Party member, an outstanding producer in China and a member of China Democratic League; Mr. Deng Yingyi, a famous song translator, music educator, soprano and professor of Shanxi University Conservatory of Music in China.
Mr. Deng Yingyi, a native of Xiangxiang, Hunan Province, 1920 was born in Beijing. 1938 graduated from Beijing beiman girls' middle school; In the same year, he was admitted to the Department of Sociology of Fu Jen Catholic University, and obtained a bachelor's degree in law from 1943. During this period, he also studied in yenching university, majoring in music. 1945 went to Shanghai National Conservatory of Music for further study. In 1950s and 1960s, she worked as a soprano and soloist in Shanghai Song and Dance Troupe, Beijing Central Song and Dance Troupe and Central Orchestra 13 years, giving more than 2,000 performances. 1953 joined the China people's condolence delegation to the DPRK, 1955 went to Poland to attend the World Youth Student Festival. From 65438 to 0963, he was transferred from the Central Orchestra to Shanxi University to teach.
Mr. Deng Yingyi has translated and published Beethoven's Ninth Symphony "Ode to Joy"; Schubert's The Beautiful Mill Girl, A Journey in Winter and Song of Swan; Schubert songs (more than 200); Schumann's female love and life; Songs of Haydn, Mozart and Beethoven; Mahler's Song of the Earth; English classic songs 10 1 etc. Cooperation with others: selected opera works (three sopranos); Selected songs of tenor opera (6 1 song); A collection of songs by Rachmaninov; Prokofiev's collection of songs; Pyotr Il'yich Tchaikovsky's songs. Co-editor: 260 excellent songs at home and abroad; 240 Chinese and foreign comfort songs; And translated and arranged more than 1000 religious songs. Chinese-English translation: the yellow river is affectionate, and the yellow river side; Learn to sing English songs with me; English translation of chairman mao's poems. Write dozens of biographies of musicians for the concise encyclopedia Britannica. Deng Yingyi's poetry collection, song collection, modern translation of The Book of Songs, etc. Also published.
She loved singing since she was a child and performed children's plays in her childhood. Middle school coincided with the national crisis, and she actively participated in democratic pioneers and anti-Japanese and national salvation singing activities; When I was young, I devoted myself to cultural exchange activities, and I was active in literary circles at home and abroad, winning glory for my country. In the prime of his life, in order to actively respond to the call of the organization and support the education in the border areas, old areas and mountainous areas, he resolutely transferred from the Beijing Central Orchestra to work in Shanxi with difficult conditions. Professors of vocal music, Italian and foreign music history in the Conservatory of Music of Shanxi University have trained a group of outstanding vocal actors and teaching backbones for Shanxi. What the world admires most is that in order to fill the gap in music translation and distribution in China, promote cultural exchanges between China and foreign countries, and prosper the party's literary and artistic career, she began to translate and distribute foreign songs on her own initiative after work from 1957. For decades, I have been diligent, conscientious, meticulous and never slack off. Every word, every page, is saturated with her superhuman wisdom and efforts; That chapter and section, a part of a book, all reflect her lifelong beliefs and pursuits. Many famous musicians in China have said: "We embarked on the road of music by singing the songs translated and matched by Teacher Deng Yingyi"; The vast number of music lovers and the masses in China have also gained infinite happiness and enlightenment from the songs translated by Mr. Deng Yingyi, such as Ode to Joy, Auld Lang Syne and Jingle Bells. These precious musical heritages handed down from generation to generation will make people miss her and thank her. Shanxi Music Association awarded her the Golden Bell Award and Lifelong Artistic Achievement Award issued by China Music Association. The relevant person in charge of the Chinese Music Association said: She is worthy of this glorious title-yes! In people's minds, she has won! Shanxi Music Association awarded her the Golden Bell Award and Lifelong Artistic Achievement Award issued by China Music Association. The relevant person in charge of the Chinese Music Association said: She is worthy of this glorious title-yes! In people's minds, she has won!
Her life is a bumpy life, a life of diligence, a life of struggle and a life of dedication.
She said long ago, "I'm tired, my friend, let's call it a day!" " ......
Li Shutong
Master Hongyi, common name Li Shutong, was born in Tianjin Gate on September 20th in the 6th year of Guangxu (1880) and died in Quanzhou in 1942. He is the forerunner of China's New Culture Movement, an outstanding artist, educator, thinker and innovator, an outstanding representative of the combination of China's traditional culture and Buddhist culture, the most outstanding monk in the modern Buddhist history of China, and a well-known figure enjoying a high reputation internationally. Creative development has been made in music, fine arts, poetry, seal cutting, epigraphy, calligraphy, education, philosophy, law, Chinese characters, sociology, advertising, publishing, environmental and animal protection, human fasting experiments and so on.
/kloc-0 was born in Tianjin on October 23rd, 1880, 1942, 10, 13, and died in Quanzhou, Fujian. Originally from Pinghu, Zhejiang, and originally from Tianjin. Father Li (Zijian), Daoguang (1884) Jinshi, official department minister. He used to be a salt merchant, and later he was engaged in banking. My mother, surnamed Wang, is Li's wing room and can write poems. Li Shutong lost his father at the age of five and grew up with his mother. 190 1 entered Nanyang public school and was educated by Cai Yuanpei. 1905 went to study in Japan, studied oil painting at Tokyo Art School, and studied music at the same time. Together with Zeng Xiaogu, Xie and other students studying in Japan, he founded the Spring Willow Drama Club and performed such plays as La Traviata, Black Slave's Call to Heaven and New Butterfly Dream. He is one of the founders of the drama movement in China.
19 10 Li Shutong returned to China as the chief teacher of the graphic department of Tianjin Beiyang Institute of Technology. The following year, she was hired as a music teacher in Shanghai Chengdong Girls' School. 19 12 years as the literary editor of Pacific newspaper, in charge of supplements and advertisements, initiated the organization of the writers and artists association with Liu Yazi, and edited the magazine Literature and Art. In June 5438+10 of the same year, the publication of Pacific Daily was closed, and music and art teachers from Zhejiang two-level normal schools applied for jobs. 19 15 used to be the art director of Nanjing Normal University. In teaching, he advocated sketching, began to use mannequins, organized foreign painting research societies, Xerox societies and Ningshe societies among students, and advocated aesthetic education. 19 18 August 19 Hangzhou hupao temple became a monk, traveled to Wenzhou, Xincheng Beishan, Putuo, Xiamen, Quanzhou, Zhangzhou and other places to teach Buddhism, and engaged in the writing of Buddhist Nanshan law. After the outbreak of War of Resistance against Japanese Aggression, he repeatedly put forward the slogan of "Remembering Buddha does not forget to save the country, and saving the country must remember Buddha", saying that "we ate millet from China and drank water from Wenling. As a Buddhist, we can't help in difficult situations, which shows our deep patriotic feelings.
Li Shutong is versatile. He is omnipotent in poetry, lyrics, drama, painting, calligraphy and seal cutting. Good at sketching, oil painting, watercolor painting, Chinese painting, advertising, woodcut, etc. He is one of the pioneers of China's oil painting, advertising painting and woodcut. His painting creation is mainly before becoming a monk; Later, he wrote more calligraphy. Most of the works were lost because of the war. We can get a glimpse from the preserved self-portraits, sketches, naked women, watercolors and Buddhist paintings. "Self-portrait" was probably painted before going abroad, with meticulous painting style and detailed expression description, similar to the court portrait in the late Qing Dynasty, with high realistic ability. "Sketch Head" is a charcoal painting with simple and pungent techniques. Under the influence of its teacher, Ito Kuroda, Naked Woman is accurate in modeling, bright and rich in colors, some of which are close to Impressionism, seemingly casual at close range and crystal clear at a distance.
Calligraphy is Li Shutong's lifelong hobby. When he was young, he devoted himself to the memorial hall. His calligraphy works include Entertainment and Brave Struggle. Before becoming a monk, books were beautiful, healthy and chic; After becoming a monk, he gradually became detached and indifferent, and his works in his later years were more cautious, clear, simple and peaceful. Li Shutong seal cutting, catch up with the Qin and Han Dynasties, learn Anhui School, Zhejiang School, Xiling Eight School, Wu Xizhai, etc. , with an ancient and heavy taste, diluted and simple, found his own way. There are "Away from Pu Yin" and "Wandering in the Night".
Li Shutong's Farewell is also widely sung.
Master Hongyi (1880- 1942), whose common name is Li Shutong, was born in Tianjin, Zhejiang. He is not only a talented art educator, but also a generation of eminent monks.
This master of "Twenty Shocking Seas" who combines poetry, ci, calligraphy and painting, seal cutting, music, drama and literature has created splendid Chinese culture and art in many fields. He pushed the anti-China ancient calligraphy art to the extreme, "simple and perfect, muddy as nature", and modern cultural celebrities such as Lu Xun and Guo Moruo were proud of winning the master's paintings. He was the first pioneer to spread western music to China. His farewell songs have been sung for decades and become classics. At the same time, he was also the first teacher in China to create nude sketches. Outstanding artistic attainments have cultivated some cultural celebrities, such as the famous painter Feng Zikai and musician Liu Zhiping. He painstakingly worshiped Buddha, did not eat after noon, intensively studied jurisprudence, promoted Buddhism, and helped all beings get out of their misery. He was regarded as the 11th ancestor of Legalism by Buddhist disciples. He left the world with inexhaustible spiritual wealth, and his life was full of legends. He is a typical figure of China's magnificence and simplicity. Master Zeng Zeng of Taixu: Teach initiation, cultivate one's morality, be clean inside and outside, and be bodhi. Mr. Zhao Puchu commented that the master's life is "an endless treasure on earth, and a full moon shines on the heart of heaven."
Li Shutong, which Feng Zikai called "the garden of literature and art", has almost been there. For various reasons, he embarked on the road of negative life in the secular vision. 19 18 shaved in Dinghui Temple, Hupao, Hangzhou, and fled into an empty door, becoming a monk named "Yin Yan" and "Hongyi". A once pure and excellent artist has undergone profound changes from concept to action after wearing hundreds of cloth coats. He got rid of dust and things, and almost abandoned all his artistic expertise. He heard about the morning bell and the evening drum, practiced Zen in his heart, and the artist Li Shutong became the master of Hongyi in the religious family.
All the arts are sparse, except calligraphy, which failed to make Hongyi give up and accompany him until he died in Bu'er Temple, Quanzhou. In Hony's life course of more than 60 years. At least 50 years of calligraphy activities. This shows that calligraphy occupies a position in his mind. Hongyi began to learn calligraphy when he was a teenager, and studied seal script for the first time. He learned calligraphy seal cutting from Tang Jingyan, a famous person in Jinmen, and laid a solid foundation. Then write official script, then enter the form of regular script and cursive script, especially carefully ponder and write the inscriptions of the Six Dynasties, forming a strong and heavy calligraphy style. Some people divide the evolution of Hongyi's calligraphy style into three stages: first, it is born out of the study of steles, with short body and much meat; After the meat gradually decreases, qi gradually gathers and blends into meaning; Later, the characters became slender, showing a thin, hard and clear state. In fact, Hongyi's calligraphy seems to be more suitable from a big aesthetic style, which is divided into two stages: before becoming a monk and after becoming a monk, that is, vigorous and plain. Before becoming a monk, Hongyi's calligraphy was gorgeous and he fled into an empty net to become a monk. His calligraphy style changed suddenly, abandoning the lofty corner of Guangxi, acting childish and clumsy, and turning into an elegant and quiet Zen realm, lonely and lonely. This great change comes from the change of ideas, that is, the change of people. Li Shutong is a layman, and Master Hongyi is a layman, so the purpose of writing has undergone a qualitative change. Hung-yi, who is out of the dust, no longer considers himself an artist. As a calligraphy art of "writing the heart", his idea is naturally different from the past. Grasping the management of writing is first of all a religious activity, which is the need of "forming a good relationship and popularizing Buddhism", while calligraphy, as an art, has taken a back seat. Calligraphy is no longer a conscious product of art, but a work of art in religion, and its artistic value can only be realized through the unconscious expression of the author and the aesthetic acceptance of future generations. Look at Hongyi's ink, it is as still as water, and it is the result of meditation. "Brilliant and quiet", the lines in silence lose their individuality, which is the trace of Zen, the eternal realm of religious "greater self" and the ultimate in creating "plain beauty".
As a monk's calligraphy, Hongyi is different from some monks and artists in history, such as Zhi Yong and Huai Su. Although they wear cassock, it seems that their life is not aimed at firm religious belief and sincere and practical religious practice. They are just artists who have been sent to a Buddhist temple. They are "crazy to despise the world through drunkenness and gain true knowledge", which is completely the temperament and romance of artists. The irony of starling in Badashanren's works is obvious. His paintings are really a kind of venting. After joining the WTO, they are not detached. Compared with them, Hongyi completely escaped from Zen. He converted to his own heart, detached himself from the dust and devoted himself to the cultivation of Buddhism by Legalists. He is a pure religious scholar.
Calligraphy is the trace of the soul. Hongyi's calligraphy changed from gorgeous in vulgarity to plain after vulgarity, which is the result of cultivating the mind and the sublimation of the master's spiritual realm. In a letter to Xu Huilu, Hongyi once said: "Decadent people have been shaving their hair and dyeing their hair for more than 20 years, and they are at a loss for literature and art." The Classic of the World "also said:' Scholars should know before literature and art', which depends on monks who become monks; Rotten people used to tell people that' literature and art should be handed down by people, not by people', which is what it means. " Self-cultivation is more important than self-cultivation, and self-cultivation depends on self-cultivation. In his life, Hony unified life, art and meditation organically and naturally, and his calligraphy and his soul were sublimated at the same time. When talking about calligraphy in his later years, Ye Shengtao said: "Some people say that the master's calligraphy in recent years is close to that of Jin people. However, it is unclear which one to imitate. I don't know calligraphy, but I like his calligraphy very much. If I ask why I like his writing, I can only answer intuitively, because it is full of flavor. Looking at the overall situation, he is like a gentle and courteous gentleman, humble and amiable, talking calmly there. ..... I am not arrogant, and my kung fu is outside the pen and ink, so the more I look at it, the more interesting it is. " This passage tells the aesthetic realm achieved by Hongyi's calligraphy. This appreciation has gone beyond the points and lines of calligraphy, but has gone deep into the essence of calligraphy-the value of cultural concepts.