Bullfighting adopts double-line narrative, interspersed with a lot of flashbacks. Although it is a bit confusing, the director conveys the concept of village (home) and the optimism and suffering of human nature in the film, and also shows the director's concern for people as an artist. What is this movie about? Magic realism? In some parts of the bridge, the details are invisible, trying to make the film more enjoyable, but I think the director doesn't control the temperature enough, which still makes the audience feel that the film is chaotic and very good. The tone of the film is light from beginning to end, and the atmosphere created under this cold lens is quite excellent.
This Bo Huang looks very much like the one in Killing. It seems that Guan Hu, the director, has a lot of ideas about the stories of rural areas in the old society. Yan Ni and Bo Huang, together with this story, are definitely an interesting comedy, even though this is a wartime. If someone thinks the northwest is dirty and rustic, they can only say that you'd better go home and watch idol dramas, because the earth is not suitable for you. This is probably the work of the best actor in Bo Huang, and his performance is naturally the best of all his works. The film itself focuses on the meanness of human nature in the face of war and hunger and the simplicity of ordinary people in China, which makes the audience enjoy themselves and reflects on what human beings did in the war years.
On the stage of "A Man and a Cow", Bo Huang's acting skills have been fully exerted on this personal stage. A person with an avatar of Niu Yi will not make people feel empty and monotonous. On the contrary, it will make people feel flesh and blood and touch their hearts and lungs. A simple story, through the eyes of a little person, and his daze, sees the big from the small. If it can be carved again and carefully, it will be a masterpiece handed down from generation to generation. The director is brilliant, but he feels too hard and a little impetuous.
Some people may say that the first time I saw a tiger movie, the comedy seemed frivolous and had a bad impression. It's not a comedy at all. It's just two comedians trying to please patriotic youth: China people are poor and stupid, and both of them were harmed by the Japanese. I want to be a China version of Cow, lacking Mittan's imagination. Enter the anti-Japanese theme and show the vulgarity of rural areas in China. I want to remind foreign judges that Red Sorghum lacks Zhang Yimou's lust.
Anyway, the black humor and Bo Huang's acting skills printed in my memory are fully displayed, and I will relive them every time I see them, but I still can't understand them. Bo Huang's acting propped up the whole movie. This movie reminds me of Spielberg's War Horse, which is also the protagonist and animal. This movie is more emotional. Bo Huang is so good. No one else in the world can play this role so well! Bo Huang's performance is always a bit like Chaplin's feeling, which makes people cry when they laugh.
The bizarre plot and special shooting techniques keep you awake at all times. Many scenes are Bo Huang's one-man show, but each scene is impressive! With black humor, Guan Hu's whole movie is Eastern European, Kastrulika, and the whole movie is darker and more helpless. At the same time, I saw Guan Hu and Bo Huang in reality. They are approachable and natural, crying and laughing. I don't know why it is defined as comedy, because many times they are sour in their hearts.
We can be regarded as a non-comedy with tears in laughter. Although it was performed by a very happy actor, the plot was very sad. At least, it is helpless, sad and painful. The lens is a little rough, the makeup is not bad, the mouth is full of rhubarb teeth, and the hairstyle is crazy. That simple and kind but feudal village has preserved the spiritual beliefs of a generation. Sadly, the whole village is dead and still cares about Tibetan cattle. Man is really the most legendary species in the world.
At the end of the movie, Bo Huang said: I won't go on. Leave me a tombstone. Is to see through the darkness below. If taken seriously, it may be another "Living" that describes the bitter course of little people and reveals the tragedy of that era. If you add some shooting techniques, the whole movie will be full of black humor, and Huang Bo is really suitable to play that unlucky guy. The story itself is complete, with jokes, moving parts and no obvious harm. It is a good film that is deeply rooted in people's hearts.