Wood head refers to useless materials. In Beijing opera, actors who don't understand art are often called firewood heads. See the wooden stick.
Cudgel originally refers to a solid wooden stick, which is used to satirize people with poor performing arts. See the previous article.
Wool Peking Opera's appellation to the outside world is ironic, because it means that you don't know Peking Opera.
The golden bell cover originally refers to a kind of invulnerable martial arts, but now it is borrowed to satirize the actor who can only sing back but can't perform martial arts with a knife and gun.
The face of a dead person is also called a full face. Refers to the actor's dull facial expression and lack of vitality. A dead word tells the seriousness of this artistic disease: I can't act.
Read the article with your whole face.
Eating chestnuts is also called eating snails and running melons. Due to nervous or unfamiliar lines, the actor mispronounced or stuttered his lines during the performance.
Read the last article when eating snails.
See the last article on running melons.
See the article above for tickets and plays.
See the last article in the sea.
Box office 1. An amateur organization of opera lovers. 2。 Theater ticket office.
Black pestle refers to the reward that old ticket lovers secretly receive when they perform on stage.
Lower chord refers to the actor who matches the main actor in martial arts as a martial arts opponent.
Fragments are also called sweeping edges. Refers to the extremely humble role in traditional Peking Opera. There are certain lines and fixed names, but they are often unknown to the audience.
Read the last article while scanning.
Drink the fourth sound. The supporting role is more popular than the leading role in the performance. For example, today xx can be "drunk" by xx.
A single character line. General remarks: All the characters in the whole drama include stage words such as walk-on, and the lines and actions of the actors and actresses. Generally speaking, people who can speak the whole drama are called hugs.
The audience left the theater early before the draw ended. If a large number of spectators leave the scene collectively, then wake up.
Dantian Yin, also known as Xiangtang, is a vocal term of Peking Opera. When an actor sings, his lungs are full of gas and his abdomen is hard. The gas seems to be a sound from the abdomen (about three inches below the navel). At present, the traditional singing practice method also thinks that Dantian sound is the best (that is, the sound is heard far away).
Vocal nouns of Yun Zheyue Peking Opera. This is a metaphor for the mellow and implicit voice of old students. This kind of voice sounds dry at first, but it becomes louder and more beautiful after singing, which makes people feel mellow and has unlimited potential. It is a beautiful sound quality formed by long-term exercise. Both Tan Xinpei and Yu Shuyan's voices belong to this type.
The sound nouns of the beat Peking Opera. In middle-aged and elderly people, because of physiological relations, the actor's voice is hoarse and he can't sing at all. This is called stumbling. Some actors cherish their own voices, and the vowels remain the same when they get old. Actors who sing in falsetto are more likely to collapse when they are older.
A singing method of Peking Opera with a rolling tongue sound. Also known as echo. Generally speaking, qi comes out from the abdomen, passes through the throat cavity and comes out directly. Although the sound in the back of the head is the same as that in the abdomen, when pronouncing, the throat cavity is slightly compressed, the posterior pharyngeal wall is opened, the soft palate is improved, and the sound is sent to the head cavity, where it meets the nasal sound, making the sound detour behind the head, and making a sound through the head cavity, making a subtle and profound tone. The pronunciation on the back of the head is vigorous and powerful, which can be heard far away, but not sharp near. Old students and clean corner voices, whenever there is a closed sound (such as? 17? ) treble, sing in this way. There are fewer people who use tongue curl in Dan Jiao's singing, but Cheng () school also uses it.
Huang Qiang is also called Huang Qiang, Huang Tiao or Liangdiao. Vocal nouns in Peking Opera. It refers to the inaccurate tone of an actor's singing, and it is customary to refer to the tone change slightly below the tone. Most of them are caused by the actor's innate physiological conditions, such as vocal cord variation and poor hearing. Sometimes it is also caused by poor vocal practice.
Vocal nouns in Beijing Opera. Refers to the actor singing tone slightly higher than the prescribed tone. Most of them are caused by congenital physiological conditions. Some are due to temporary failure of physiological conditions (such as vocal cords); Sometimes it is also caused by poor vocal practice.
Vocal nouns in Peking Opera. Refers to an actor singing a song that does not conform to the prescribed rhythm. There are various grooves in the singing of Beijing opera, such as one board with three eyes, one board with one eye, running water board and so on. If you deviate from the rules of the board eye and lose the rhythm, it is called walking board.
Musical terms of Gongchi opera. Generally speaking, it refers to the scale symbol on the right side of the lyrics in the Chinese opera score. What are the traditional folk music in China? He, Si, Shang, Chi, Gong, Fan and Liu? As a symbol of scale, the word "equality" is equivalent to western music. 567 12345? . It is customary to refer to these symbols collectively as? Ruler? . Some music scores only note the board eye (beat) next to the lyrics, not the ruler. There is a kind of music score with working scale, which is called working scale music score.
Musical terms of banyan opera. Traditionally, when singing, the drum board often follows the beat, and the strong beat is hit on the board, so this beat is called the challenge. The second strong beat and weak beat are called middle eye and small eye respectively (in four beats, the former weak beat is called head eye or beginning eye, and the latter weak beat is called tail eye). Together, it's called a slap in the face.
Musical terms of Guomen Peking Opera. Refers to the interlude music between sentences and aria. Small doors are often used between singing sentences, and big doors are often used between singing paragraphs. However, due to different plates, there are many exceptions, and there is no fixed model.
Musical terms of ear-hanging Peking Opera. Hang up the phone. what's up Have a son? The homonym of "Cai Hua" refers to the door between arias, generally referring to Cai Hua's interlude. The small door between singing sentences is not called hanging.
Musical terminology of Peking Opera cushion head. Refers to the melody that plays a bridge role between lyrics, which is called cushion head or small cushion head, also known as bridge section. Mat head has a short melody, usually only one or two beats, which plays a connecting role.
Terms of Peking Opera Music. Refers to the background music when an actor performs an action or dialogue or monologue. Twisting is mostly a repeated performance of qupai or simple melody, which mainly plays a role in setting off the atmosphere.
Tone refers to the tone when an actor sings. Where stringed instruments are used for accompaniment, the pitch is freely set according to the voice of the actors.
Disharmonious vocal nouns in Beijing Opera. Refers to the singer's singing tone is high or low, which does not meet the prescribed tone. Habits are out of step.
One of the singing methods of Qikou Peking Opera. Refers to the way an actor inhales when singing. All kinds of vocals in Beijing Opera have different lengths and rhythms. Only by mastering the accurate inhalation method can an actor sing calmly and beautifully. Air ports include air exchange and air theft. Breathing refers to inhaling in the interval of singing, and stealing gas refers to inhaling in intermittent phrases without making the listener aware.
One of the singing methods of Breathing Beijing Opera. When singing, whenever you encounter a long cavity or a high position, you should inhale first and be fully prepared. Breathing is not to stop singing or sing after a short pause, but to breathe and store gas at the moment when the lines are full of words for change. Where to breathe when singing varies from person to person, which is generally called the air port.
Stealing one of the singing methods of Peking Opera. It means breathing without leaving a trace and being stolen when the audience is not aware of it. Just like Chen Gong sang in Catch and Release Cao? The horse is in the alley. I can't get the horse back? Sing the first six words. Then what? Inside? Long word cavity, with? Me? This interlining is inward? Steal? Take a breath so that you can sing below? Difficult to return to the horse? Cavity, this is called stealing gas.
Ga tune is called Ga tune whenever a word is sung in a prominent high-pitched voice in the singing of Beijing Opera. For example, Yang Yanhui sang in Shiro Visiting Mother? Standing at the gate of the palace is Fan Xiao? Hit the nail on the head? Word, Huang Zhong sings in Dingjun Mountain? Is it a credit to sweep at 3: 40 noon tomorrow? A god who hit the nail on the head? Words, etc , are called Ga Diao.
Long silence (sound palm) is growth, silence is the common name of sound, here refers to the volume. A long speech seems to increase the volume.
Ramming is a derogatory metaphor for the efforts of actors when they sing like ramming the foundation. Actors are not good at mastering singing methods, using too much force, or using brute force, and there are clumsy stresses (mostly at the end) in singing, which is called smashing.
The poseur reads his lines behind the scenes. Sometimes it is performed on stage with actors, and sometimes it is used to attract the attention of the audience before going to the stage: (roughly) in a troupe, you can play any role/play, but you can't hang the first card or the second card. If an actor can't play for a while, he can save the scene.
Get through before the performance and play a gong and drum. Generally, it consists of a group of gongs with relatively fast rhythm and shocking sound, such as: sudden wind-four blows-horse riding, gongs and drums-nine hammers and a half yin gong-strings-searching the field-climbing the ladder-four blows, and so on. The purpose of getting through is to create an atmosphere and attract the audience. It is usually used before an open-air stage performance, but probably not in a theater. ;