Huang's Fuchun was first painted in seven years (1347) and completed in ten years. Huang's famous paintings, handed down from generation to generation, are the highest among Huang's paintings. It is a paper ink painting with a width of 33 cm and a length of 636.9 cm, which is the representative work of Huang's later years.
Second, "Jiangfanting"
Li Sixun's Sailing Pavilion is a vertical silk book, which shows the scene of a spring outing. The painter drew the rippling waterline with fine strokes, the boat floated lightly on the river in the distance, the trees growing on the mountain were green and tall, and the four of them walked hand in hand. The master was riding a horse, followed by three servants. From the morphological point of view, they are either carrying loads or carrying goods, and they are clustered in front of each other, far away from the hubbub, happy and natural, and lingering on the scenery.
Third, "Huang Ming's Running Script Map"
Li Zhaodao's "Ming Di Xing Shu" is an important handed down work reflecting the landscape of the Tang Dynasty. There is a poem "Thirty-nine Years of Qianlong" in the painting: the rugged road of green hills is long. The guests are finished and the luggage is self-sufficient. Always for fame and fortune, then quit your job and get busy. When Chen lost his surname, the Northern Song Dynasty almost benefited. "Unlike Li Sixun's works, this is a typical style of Erli School.
Fourth, "thousands of rocks and rivers"
Wang Wei's Thousand Rocks and Thousand Rivers, 3 1.5 cm long and 705.9 cm wide, depicts the landscape of the Tang Dynasty. What we usually read in newspapers and magazines are some paintings. Thousands of rocks in the painting are beautiful, elegant and quiet. Castle peak looks rough under the simple outline, and pine forest is lush and exquisite.
Verb (abbreviation of verb) landscape volume
Tang Yin's landscape scrolls and Tang Yin's paintings not only have the profound skill of Song painting, but also have the bookish spirit of literati painting, which made the new painting style of literati painting in the middle of Ming Dynasty. In addition, his attainments in poetry and calligraphy are also profound, and he has also made new contributions to the three wonders of poetry and calligraphy. The painting style is similar to the landscape of the courtyard, but it has a clean and moist posture in law. What is more obvious in his paintings is that he can consciously apply calligraphy and pen to painting.