Quanzhou Chongfu Temple Quanzhou Chongfu Temple Photo Gallery

1, a must-see attraction for a one-day tour in Quanzhou 2. Introduction of Geng Ying Tower of Chongfu Temple in Quanzhou? 3. Guide words of Chongfu Temple in Shanxi Quanzhou One-day tour must-see attractions: Chongfu Temple in Quanzhou, Fujian: Chengtian Temple, Chongwu Ancient City, Hu Axiang Catholic Church, Kaiyuan Temple and Luoyang Bridge.

Chengtian Temple 1

Chengtian Temple, also known as Yuetai Temple, and Chongfu Temple in Quanzhou, together with Kaiyuan Temple and Chongfu Temple, are called "one of the three jungles in southern Fujian".

2. Chongwu Ancient City

Chongwu Ancient City is near the Taiwan Province Strait. It is the most complete ancient T-shaped stone city of Chongfu Temple in Quanzhou, China. It is also a relatively complete historical site of Chongfu Temple in Quanzhou in the history of coastal defense in China and a "national key cultural relics protection unit".

3. Hu Axiang Catholic Church

This church was built in 1926, located in Hu Axiang, Quanzhou. It is said to be the only pink Catholic church in the world, and its overall architectural style is typical Gothic.

4. Kaiyuan Temple

Farewell is a well-known song written by Master Hongyi of Kaiyuan Temple in Quanzhou. Therefore, Kaiyuan Temple must be the most memorable place in Quanzhou.

5. Luoyang Bridge

Luoyang Bridge, called "Wan 'an Bridge" in the early years, is the earliest existing cross-sea beam stone bridge in Chongfu Temple in Quanzhou, one of the four famous bridges in ancient China, and is listed as a national key cultural relics protection unit.

Introduction of Geng Ying Tower of Chongfu Temple in Quanzhou? Tower is a common traditional building in China in Asia, which has a unique form and style. There are more than 2000 towers in China. There are many kinds of pagodas, and Zhong Da Consulting has brought architects a detailed introduction of "Geng Ying Pagoda of Chongfu Temple in Quanzhou".

Geng Ying Tower is located in Chongfu Temple, Chongfu Road, Licheng District, Quanzhou City, on the north side of the main hall of Chongfu Temple. Provincial cultural relics protection units.

Geng Ying Pagoda was built in the early Song Dynasty, with a pavilion-like stone structure and seven solid octagons. The bottom circumference is 8.16m, and the height is10.9m.. The tower leans slightly, which is said to be "beneficial". It leans in a certain direction, indicating that the staple food is abundant and the six livestock are prosperous, so it is called Geng Ying.

Geng Ying Tower was demolished and rebuilt on 200 1, and the excavated tower foundation was repaired as it was. For the weathered part, copy it according to the size and form of the existing components in the corresponding parts, and the project will be capped in April of the following year. Restoration of Sumitomo at the bottom of Geng Ying Tower. The height of this tower is 1 1.5 meters, which is the same as the original height.

Geng Ying Tower of Chongfu Temple in Quanzhou, as a part of Chongfu Temple, was announced by Fujian Provincial People's Government as the second batch of provincial-level cultural relics protection units in June 1985.

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Chongfu Temple in Shanxi is located in Chongfu Road, Licheng District, and was renamed Chongsheng Temple. Chongfu Temple is another temple that teaches Shaolin Wushu after the abolition of Shaolin Temple in Quanzhou. The following is the model essay for the tour guide of Chongfu Temple in Shanxi, which I brought to you. I hope it will help you.

Tour guide words of Chongfu Temple in Shanxi Province

Hello, tourists, I'm Xiao Wang, a tour guide from your. First of all, welcome to Chongfu Temple in Shanxi. Let me introduce you!

Chongfu Temple was built in Linde, Tang Gaozong in the Jin Dynasty (AD 655). This is a large and ambitious building. It is a key cultural relic protection unit approved by the State Council. Its main hall is built by reducing columns, which is an isolated case in China and is unique. Tommy is one of the largest buildings in the Jin Dynasty in China.

Chongfu Temple is located in the East Street of Shuocheng District, with a pair of stone lions in front of it. From south to north, there are King Kong Hall, Bell Tower, Drum Tower, Thousand Buddhas Pavilion, Manjusri Hall, Dizang King Hall, Daxiong Hall, Tomi Hall and Guanyin Hall. Covering an area of 23,400 square meters, there are five courtyards in front and back, with reasonable layout and clear priorities. This is a complete and magnificent ancient building. Chongfu Temple is an ancient temple in Yang Shan. The Buddhist Scripture Pavilion was built in the second year of Linde, Tang Gaozong (in 665 AD, it was renamed Qianfo Pavilion after being rebuilt in the Ming Dynasty). At the time of Qidan, it was located in the yamen of Lin Taishi. The unification of Liao Dynasty and the restoration of peace between Liao Dynasties may be the legacy of "building a house as a temple" in Sui and Tang Dynasties. Linya Temple was awarded Chongfu Temple in Jin Tiande period (A.D.1149-1153) because of its name. At present, the Tomi Hall and Guanyin Hall in the temple are made of gold, the mountain gate is in the Qing Dynasty, and the rest are in the Ming Dynasty. Tomi Temple is the main temple in the temple. It was built in the Jin Dynasty (1141-1149) and was built by the founding emperor Zhai Zhaodu. The "Tommy Hall" hanging under the eaves of the temple was the twenty-fourth year of Jin Dading (65438).

Built on a platform more than 2 meters high, with a total height of 2 1 meter, Mituo Hall is the largest existing Jin Dynasty building in China. The building is seven rooms wide, and four rooms go deep into the rafters. There is a spacious platform in front of the temple, and then it is connected with the platform of guanyin temple. One eaves and nine ridges rest on the mountain. The beam structure in the hall is unique. With the decrease of gold pillars in the hall, the main structure is different from other buildings. The windows of Amitabha Hall are also exquisite, with 15 patterns running through the heart, such as triangle patterns, ancient coins patterns, peach white balls and so on. These patterns are not only excellent works of art, but also of great value to the study of architectural decoration in the Jin Dynasty. In the center of the temple, there are three main statues on the brick altar. Among them, Amitabha Buddha and Guanyin Bodhisattva are on the left and Bodhisattva is on the right, which is called the "Three Sages of the West". On both sides of the main image, the bodhisattva is threatened by humility. Don't look. The two heavenly kings glared as if guarding the law. The backlight of the main image is a woven mud wall with a pattern of grass leaves and a flame light at the edge. The floating wall with backlight in the middle is 13, a statue of Lotte, with different postures and lifelike. The four walls of the temple are covered with murals, and 10 tall Buddha statues sit in knots, dignified and kind, distributed on the east and west gables and the back wall.

Above the mural is flying, soaring in the colorful clouds. The Guanyin Bodhisattva at the western end has thousands of hands and eyes, standing and changing, 18 faces, with one hand in each hand, each holding a device, the stars, the sun and the moon, the Dragon House treasure plate, the sword, the halberd, the piano, the chess, the calligraphy and painting, and so on. On the lower left is an old woman, with a calm manner, and on the lower right is an auspicious day, looking serene and dignified. The East End Room is divided into upper and lower floors, with three Buddhas and three Bodhisattvas painted, and the back door couch is painted with 16 Treasure View. The whole mural is magnificent, magnificent and meticulous, with scarlet and stone green as the main colors and bright colors. The mural and the Buddha statue complement each other, making the hall more magnificent. The nine ridges outside the temple are all made of tiles, and the top of the temple is covered with a bucket of cloth tiles, and the green glass ridge is repaired. Two tall mansions stand on the main ridge, and there is a tile building in the middle of the main ridge, with the general in the middle and high spirits. Beasts and hanging animals have huge mouths and fangs, which are terrible. The whole Tommy Hall is a combination of architecture, murals, statues, backlight, glass, lattice windows and plaques. Despite the ups and downs, it is still brilliant.

Guanyin Hall is a A Jin dynasty building next to Tomi Hall, and its beam structure is the most original. The four rafters and three columns are the chest. All the gold pillars in the front groove of the temple were subtracted, and the gold pillars in the back groove were placed on both sides of the altar to make the front part of the temple wider. Because the front trough gold column is omitted, the span of four rafters is increased to 10 m, so in order to reduce its load, a large herringbone fork is applied at the front end of the cross beam and the flat beam to transfer the load on the upper part of the front trough to the front eaves and the rear eaves column. This magical architectural ability fully embodies the talent and skills of ancient architects. After the founding of People's Republic of China (PRC), Kannonji was renovated in 1953, and Amitabha Temple was overhauled in 1986. Chongfu Temple, with its simple and majestic posture, reappears Shuozhou.

In Chongfu Temple in Shuozhou, there is a precious cultural relic-the stone pagoda of the Northern Wei Dynasty, which shows the artistic achievements of Buddhism in the Northern Dynasties. The tower is 2.5 meters high and has a square plane. Because there are 1349 small Buddha statues carved on the tower body, tower body and pedestal, it is also called Thousand Buddha Stone Pagoda. The tower body of the stone pagoda is a nine-story pavilion. The pavilion is carved with arches and tower eaves on all sides, and the surrounding space is covered with small Buddha statues. There is a niche carved in the middle of each side of the lowest floor. There is a larger main Buddha and two sitting buddhas in the niche, and there are five rows of sitting buddhas outside the niche. Buddha statues vary in size and expression. The whole stupa is ingeniously designed and exquisitely made, combining the ancient architectural art of China with the Indian pagoda art, creating the earliest existing pavilion pagoda in China, which is amazing.

But unfortunately, this world-famous artistic treasure was separated for the first time more than half a century ago and could not be combined because of the changing world. Tasha can only be preserved in Chongfu Temple as a first-class collection at present, and the tower body is collected by Taipei National Museum.

There is also a little-known story about the separation of the tower gate from the tower body. This stone pagoda of a thousand buddhas was built in the first year of Tianan in the Northern Wei Dynasty (AD 446). It was built in Pingcheng (now Datong City) by Cao Tiandu, a small and medium-sized official of Tuoba Hong Palace, the Emperor Xianwen, in order to pray for national peace and run out of money. The people who built pagodas pinned their good wishes for world peace on the stone pagoda of the Thousand Buddha Temple, but the fate of the stone pagoda was quite different from this wish. 1937, the land of China was overcast, with rivers of blood, and was devastated by the Japanese invasion. The thousand Buddha stone pagodas preserved in Chongfu Temple in Shuozhou failed to escape this disaster. At that time, the Complete Works of Art and Fine Arts published in Japan included all the information of the Thousand Pagodas. According to the data, when the stone pagoda was packed in Japan, a patriot in Shuoxian risked his life to hide the pagoda at home under the close surveillance of the enemy. After the national liberation, patriots dedicated the stupa to the country and returned it to Chongfu Temple. The stupa was displayed in Tokyo Museum, Japan. 1945, after eight years of bloody fighting, the people of China won the victory in War of Resistance against Japanese Aggression, and the tower of a thousand buddhas and stone pagodas returned to the embrace of the motherland. At that time, the Kuomintang government deposited it in Nanjing Museum, then shipped it to Taiwan Province Province and lived in Taipei National Museum.

The pagoda is 57 cm high, with two pavilions in the middle and a load-bearing bodhisattva carved at each corner of the four modernizations. The upper part of the pavilion is carved with nine-phase wheels and mani pearls. After countless vicissitudes of life, although the temple has been scarred, its exquisite and ingenious artistic style is still shining. Whenever people appreciate the Thousand-Buddha Pagoda in Chongfu Temple, there is always a kind of regret, and they always sigh: When will the Thousand-Buddha Pagoda be merged into one?

This situation that the stone pagoda is divided into two has attracted the keen attention of people with lofty ideals for many years. From 65438 to 0979, Flantz, a professor at the Art College of Graz University, visited China for the first time at the invitation of the Ministry of Culture of China, and presented his book "The Tower of China and Blocking Waves" to the Museum of Chinese History. Mr. Shi Shuqing, a famous archaeologist, found that the stone pagodas of thousands of buddhas included in the book belong to Chongfu Temple, and Mr. Shi introduced and verified his works. From 65438 to 0995, Mr. Huang Yongchuan, director of the collection department of Taipei National Museum, wrote to Chongfu Temple, saying: "The nine-story pagoda built by Cao Tiandu in your temple was looted by Japan during the Anti-Japanese War and returned to China after the victory. Fortunately, your temple still exists at the top of this stone tower. Although it cannot be combined at this stage, the value of the tower will not be inferior because of the separation of the top body. " History has created the cruelty of winter for us and told us the story of spring. With the prosperity of our socialist ancestors and the implementation of Comrade Deng Xiaoping's "one country, two systems" policy, Hong Kong and Macao have successfully returned to the embrace of the motherland, and the reunification of the mainland and Taiwan Province Province is not far off.

We firmly believe that when the flesh and blood on both sides of the Taiwan Strait are reunited, it is also the day when thousands of Buddha and stone pagodas become one. The stone pagoda of the Thousand-Buddha Pagoda, which has gone through vicissitudes and is absolutely exquisite, will stand perfectly on the homeland they love and look forward to with the profound meaning endowed by history.