There is a circle of stone fence on the periphery of the bottom floor, and there is no complicated pattern on it. After weather-beaten, it looks more simple and dignified. Inside the stone fence is a tall wooden fence, which is visually small and large and psychologically calm. It is these wooden fences that have aroused the designer's ingenuity. There are no corridors on the second and third floors, and there are wooden windows on all six sides. On the six corners of the second floor, a lifelike faucet was carved respectively. Those tiny dragon whiskers are still clearly visible today, reflecting the wisdom and superb architectural skills of the ancient Han working people.
Kuixing Pavilion was founded in the fourth year of Jiaqing in Qing Dynasty (1799), also known as Xunge Pavilion. "Xun" is a divination in the gossip, which represents the wind and also refers to the southeast. Kuixing Pavilion is being built in the southeast corner of the old county. At that time, the purpose of building was to promote the literary movement, and the other was to town Feng Shui. Town geomantic omen was related to the specific situation of Jingjiang at that time. Before the 19th year of Jiaqing in Qing Dynasty (18 14), there was no levee in Jingjiang, and the county seat was on the riverside at that time. Whenever the river is in high tide, the land along the river is only impacted by the tide, which either causes flooding or collapses. In the 18th year of Jiaqing in Qing Dynasty (18 13), a large-scale river burst, and Tianhou Palace, Guandi Temple and Wenfeng Tower outside the south gate collapsed into the river one after another. Interestingly, the Kuixing Pavilion, originally designed for geomantic omen, failed to contain the collapse of the river, but was in jeopardy and had to be demolished.
In the tenth year of Daoguang (1830), Zhu Wuyun, Chen, Zhu and others in this county advised donations to rebuild Kuixing Pavilion near the original site. At this time, the levee of Jingjiang River has been built, and the danger of collapse is gone. Kuixingge has restored its original function. In the Qing Dynasty, Gu said in Rizhilu: "I don't know when Kuixing was worshipped by modern people, and Kuixing was a study room, so a temple was set up to give it." The construction and demolition of Kuixing Pavilion in Jingjiang, as well as the demolition and reconstruction, may be influenced by the pursuit of cultural internal drive.