a businessman, I'm afraid you don't know. Snow and frost travel north, and feng shui stays in the south of the Yangtze River. If you hide 100 million dollars, you will sink a ship. Why don't you drink your back ... from: "Why don't you drink seven songs" Time: Tang Author: Complete works of Bai Juyi As long as Bai Juyi's achievements, Huainan looks at the south of the Yangtze River and thousands of miles away. I'm tired of it, and I'm depressed. Zongying, Zuoxiong County, is a land-water facies control area. In the long river, Wu Hui runs thousands of miles. So is your heart, no matter how big or small it is. Shake the pen and wind and frost, push the true love. The court is full of peaches and plums, and the hotel is covered. What's the point? Clouds in the sky, floating, suddenly meet. Only when the saints are unjust will they sing, and life will return to the times. Independent mountains and seas, empty old saints and wise. A bosom friend is rare, and touching the sword adds affection. When the 90,000-year period is halfway completed ... from: "To my brother Chang Nian: Tang Author: The complete works of Bai Juyi's poetry, as long as it is the result of Li Bai, we can't forget the beauty of Jiangnan, whose scenery was once so familiar. When spring comes, the sun rises from the river, the flowers on the river are brighter than red, and the green river is greener than the blue grass. Can you not remember Jiangnan? Jiang Nanyi, the most memorable is Hangzhou. Looking for laurel trees in Zhongshan Temple in the month, watching the tide on the pillow in the county pavilion. When will you revisit? Jiang Nanyi, followed by Wu Gong. Wu Yi cup of spring bamboo leaves, Wu Wa dance lotus drunk. We will meet again sooner or later. ...... from: "Zaqu Yi Jiangnan" Time: Tang Author: As long as Bai Juyi's whole poem bears fruit, cold food crosses Jiangnan from Huaibei and cold food crosses Jiangnan. Suddenly I saw Xunyang water, and I suspected it was Songjiatan. It is better to be a wise master than a lonely minister. Yao Si's hometown is a stranger, and peaches and plums are all over the world. ...... from: "Cold Food Along the Huangmei River in Song Dynasty" Time: Tang Author: Cui Rongquan's poems As long as Cui Rong's grades are good and the grass is everywhere in the south of the Yangtze River, I look forward to piling roads. There is an old friend in Piling, so there is no reason to fall in love at first sight. I have been in love with Qingshan for a long time, but I feel that my hair is new. Every time I hate holding a hand board and seeing a headscarf. The smoke scene is cold and the food is cold, and the farmer meets the spring. If the family is poor and addicted to alcohol, there is no reason to cause trouble today. Grass is all over the south of the Yangtze River. Volume two hundred and fifty Hope to adopt