While Mrs Guo looks straight ahead, dignified and carefree. Here, their image of arrogance and extravagance is completely absent, but elegant ladies, just like Du Fu's poem "open-minded, aloof and uninhibited, gentle, sincere and sincere, with soft skin and fine bones".
The theme of the whole painting is a spring outing. The composition is relaxed and rhythmic, and the layout is sparse and coherent. The first three are empty, the last five are close, orderly, scattered and natural, not cramped and not scattered.
People and horses have little momentum, but they maintain a sense of solemnity, which is not only in line with the theme of spring outing, but also different from ordinary people, highlighting the particularity of the protagonist's identity. China's figure paintings often have no background, leaving the viewer plenty of associative space. Just like this picture, it seems that you can feel the freshness and openness of the suburbs in spring, the bursts of horseshoes, the flowers and the germination of tender grass.
Social background:
After Yang Guifei's favor, her younger brother Yang stepped onto the stage, and the three sisters were named Mrs. Qin, Mrs. Guo and Mrs. Han respectively. It can be said that "only power can be as hot as a flame and burn people's fingers" and they held power for a period of time. Among them, Yang Guifei's third sister, Mrs. Guo, is particularly prominent.
Because of her extravagant life and love of traveling, she was recorded many times in the notes of the Tang Dynasty. For example, in Ming Taizu Miscellaneous Notes, Zheng Chuhui once recorded the scene of her taking the Wei government into the palace: "Every time Guo enters the Forbidden City, he often rides a horse to make the door magnificent. Zi Qi's purple sword and Huangmen's tail show are the best. "
Extended data:
You Chuntu, the wife of Guo, is the work of Natalie, a famous female painter in the Tang Dynasty, and is now in the Liaoning Provincial Museum. Mrs. Guo in the picture refers to the third sister of Tang Xuanzong's favorite princess, who had such a grand outing.
It reflected the life of the nobles in the Tang Dynasty, but it reflected the luxurious life of the Yang family at that time, which exposed the arrogance and extravagance of the ruling class to some extent.
Guo's wife, You Chuntu, is a silk copy with a height of 5 1.8cm and a width of 148cm. There is a title inscribed by Jin Zhangzong Wan Yan in front of this painting, which is called "Tianshui Imitation".
Tianshui is the county seat of Zhao, the royal family of the Song Dynasty, and it is also the name. Song Huizong Evonne is politically stupid and corrupt, but his artistic talent is extremely high. He is a famous emperor of calligraphy and painting in the history of China, and his works are still circulating today.
Baidu Encyclopedia-Mrs. Youguo Chuntu
What did Guo's wife You Chuntu describe? In You Chuntu, the wife of the State of Guo, you can see a group of tourists riding horses with whips and walking slowly. Among them, the first one is a middle-aged prison guard, riding a pale yellow horse, wearing a black veil crown, shrimp blue narrow sleeve side collar, and gold couples flowers painted on the cuffs.
The second person is a girl riding a chrysanthemum horse. Her black hair is parted left and right, and combed into two long bun, which is a common hairstyle for ladies at that time. The girl is wearing a rouge red narrow-sleeved shirt with a red flower and a white brocade skirt under it. After the girl left the plan, a middle-aged man riding a black horse accompanied him out of the prison, with a pink round neck and narrow sleeves, in stark contrast to the dark horse.
Three riders in Shu Lang became the leaders, followed by five riders, and the first two were Mrs Guo's sisters. They walked side by side, all riding a light yellow and vigorous Huaxiang.
In the whole picture, Mrs Guo is the center of the whole picture. She held the reins in both hands, and the whip hung straight down between the fingers of her right hand. Her plump face, without makeup, keeps her true colors. Her sideburns are as dark as paint, her hair is tied high in a bun, and her posture is as cool as a cucumber. She wore a light blue blouse with narrow sleeves, a white floral scarf, a rouge dress with golden flowers, embroidered shoes under her skirt, and gently touched the golden stirrup.
On Mrs. Guo's left, Mrs. Korea walks side by side with her. Her dress is the same as Mrs. Guo's, but the color is different from Mrs. Guo's. Mrs. Han in the picture looks at Mrs. Guo as if telling her something.
Sister of Mrs. Hou Guo, riding for Wei 3. There is an old nurse in the middle, and the * * * in front of the saddle with his right hand looks very reserved, with a cautious expression between his eyebrows and eyes. * * * left hand to hold the saddle bridge, attitude is very peaceful.
The middle-aged man on the right of Shimu is also a prison, and his costume is the same as the last one. The girl in red on the left is similar to the second girl riding a horse.
What is the artistic value of this treasure of Mrs. Guo's You Chuntu? During the reign of Emperor Xuanzong of the Tang Dynasty, Yang Guifei was born beautiful and was the first beauty in the Tang Dynasty. According to legend, Yang Yuhuan fell in love with the beauty of the countryside, was proficient in melody, was good at singing and dancing, and was good at playing the pipa. Put "but all his three thousand loves are concentrated in one body" and "if she just turns her head and smiles, there are a hundred spells, and the powder and paint of the six palaces disappear." As Yang Yuhuan became more and more popular, her brothers and sisters also received special care from Li Longji, Emperor Xuanzong of the Tang Dynasty. Yang Yuhuan's second sister lived in Shu with her father in her early years and was also very talented. When she grew up, she married Pei's wife. Unfortunately, Pei's fate was not good, and she died young, leaving her alone to live a good life. When Yang Guifei was favored by Tang Xuanzong, Yang Guifei asked Tang Xuanzong to welcome her sisters into the palace because she missed her sister, so that she could keep company with herself and talk to herself when she was lonely.
Tang Xuanzong felt that Yang Guifei was right and readily agreed. He called Yang Guifei's three sisters aunts and gave them a house. In the early days, Tianbao was also divided into Mrs. Guo, Mrs. Han and Mrs. Qin, and paid a monthly tribute of 654.38+10,000 yuan to the palace.
Mrs. Guo ranked third, natural beauty, self-beauty, and never fake powder. Du Fu wrote in the poem "Mrs Guo":
Mrs. Guo made a decisive decision and got on the horse at Kinmen. But I don't think the color is dirty, and it is supreme to sweep the eyebrows.
Is a true portrayal of this matter. Among them, Mrs. Guo was favored by Tang Xuanzong. Mrs. Guo not only overhauled her mansion, but also built it so magnificent that the whole Chang 'an could not be compared with it.
In the spring of 752, Mrs. Guo's family went out in full dress. "The road is shameful." Under such circumstances, the painter Zhang Xuan painted the grand occasion of Mrs. Guo's trip with her own brush. The theme of Zhang Xuan's paintings is mainly to express court life, which is determined by his court life, including the will of the royal family. In the Tang Dynasty, Zhu praised in the Record of Famous Paintings in the Tang Dynasty that painting noble sons, pommel horses, fences, palaces and ladies was a temporary fame.
Although his subject matter of figure painting is limited to court life, it can show a larger life scene, which will inevitably prompt Zhang Xuan to master the modelling technique and expression skills of various painting subjects.
Introduction to You Chuntu, the wife of the State of Guo The silk book You Chuntu, 5 1.8 cm long and 0/.48 cm wide, is the work of Zhang Xuan, a famous painter in the Tang Dynasty. The original has been lost, and the existing copy was copied by Song Huizong, which is now in the Liaoning Provincial Museum. You Chuntu, Guo's Wife, depicts the 11th year of Tang Tianbao (AD 752), and reproduces the typical environment where the favorite princess and her second sister, Guo Guo's family, travel in full dress and are "greatly humiliated" on the road. The picture depicts a marching team, with moderate numbers of men and women, and fewer people are better than many. Draw nine people riding horses. The first three riders and the last three riders are attendants, maids and nannies respectively. The first one is Mrs. Guo. Judging from the mane of horses, only two horses have been carefully trimmed. One is the first horse dressed in men's clothing, and the other is a maid with children.
Appreciation of Fine Arts —— You Chuntu's "The Wife of You Chuntu Guo", a masterpiece of Tang Dynasty painter Zhang Xuan (with rich painting style), depicts the scene of Yang Guifei's third sister and a group of maids taking an outing by car after Yang became the right prime minister in the eleventh year of Tianbao (752). The picture focuses on depicting and rendering the joy of the Yang sisters. The expressions of the characters are different, leisurely and natural, which reflects Zhang Xuan's modeling ability and coloring skills, and the colors are gorgeous! -Selected from Art History of China, for reference only! Limited ability!
Mrs. Guo's Spring Tour Map evaluates the color of the silk book You Chuntu, which is 5 1.8 cm long and 0/48cm wide. The eight riders in the painting include a girl and nine people. From beginning to end, they are full of comfort, leisure and vitality in the team. Through the master-slave relationship of characters, the composition method of sparse front and tight back, and the posture of horses and people in March, the painter skillfully showed Mrs. Guo's prominent position in the whole painting. The whole painting is connected with qi and veins, with distinct rhythm.
It is the author's genius in artistic treatment to write "Roaming in Spring" without drawing the environment of spring. Zhang Xuan expresses the theme of this painting with the technique of "their embroidered silk robes shine in the spring sun". Look at the characters in the picture. They are all wearing thin and bright spring shirts, and the lines are drawn smoothly. Peach, pink and green set off each other, coupled with the relaxed dynamics of the characters and the gentle movements of the horseshoes, people naturally feel the beautiful spring and the flowery spring atmosphere. This technique of expression has a charming artistic effect. Mrs. Guo is the third sister of Tang Xuanzong's favorite concubine. She leads a luxurious life. The painter's performance in this respect is extremely exquisite: red skirt, green coat, white towel, green saddle and exquisite embroidery on the saddle are all very rich. This lady is graceful, graceful and elegant, and her face is very plump. She has the characteristics of "open-minded, detached, gentle, sincere and gentle, with soft skin and fine bones". These are enough to show the author's extraordinary talent and superb artistic skills, as well as his close observation of life and rigorous attitude towards creation. The picture of Mrs. Guo You Chun on the right is a copy of the Song Dynasty. The original has been lost, and the copy still has the style of the prosperous Tang Dynasty. The original of this painting was once hidden in Xuanhe Neifu and copied by the master of the Academy of Painting. In Song Dynasty, it was collected by Shi and Jia Sidao, and then flowed into Jinnei House through Taizhou Quechang. Yan Yanjing wrote "Crossing the Sea" before the volume, which was copied by Zhao. See the records of Gengzi Lu, Moguan and the continuation of Shiqu Baodi. It is one of the rare treasures of the famous Tang and Song Dynasties. Although it is a copy of Song Huizong and Evonne, it is also an ideal basis for us to study Zhang Xuan's artistic achievements without seeing the original. This compilation describes "You Chuntu, the wife of Guo". A group of tourists are riding a whip. The first one who walks slowly is a middle-aged prison guard, riding a pale yellow horse, wearing a black veil crown, a shrimp-blue narrow-sleeved side collar shirt and golden couple flowers on the cuffs. The second person is a girl riding a chrysanthemum horse. Her black hair is parted left and right, and combed into two long bun, which is a common hairstyle for ladies at that time. The girl is wearing a magenta narrow-sleeved shirt with a red flower and a white brocade skirt under it. After the girl left the plan, another middle-aged man riding a dark horse accompanied him out of the prison, with a pink round neck and narrow sleeves, in stark contrast to the dark horse. Led by three riders, followed by five riders, the first two of whom are Guo's lady and sister. They walked side by side, riding on the bright yellow flowers. Mrs. Guo is in the center of this painting. She held the reins in both hands, and the whip hung straight down between the fingers of her right hand. Her plump face, without makeup, keeps her true colors. Her sideburns are as dark as paint, her hair is tied high in a bun, and her posture is as cool as a cucumber. She wore a light blue blouse with narrow sleeves, a white floral scarf, a rouge dress with golden flowers, embroidered shoes under her skirt, and gently touched the golden stirrup. On Mrs. Guo's left, there are Korean ladies walking side by side, dressed the same as Mrs. Guo, but with different colors. She complained to Mrs. Guo. After Mrs. Guo and her sisters, they lined up in three guards. There is an old nurse in the middle, and the * * * in front of the saddle with his right hand looks reserved, with a cautious expression between his eyebrows and eyes. * * * left hand to hold the saddle bridge, attitude is very peaceful. The middle-aged man on the right of Shimu is also a prison, and his costume is the same as the last one. The girl in red on the left is similar to the second girl riding a horse. 2010+10 At the "Millennium Danqing International Symposium" held at the Shanghai Museum on June 5, Dong Baohou, a researcher at the Liaoning Provincial Museum, gave a new explanation to the museum's famous painting "You Chuntu, the wife of the State of Guo", arguing that this painting is neither a picture of the wife of the State of Guo nor a picture of a spring outing. The first rider and the girl are the core figures in this painting. You Chuntu, Guo's Wife (hereinafter referred to as Guo Tu) in Liaoning Provincial Museum is a copy of the Northern Song Dynasty, which is considered to depict the scenery of You Chuntu by Yang Guifei's sister Guo Tu. Its exquisite techniques and orderly circulation are magnificent masterpieces in the history of painting. Academic circles have always had little objection to the theme of "Mrs. Guo's spring outing", but there are many differences on the identification of Mrs. Guo. After studying the documents of Tang Dynasty, the system of costumes and the relationship between the characters in the painting, Dong Baohou thinks that the theme of this painting is debatable. The records of Mrs. Guo in the Tang Dynasty are mostly described as arrogant and unruly. Judging from the saddle riding system and horse species of the Eighth Riding in Guo Tu, although the female status of the Second Riding and the Third Riding is slightly higher, their systems are still not as good as that of Mrs. Guo. In addition, there are many descriptions of spring outing activities in the historical materials of the Tang Dynasty, but compared with other painters' spring outing themes, the nine people in Guo Tu have serene expressions, no joy and joy of spring outing, no background in the picture, let alone traces of spring. After comparing the Dunhuang murals with the tomb murals in the Tang Dynasty, Dong Baohou thinks that the theme of the National Map is closer to "tour". According to reports, most of the paintings in the Tang Dynasty have no inscriptions, so the paintings in the Tang Dynasty hidden in the court are generally identified according to Song Huizong's "Xuanhe Painting Spectrum". Dong Baohou believes that the first rider in the picture has a high status and no female characteristics, unlike the "female disguised as a man" judged by some researchers. In addition, the girl in the picture is wearing a wig and painting the eyebrows of moths, which is luxuriously decorated. She was held in her arms by an elderly woman, surrounded by four riders, and two of them cast concerned eyes. Therefore, from the perspective of spatial relationship, the first rider and girl are the central figures in this painting, and determining their identities will be the key to determining this painting. It is reported that the "Millennium Danqing International Symposium" will last until 16. This seminar brought together 92 representatives from Japan, the United States, Australia, Germany, Chinese mainland, Hongkong, Taiwan Province Province and other places, and was held in cooperation with the "Millennium Painting Exhibition of Japan, China, Tang, Song and Yuan Dynasties" of Shanghai Museum, mainly focusing on academic issues in the painting field of Tang, Song and Yuan Dynasties. What is the collection value of You Chuntu, the wife of Guo? You Chuntu, the wife of Guo, is a colored silk, with a length of 0.5 18m and a width of1.48m. The eight riders in the painting include a girl ***9 people. From beginning to end, they are full of comfort, leisure and vitality, from which they constantly glow from the paintings.
Through the master-slave relationship of characters, the composition method of sparse front and tight back, and the posture of horses and people in March, the painter skillfully showed Mrs. Guo's prominent position in the whole painting. The whole painting is connected with qi and veins, with distinct rhythm.
The title of You Chuntu, the wife of the State of Guo, is You Chuntu, but the spring environment is not drawn, which is a brilliant artistic treatment by the author. Zhang Xuan expresses the theme of this painting with the technique of "their embroidered silk robes shine in the spring sun".
The characters in the picture are all wearing thin and bright spring shirts, and the lines are drawn smoothly. Peach, pink and green set off each other, coupled with the relaxed dynamics of the characters and the gentle movements of the horseshoes, people naturally feel the beautiful spring and the flowery spring atmosphere. This technique of expression has a charming artistic effect. Mrs Guo's life is not only luxurious, but also extremely luxurious. The painter's performance in this respect is extremely refined. Red skirts, green coats, white towels, green saddles and exquisite embroidery on saddles are all very rich. This lady is graceful, graceful and elegant, and her face is very plump. She has the characteristics of "open-minded, detached, gentle, sincere and gentle, with soft skin and fine bones".
These are enough to show the author's extraordinary talent and superb artistic skills, as well as his close observation of life and rigorous attitude towards creation.
This painting in the collection is a copy of the Song Dynasty, the original has been lost, and the copy still has the style of the prosperous Tang Dynasty. The original of this painting was once hidden in Xuanhe Neifu and copied by the master of the Academy of Painting.
In the Song Dynasty, it was collected by Shi and Jia Sidao, and then flowed into Jinnei House through Taizhou Quechang. Before the volume, Yan Yanqiong wrote "Across the Water", which was copied by Zhao. This statement has been recorded in The Summer of Gengzi, Mo Guan and The Continuation of Shiqu Baodi. It is a rare treasure among the famous historical sites in Tang and Song Dynasties. "Knife Lotus Map" of Beauty's Chest-length Skirt
In the early stage of the development of ladies' paintings, that is, the Han, Wei and Jin Dynasties, most of the ladies' paintings written by painters were characterized by clear bones, thin clothes and wide sleeves. In the painting theory works of this period, this female painter is called "young workers continue to make progress". Ladies' painting developed to the Tang and Five Dynasties, and Zhu was called "Ladies' Painting" in the Record of Famous Paintings in Tang Dynasty.
Madam (40) Guo Guo (3)