Yellow writes landscapes.
1, modern painting. There are many examples of Dong Yuan and Li Cheng. Brush trees and stones. They are different. Scholars should devote themselves to this.
Trees should be surrounded by trunks and branches. Cover with a circle.
3, the tree must have an identity, and the painter calls the button. You must do it well. Every tree will happen.
4. Trees should be sparse and dense. Leaves and branches are very soft. There are branches behind the face.
Huang's Fuchun part
5. The method of drawing stones. Start with light ink. Can be changed and saved. It is best to use thick ink gradually.
6. Stone takes ten steps. Look at the stone on three sides. Use Fiona Fang's method. Many faces and few circles.
7. There is a lot of gravel at the foot of Dongyuan Slope. It's a painting of Jiankang Mountain. Dong Shi called it that the foot of hemp skin slope rises to the edge of paddling first. Then break its deep depression with light ink. Coloring is inseparable from this. Stones should be painted in a stronger color.
8. Dongyuan Xiaoshan Stone. It's called alum head. There are clouds in the mountains. This is all the scenery of Jinling Mountain. The method should be soft. There is sand under it. Sweep with light ink. Bow to it. Then break it with light ink.
Dong Yuan's Map of Su Long Suburbs
Part of Huang's "Stone Wall Map of Tianchi"
9. The mountains are far away. Connect from the bottom. Let's call it plain. Close to each other. Call it wide and far. Seen from the distance of the mountain. Call it sublime
10, landscape brushwork. It's called bone-to-bone connection. There is a pen and an ink. Stick a mark with a pen. Call it ink. Fixed pen and ink painting. Call it a pen. The painter is in a key position. Rocks and trees take advantage of this.
Huang's Fuchun part
1 1, probably the tree should fill in the blanks. (Sounds) Small trees and big trees. One suppresses and the other raises. Step back. Don't commit crimes against each other. There are countless places and sparse places. You need to win. If you draw skillfully. Natural brushwork appeared.
12, wonders of stone painting. Soak the ink pen with gamboge water. Natural polishing agent. Not much. If you have more, you will fall behind. It is also wonderful to put a screw in the ink once in a while. Make-up is easy to get into the eyes. Meng morale.
Huang's "Dan Ya Yu Shu Tu"
13, including the pen in the purse. Or in a good place. It's strange to see trees. Imitate lunch and write it down. This is intended to happen. Go upstairs and see the charm of the clearing. Look at those clouds. It's the scenery on the mountain. Li Xi. They all use this method. Guo painted stones like clouds. The ancients said. So is the painter of Tiankai Garden.
14, Shuikou is the most difficult to draw in the landscape.
15, far water without trace. People far away have no eyes.
16. Water flows out from the height. From top to bottom. Never interrupt the pulse. Take the source of the stream of life as an example.
17, the mountain should be folded and transformed. The mountain is gentle. This living method is also. The peaks are similar to each other. Thousands of trees follow each other. Like an army leading soldiers. There is a sinister color. The shape of this mountain is also.
Huang's "Pale Crimson Landscape"
18. The house can be built on the hillside. The boat can be put in the water. From then on, I was alive. Clouds are used on mountainsides. Look at the unfathomable mountain.
19, the method of stone painting. The most important thing is not to be embarrassed. A stone has three sides. Or in bed. On the left. It could be a face. While writing. Almost got it.
20. There is a pool at the foot of the mountain. Painting this is very commercial. Four groups of trees are used.
2 1, draw a stone. When the ink overflows. There is a scholar's family style. If you have a gift, you will become a painter.
Part of Huang's Nine Everest
22. Or draw a landscape painting. Let's make a topic first. Then start writing. If there is no problem. It won't be a painting. Remember the scenery in spring, summer, autumn and winter. Everything happened in spring. In summer, there are many trees. Everything will be killed in autumn. In winter, the clouds are light and the wind is light. The sky is blurred. It's best to draw this.
23. Li Cheng drew the foot of the slope. It needs several floors. Take its wet thickness. Mi Yuanzhang's view on the prosperity of Li Guangcheng's descendants. Fruit is the most official. Painting also has feng shui.
24. Pine trees have no roots. Well, a gentleman is in the wild. This tree is full of meaning.
25. It is rainy in summer. Take a fountain pen. There are stones on the mountain. Small pieces piled on it. It's called alum head. Pass out with a pen. Add dysprosium. General Xiurun again. Painting is just fun.
26. Winter scenery borrows land for snow. Want thin powder dizzy mountain.
Huang's "Fast Snow and Clear Weather"
27, the law of mountains and rivers. Care about improvisation. Remember the method first. It's not a miscellaneous arrangement The distance is consistent. Almost like writing. Better be familiar with it. It is difficult to draw on paper. This kind of silk is alum, which is easy to write. Use colors. It is easy to see. Name the topic first. This is called quality. The ancients painted. Chest width. The scenery naturally suits the tastes of the ancients. I'm tired of painting.
Huang's "Snowfall Map of Jiu Feng"
28. Spray silk with water. A hammer-eye plaque on a stone. Then upload the frame. Alum method is used to stop gluing alum in spring and autumn. More glue and less alum in summer. More alum and less glue in winter.
29. Colored cymbals painted on stones. Garcinia cambogia enters the ink. Painting trees is very colorful and beautiful.
30. Painting is just a word, the most important thing. Wu Rong's poem says, "Good deeds are rewarded with good deeds." .
3 1, it is the most difficult to draw with ink. But first use light ink to accumulate. To a considerable extent. Then use Jiao Mo thick ink. The distance to divide the boundary. So there are many wet places on the base paper. It is also true that Li Cheng cherishes ink like gold.
32. Painting is important, and the words "evil, sweet and vulgar" are removed.
33. Landscape works in the Han and Tang Dynasties are not common. Min Nan Gong's evaluation of Dong Beiyuan is nothing like Li Cheng and Fan Kuan, but a landscape in the south of the Yangtze River. Since then, monks and Taoist Lu have always adhered to their laws, and Lu Bi is rare. However, there are often pens and people who force Dong. People who have studied it say, "Jiangguan Road is clean and inky, and the leaves are arranged with beads. Song people also cherish it, but if it is natural, it will be a big court. " Those who make landscapes should learn from Dong, while those who learn poetry should learn from Ye.
Huang's Fuchun part