There are provincial-level cultural relics protection units 1 and 9 municipal-level cultural relics protection units in the town. In order to protect the national cultural relics protection units, the Municipal Cultural Bureau and the then Shuidong Township Government jointly established the Shuidong Cultural Relics Protection Management Office in 1992, with Huang as the director and amateur cultural relics protection personnel 12. It is located in Mazuyan Village 10 villagers' group, along the territory of 1 1 villagers' group, 3 kilometers away from the urban area, and the top of the rock is the Giant Buddha Peak, with an altitude of 264 meters. According to Tongzhi's Records of Going to Ganxian County in Qing Dynasty, "Mazu Rock is 60 miles east of the city, and Mazu once wanted to live here, hence the name".
Mazu, a monk in the Tang Dynasty, was originally named Ma, whose real name was also called Mazu. During the Tang Daizong calendar year (766~779), Kaiyuan Temple in Zhong Ling, which lived near Nanchang, was called "Hongzhou Sect", and Mazu Rock on the east bank of Gongshui was named after Mazu, with a history of 1200 years. Mazuyan towering trees, far away from downtown into the mountains, seems to take off the "world of mortals" into the "fairyland", living in the clouds, watching the world. In the Song Dynasty, Mazuyan was already a famous tourist attraction in Ganzhou. At that time, there were five pavilions on the mountain, namely Beyond Dust, Yun Yun, Juyan, FAW and Xijiang, for tourists to rest and enjoy. Su Shi, Li Pu, Liao Gang and Wen Tianxiang all went to the rock to watch the battle, leaving behind poems.
At the beginning of the Wanli period of the Ming Dynasty (1573~ 16 19), the martial arts monk and his disciple Ben Hui built Mazuyan Xinyi Temple in Furifeng, when incense was in full swing. By the end of the Qing Dynasty, incense was gradually ignored, and there was only one temple in the Republic of China. After the founding of the People's Republic of China, the incense faded. 1966, several production teams near Mazuyan demolished the temple. There is a cave on the cliff in front of the temple. There are 6 inscriptions in the Song Dynasty and 4 in the Yuan, Ming and Qing Dynasties. 198865438+February, Ganzhou Municipal People's Government listed Mazuyan tablet as a municipal cultural relics protection unit. Li Bo Gong Temple is a ancestral temple built by the ancestors of Li in Li Laoshan Village to commemorate their ancestor Li Bo. Located in the northwest corner of Lilaoshan Village, it was built in the Tang Dynasty. It has been 1 100 years.
Li Bo (773~83 1), a native of Luoyang, Henan Province, lived in seclusion in Bailudong, Lushan during the Tang Zhenyuan period (785~804). During the reign of Changqing (82 1~824), he came to Ganzhou as a secretariat. During his tenure, he exempted the people of Ganzhou from giving them 20,000 stones, abolished 1600 surplus labor force, and paid 2 million yuan in taxes, which was deeply loved by the people of Ganzhou. Later, he served as the secretariat of Xinzhou and Jiangzhou. Li Bo is aloof and upright, proficient in poetry, calligraphy and painting. Li Mo, the second son of Li Bo, came to Ganzhou with his father. He loved the landscape of Ganzhou very much. Because Shui Mu Cave in Ganzhou (now Li Laoshan Village) is a devout man, he settled in Ganzhou for 49 generations, 1 100 years. On the banks of the Ganjiang River, "the landscape is wonderful, and the surname Li is the best in the world. It shows that the villagers in his hometown respect him and respect other mountains as Laoshan Mountain", which shows that Li has settled here for a long time and has a great influence. Since the establishment of Libogong Temple in Tang Dynasty, it has been continuously maintained and burned. At present, the wall of this building still contains the inscription brick of Jiajing 32 years in Ming Dynasty (1554). 1in the winter of 995, villagers surnamed Li in Li Laoshan Village raised funds to repair Libogong Temple.
Libogong Temple is located in the northwest, facing southeast, with civil structure, which is a typical Hakka architectural style in southern Jiangxi. Only the main hall in the middle is 10 cm high, and the ancestral hall is 9.25m deep and1/0.20m wide. There is a tree on the right in front of the door, and two ancient camphor trees on the left cover the ancestral temple. Three ancient camphor trees are all over 500 years old, and the ancestral hall is surrounded by trees. Libogong Temple was listed as a municipal cultural relics protection unit on 1997. Located in Zhushan Natural Village, Yan 'ao Village, it is a stone single-span arch bridge connecting Taoyuan in Ganxian County and Xiaoxi River in Gongjiang River, formerly known as Baita Bridge. During the Northern Song Zhenzong period (998~ 1022), it was built by Yi people Guo Shichuan and Guo Shaozong. In the first year of Chunyou in the Southern Song Dynasty (124 1), Yongli Bridge Monument was built. In the tenth year of Xianchun in the Southern Song Dynasty (1274), the Yi people were Cohen's number one scholar in Chi Meng Carp. In order to celebrate the number one scholar in Chi Meng Carp, this bridge was renamed as the number one scholar bridge. In the 13th year of Zheng De in Ming Dynasty (15 18), Guo Ren rebuilt it and set up a monument pavilion. In the thirty-first year of Qingganlong (1766), the bridge was destroyed by the flood. In the thirty-sixth year of Qianlong (177 1), Yuan proposed to build it, and Yuan Jiade wrote The White Pagoda Bridge. In the forty-second year of Qianlong (1777), Yuan Jiabao built a tea pavilion at the bridge head. In the seventeenth year of Jiaqing (18 12), Qiu' an School in Zhi County organized people to rebuild it. Champion Bridge is 22.6 meters long and 4.9 meters wide, made of red stone. 1997 is listed as a municipal cultural relics protection unit.