Gome Pavilion was built in Xining for three years in the Northern Song Dynasty (1070). It was founded by Zhang Gui, the magistrate of Taiping Prefecture. However, it can be inferred from the poem "Boating on a boat in a dangerous pavilion and looking at the sky with a moth eyebrow" written by the poet Jia Dao in Niuzhu that the moth eyebrow pavilion actually existed in the middle Tang Dynasty.
For thousands of years, Hu Mei Pavilion has been a combination of beauty and grandeur. Standing in the Hu Mei Pavilion, you can see the infinite scenery in the south of the Yangtze River. "Out of the river, the mountain is called quarrying. In the past, because of its majestic mountains and pavilions on cliffs, you could enjoy watching its beauty. Looking at the Liangshan Mountains in the east and west, across the river, it is like a Hu Mei, so it is named Pavilion. " From the famous painter Tao An's Humeiting in the early Ming Dynasty, you can not only
The scenery of Hu Mei Pavilion is like a picture of four seasons, especially on sunny days. A silvery white river is cultivated on the Rizhao River. The dazzling river is sparkling, just like the eyes of two mountains. The rich green forest is like the eyebrows of two mountains, which is beautiful and charming.
Santaige
Santaige's beautiful caishiji stands like a set of picturesque screens in the lower reaches of the Yangtze River, while Santaige, which stands at the highest point of Cuiluo Mountain, is like a pearl embedded in the top of the mountain.
Santaige was built in the fifteenth year of Chongzhen in Ming Dynasty (1642) and was destroyed in Qing Dynasty. According to Yang Lin, the governor of Taiping Prefecture during the reign of Kangxi, it is recorded in The Three Pavilions of Quarrying that when Zhou Wenxiang (the right assistant minister of the Ministry of Industry, Chen Zhou) was promoted to Dazhong Cheng, he donated money to buy Pine Mountain. Guanglu Palace (Cao) also volunteered to donate three thousand dollars to build a pavilion on the top of the mountain. After the pavilion was completed, it was named "Santai" to worship "Wenchang". At that time, there were three things in the pavilion in Huang Guan. It can be seen that "Santai" is the name of the star official and the six stars of Ursa Major. Cao Jian built three pavilions not only to watch the stars, but also to watch the sky, the world and the water. Cao, a native of Dangtu, returned to his hometown after becoming an official abroad. "The important place where the stone is quarried by mistake is subject to a huge survey", which means "building a high-rise pavilion, setting up three sets of geomantic omen departments, paying attention to river defense and flying across the river", hoping to ensure one side's safety with the help of Emperor Wenchang. Some people think that Cao has been an official in Kyoto for many years and spent his life savings to build three pavilions for Wenchang Jun, in order to encourage neighboring sages to study hard and become pillars of the country in the future. Legend has it that Cao's descendants really lived up to expectations. One of them, Cao Wenzhong, was chosen as the champion by hand and did a lot of good for his hometown.
Lin Sanzhi Art Museum "The great river surrounds the precipice, and the sage of grass accompanies the poet." Nature created the Rocky Mountain and accommodated Li Bai, who attracted Lin Sanzhi. In memory of this outstanding contemporary master of calligraphy, poet and painter, with the approval of the General Office of the State Council, it was decided to establish the Lin Sanzhi Art Museum, which was completed in Maanshan Quarrying Scenic Area on199110/5, fulfilling Mr. Li Bai's wish of "being neighbors".
Mr. Lin Sanzhi is a master of Chinese calligraphy art, and is known as the "three wonders" of poetry, calligraphy and painting. Mr. Lin Sanzhi (1898~ 1989) is from Hexian County, Anhui Province, and Jiangpu, Jiangsu Province. He was smart since he was a child. He went to the village to study poetry and couplets at the age of six. At the same time, he studied Yan Liu's regular script and took a liking to painting. At the age of 65,438+03, he went to Ningshi to study figure painting from Zhang Qingpu; 65,438+06 years old, started calligraphy from Fan Pei; At the age of 65,438+08, he studied ancient poetry from Sami, a scholar in Qing Dynasty. At the age of 32, he worshipped Huang Wei, a master of Chinese painting, and decided to travel far. Since then, Mr. Wang has returned to his hometown, devoted himself to art, and spent his spare time in anger. He claimed to have started learning cursive at the age of 60. After 70 years' reform, his calligraphy art became more and more perfect and reached its peak. His cursive script was introduced to the ancients, and he made innovations in brushwork and ink painting. It is fresh and elegant, but also has strength and arrogance. It is another peak in the history of China's calligraphy art after the two kings and Huai Su, so it has the reputation of "contemporary sage of grass".
Taibailou
Taibai Building was built in the Tang and Yuan Dynasties (806~820), formerly known as "Chen Xianlou", and was renovated in the Song and Yuan Dynasties. In the fifth year of the Ming Dynasty (1440), Chen Zhou, the right assistant minister of the Ministry of Industry, rebuilt it when he toured the south of the Yangtze River. In the 14th year of Shunzhi in Qing Dynasty (1657), the magistrate Hu rebuilt it and renamed it Taibailou, also known as "qinglian temple in Tang Dynasty". It was later destroyed by soldiers. In the third year of Guangxu reign in Qing Dynasty (1877), Peng Yulin, the minister of the Ministry of War, donated money for reconstruction.
Taibailou is located at the southern foot of Cuiluo Mountain, close to the mountain and beside the water. The building is18m high, with two entrances on three floors, front building and back pavilion, and left and right cloisters; The rest of the mountain, dripping tiles, turtles, fish and beasts, and upturned cornices are spectacular. In particular, Li Bai, a statue of southern woodcarving enshrined in the main hall of the ancestral temple, carries his head high with both hands and looks chic and elegant, vividly reappearing the charm of poetry and immortals. Tourists climb the building and overlook it. If the Yangtze River is practiced, the oasis overflows with greenery, hundreds of people struggle for flow, and seagulls soar. It is known as "the first floor on the romantic river". It, Yueyang Tower in Hunan, Yellow Crane Tower in Hubei and Wangtengting Pavilion in Jiangxi are also called "one pavilion on the third floor" of the Yangtze River.
In order to commemorate the great poet Li Bai and carry forward Li Bai's poetic culture, 1986 rebuilt a number of Qing Dynasty buildings on the east side of Taibai Tower, and merged them into one, forming the Li Bai Memorial Hall with the earliest building, the longest history, the largest scale and the largest collection of cultural relics in China.
There are also portraits of Li Bai, ancient cultural relics calligraphy and painting, complete works of Li Bai in different periods and versions, contemporary celebrity calligraphy and painting, and monographs on Li Bai's research.
Since ancient times, I don't know how many poets have boarded the pavilion and can't help but write poems for the pavilion, voicing infinite feelings.
Shen Kuo, a famous scientist in the Northern Song Dynasty, wrote a poem, describing the moth-eyebrow pavilion as "the twin peaks show two eyebrows, and Cui Dai still looks at the shadow". Chen Long, a poet in the Southern Song Dynasty, wrote a poem saying, "Nu Wa tried to be a stone, making her a strong leader for the mayor." In Chen Long's eyes, the east and west Liangshan, where the Quarry Mountain and Hu Meiting are located, are like a big rock proud of its independence and lofty integrity. Different people have different views, and the same scenery arouses different responses in different people's hearts, which shows the beauty of the scenery of the Humei Pavilion. Although it was destroyed by the war, it was destroyed and rebuilt again and again, which is also the reason why the moth beauty pavilion has been enduring for thousands of years.
According to historical records, there are five stone monuments in the pavilion, which are mostly damaged by wind and rain erosion. Now they have been moved to the Li Bai Memorial Hall. Today's Moth-Mei Pavilion was rebuilt in 1987, with the plaque of "Moth-Mei Pavilion" hanging in the center of the pavilion eaves, and the newly-established Wu Tong stone tablet embedded in the stone wall of the pavilion. Rebuilding Hu Mei Pavilion was written by Yu Xianhao, a professor at Nanjing Normal University, and by Li Liuzhen, a calligrapher. According to the original tablet, there is also the poem Crossing the River written by Li Jue in Yuan Dynasty. In addition, Li Bai's Looking at Tianmen Mountain, Lin Hejing's Quarrying Mountain and Wen Tianxiang's Quarrying for the Past have all been rewritten into monuments by contemporary calligraphers.
The beautiful scenery behind the Hu Mei Pavilion remains the same. Time seems to have not moved, but changed history.
Since the Tang Dynasty, the Taibai Pagoda has left the footprints of celebrities such as Yuan Zhen, Bai Juyi, Lu You, Wen Tianxiang, Li Hongzhang and Guo Moruo, as well as a large number of poems sung by scholars in previous dynasties, which has added the profound intangible wealth of the Taibai Pagoda, and together with the tangible wealth of the Taibai Pagoda complex, it has presented a pure and incomparable cultural accumulation for the Chinese people.