Jiang Kun's deductive road is relatively smooth. After Mr. Li Wenhua left the stage at any time due to illness, Jiang Kun's partner was always vacant. Later, in order to continue the performance, Jiang Kun changed his partner into Mr. Tang Jiezhong. During his partnership with Mr. Tang Jiezhong, with the rise of crosstalk, Jiang Kun's deductive career reached a new peak, and many crosstalk works appeared at the peak. Representative works include "A Scared Dream in the Tiger's Mouth", "Elevator Storm", "March in the Corridor" and "Anxiety". These works were all created in the background of that era. At that time, the works were really liked by many people because they kept up with the times. Many people thought such cross talk was elegant and representative.
Jiang Kun's acting career was a bit bumpy at first, then it reached its peak, and then it was underestimated. After Mr. Jiang Kun and Mr. Tang Jiezhong's partnership ended, they went to perform with Dai Zhicheng, but then it slowly declined. The reason may be that Jiang Kun is getting older, which makes Jiang Kun's voice less shrill. After his voice lost its appeal, the audience grew tired of aesthetics.
After the creation of the work, it has been unable to make more audiences laugh. In addition, there are many new people behind, and new people appear constantly, which makes some old artists have strong competitiveness. Old artists' physical strength and creativity can't keep up, which leads to the decline of market popularity. Later, they also created some works: a song for you, a dream in the mouth of a new tiger, but you don't understand my heart, I feel a little dizzy, and so on. ?