Wang Siren
From the evil stream to the sky, the captain is a foot long and the water is sweaty. Heaven deceives mountains, and water seeks stone release. Speaking of xiaoyang, my eyes are wide open.
When Wu saw him off, Rui took the boat to lead Bai, and Huang Toulang made a eulogy. He bowed his head and shouted at Lu, only to know that the color is not in the world. I don't know the name of someone in the sky, but I think this is a photo of the owner of the world.
The setting sun contains half a gauge, such as rouge rising in a fire. On the mountain around Xixi, parrots, green ducks and green backs are all green, and there are scarlet clouds and five thousands of feet on the mountain. A big sinus was opened, creating a light green sky, reflecting the water like embroidered red agate.
More and more beaches are as soft as blue and white, and the beach on the other side is full of flowers and moon scenery, and suddenly it is unrecognizable. The mountain is full of old melon skin color. There are seven or eight broken goose feather clouds, all of which are golden yellow. When two clouds are stacked, they are incredibly crystal clear and purple. There are several layers of night haze quarrelling, such as a fish-belly white, wearing a silver red, and Jin Guangyu is uncertain. The cover is a world of mountains and rivers. Clouds gather day by day and are steaming hot. I don't know what to do with this big dyeing bureau. Italians, sea of envy, Ling 'ashan, a loophole in Li Qingzhi's flower? The general, also known as Zhou Zi, has the solution of shaking his chest and deciding his life, trying to make false articles and change his outlook. What a miracle!
There is only the fifth color among women, and the five colors are used together, extending to dozens. So complicated, how incredible! My name is a class, but I also look at things in the world. I haven't seen them. I have to tell them what I have seen. However, the so-called seems to be a plan, and it really seems to be a plan! Hoo hoo! If you don't look at the wealth of heaven and earth, you don't know the poverty on earth!
Small Ocean, like Tunxi, is a landscape masterpiece of Wang Siren's "arbitrary description" and "originality". At the same time, they are obviously unique. If Tunxi is like a faint ink painting, Little Ocean is more like a colorful watercolor painting.
At the beginning, the author sketched his journey-from evil creek (also known as good creek, in Lishui, Zhejiang) to Kuocang Mountain, and pointed out the dangers on the boat trip. The mountain is high and the sky is small, so it is called "the sky is bullied by the mountain" and the stream is rushing; Therefore, it is called "seeking water to release stones", which is all humorous. Then compare it with Xiaoyang's sudden opening, so as to cut into the meaning of the problem. However, in the following paragraphs, the author does not directly describe the scenery, but frees up his hand to write about the amusement frenzy of drinking and singing on board. This seems to be a slap in the face, but in fact it is clearly a foil to "screaming". As a result, the wonders of "not on earth" have not yet appeared in front of readers, but they have already taken the lead. The following direct description is also natural.
"The sunset contains half a meter, such as rouge leaving the fire at the beginning. Around Xixi, the mountains are like parrots, green-backed crows, with scarlet clouds on the top and five thousands of feet on the bottom. A big hole was opened, which made the sky white and reflected the water like an embroidered agate. " Here, the author uses a giant pen full of pigments to splash out an amazing sunset picture of the western hills: blue-black mountains, rouge-like sunset clouds, a large red cloud floating on the horizon, a light blue sky exposed at the lack of clouds, and a beautiful agate reflected in the water. These colorful scenery, are handy, natural combination, really brilliant, giving people a very fresh and strange impression. The scenery here is still, but there is movement in the stillness. Sunset and floating clouds are full of attractive vitality of nature.
"The color of the beach is getting softer and softer, like blue and white, and the sand on the other side is the shadow of the moon, which is suddenly difficult to distinguish." It's getting darker and darker, and the scenery is more peculiar. The pale white beach here is mixed with a pale blue tone, and the white reed flowers on the other side are swaying the beautiful image of the moonlight, which is indistinguishable. The mountains in the distance are as blue as old melons, and there are seven or eight rosy clouds floating in the sky, like chopped goose feathers, like golden and delicious lychees, and then piled into two colorful clouds, like grapes in crystals. What's even more amazing is that there are several layers of night fog competing to hold up, and the blue sky on a white background shines like gold in the freshly baked silver-red pigment. Here, the author uses light and elegant watercolor brush strokes to render and depict the "color" of "not in the world" with more gorgeous colors, richer levels, more vivid weather and more fantastic artistic conception. At the same time, in the face of the wonders of "mountains and rivers, clouds and light winds, steaming hot", the author can't help wondering: "I don't know how to open this big dyeing bureau." What does nature try to do with such a wonderful splash of ink and color? Fantasy, amazing. Then, he gave birth to a unique and wonderful idea: "Who is interested, jealous of the sea slug, Ling Ashan, and leaking beauty?" A mirage is a mirage, and it is the most fantastic realm on earth. "Ashan" was originally the name of Buddha, and here it refers to the world of Buddha, which is a wonderful world. The author envies a mirage with beautiful Yun Lan, hoping to overwhelm Ashan to reveal his strange conjecture, and skillfully render the wonders of the sea of clouds under the setting sun in the small ocean, which can be described as moving ink animation, wonderful and incoherent. Then, further imagine: "The general, also known as the son of the boat, has the solution of shaking his chest and deciding his position, and tries to make a fake article to change the view of the times?" Perhaps nature thinks that the people on board have such a clean mind and far-sighted vision to understand the magic of the scenery, so he tries to present the magnificent scenery of heaven and earth and let him enjoy the unpredictable customs. Here, the author reflects one of his marvels at nature, and unexpectedly writes about nature's appreciation of himself. In this humorous brushwork, it left a rich charm for readers: Is it the meeting of bosom friends? Or "I see how charming Qingshan is, and I expect Qingshan to see me like this" (Xin Qiji's "He Xinlang")? In this fascination, it not only reflects the author's extraordinary background, elegance and refinement, but also adds an ethereal feeling to the wonders that have been strongly rendered in front of him, and then "What are the wonders?" If not, then I can't explain why the scenery I met is so strange.
Finally, the author deeply discusses the difficulties of wonders by retreating into progress: first, there are only five positive colors in the world, namely blue, red, yellow, white and black. Although these five colors can blend with each other and reproduce dozens more, they can't convey the incredible fantasy realm of nature in any case; Secondly, in the past, we named the class by the color of the world, and we could only call him "what he saw, what he learned, and what he told us himself", but many things "what he didn't know and what he didn't see" could not and could not be expressed. Third, even if it has been "as if" described, it still cannot convey one tenth of its true colors. On the basis of such layers of pressure, the author's exclamation of "I don't know the poverty of the world without looking at the wealth of heaven and earth" not only seems to be a rock-breaking trend, but also naturally becomes the inevitable finishing touch of the literary trend.
As we know, the landscape sketches in the late Ming Dynasty, on the one hand, are a rebellion and innovation against the traditional literature, which undoubtedly casts a gratifying bright color on the increasingly bleak literary world; On the other hand, it is also a piece of green grass, comforting the soul that an upright man finds in his world-world-weariness and vulgarity. As a result, those fresh and pleasant landscapes are always artificially exaggerated and exaggerated, and the natural spirituality is also mysterious. The limited landscape field seems to contain endless wonders. Because of this, their life experience, temperament and social status quo are more or less reflected in the mountains and rivers where the author is free to wander and admire. Here, Wang Siren's extreme exaggeration of the richness of nature and his strong reflection on the monotony and poverty of the world illustrate this point well.
Wang Siren's landscape sketch is quite distinctive, which is not only obviously different from the objective basis for Wang Anshi and Su Dongpo to discuss landscape scenery, but also different from Liu Zongyuan's use of landscape to symbolize his own situation, and is often in danger of being ignored and forgotten. The scenery in Wang Siren's eyes seems to be closer to the original state of nature, and it doesn't seem to have the obvious purpose of Wu Jun's "A Book with Song Yi"-appealing the beautiful scenery of Fuchun River to letters for friends to share. When reading Wang Siren's sketches, I always feel that he is in a natural, friendly and humorous communication with mountains and rivers, which makes readers unconsciously enter his fresh and wonderful world. Therefore, when tasting, we always feel more relaxed, natural and comfortable, always feel his unique banter and smile knowingly. What Lu Xun said in "The Crisis of Essays" is "not all flirting with the moon, but injustice, irony, attack and destruction." Probably refers to this situation!