Edit the first amateur scene in this paragraph.
First broadcast time: 20 1 0100219: 30. First broadcast channel: CCTV-3 column: category of the 5th CCTV Crosstalk Competition: party competition Keywords: falsefalse false The main content of this program is1,non-professional group. 2. Non-professional group "loved one" performance: Feng Yang and Zhao Yu; 3. Non-professional group "Crosstalk" performance: Zhang Pan, Liu Quanmiao; 4. Non-professional group "My Single" performance: Oceane zhu, Liu Wei; 5. "Newspeak Blowing the Picture" Performance: Cao Suifeng, Wang Tong; Finally, I won the first place in Tan Diao, the second place in loved one, the third place in My Single, and the fourth place in Love on an Embarrassed Road. Show "New Talk on Blowing Pictures"
Program introduction
1. Sun Chi Yongzhi's "Love on the Road" Author: Sun Chi Yongzhi Selected Delivery: Northeast Petroleum University of Renmin University Network Education College thinks it is more natural to hold a cup of tea than to make a cup of tea. A cup of tea is a slow-moving player and has a bright spot in the talent show. Somehow, this joke reminds people of cross talk actor Zheng Hao. Talent show, learn to sing. 2. Feng Yang Zhao Yu's "Romance of Bitterness" Author: Zhao Yu Dispatching Unit: The first couple of actors in Tianjin Mass Art Museum are unfamiliar, and the last three couples are professional actors in Beijing-Tianjin Crosstalk Hall. This cross talk ranks second in this field, and I feel that with the growth of age, Feng Yang lost his original sharpness. There are many crosstalk performers named Zhao Yu. For example, Zhao Yu in Beijing is a little girl, and Zhao Yu in Tianjin has written many cross talks. 3. Crosstalk by Zhang Pan Liu Quanmiao Author: Selected by Zhang Pan Liu Quanmiao: Tianjin Art Vocational College (formerly Northern Quyi School) has expanded the content of cross talk and promoted its development. Whether it is right or wrong, there is nothing wrong with being good at imitating the characteristics of grasping, but the free and easy movements make people shine. Mr. Yongxi has been amused many times, clapping his hands and laughing, and so has fish frying. The newspaper said that Zhao Yan said that two children are good, which may also be moved. Tight-lipped words may be a manifestation of cross talk, and it is a reflection of Qiu Yingjun and Gao Feng on these two children during this period. Friends from Kowloon compared the similarities and differences between Li Boxiang and Jiang Baolin, which deepened our understanding of this issue. As the premise and necessary part of keeping the baggage stiff forever, keeping your mouth tight and your pronunciation clear and mellow depends on persistent exercise. Being optimistic about these two children also expresses a hope for fish. The champion has a bad hairstyle and looks listless. Two people as Bi Fujian said, little sophisticated. There is still some childishness, especially support. Take your time. It is said that these two children with weak crowns have several loud programs in Tianjin teahouse. 4. The main spin Liu Wei's "My Single" Author: Liu Wei main spin delivery unit: Bank of Communications Beijing Branch (I don't know who or both? Although it is also a decorative figure, it is more like a sketch in rhythm. The first role seems a bit melodramatic and difficult for an actress.
Edit this amateur scene 2
First broadcast time: 2010100319: 30. First broadcast channel: CCTV-3. The 5th CCTV Crosstalk Competition Category: Evening Competition. Keywords: fake fake blue classic sky blue cup. This program is Blue Classic Sky Blue. Judges of this competition: Shen Yongnian, Chang Guitian, Jue Gong, Li Jindou, Shi, Zhao Yan, and Wang; Members of the supervision and inspection team: Liu Lanfang and Jiang Kun; The following are the contestants, the names of their works and their scores: No.5 contestant's work name: Transplant Funny: Li Funny: (Supporting Role) Score: 9.803 points; Name of No.6 contestant's work: "The Gate of Music" ridicule: Li Chaobang: Hu Bo 9.738 points; No.7 player's work name: "Father and Son" ridicule: Wang Dongdong support: Wang Zhenhua score: 9.888; Player No.8' s work name: Dream of the Stars Funny: Tong Ming Bang Bang: Zhu Score: 9.848; Performance program "Clever antonym" Performance: Chang and Jia Chengfu; After the performance of contestant No.7, the judges answered the questions raised by the audience about whether the score was fair. In the end, the ranking of this competition is: the first place is Father and Son, the second place is Star Dream, the third place is Transplantation, and the fourth place is The Gate of Music. Show "clever antonyms"
Program introduction
1 Li's transplant author: (supporting performance) Li Xuansong Unit: Beijing Quyi Artists Association's words about the old secretary, this transplant, the play changed to the song, and the song changed to the play. I don't know how to sing, but I always feel that singing is for singing, not that rap and singing are casual. The lack of speaking skills makes the program look simple. "One Night Red" Li learned to sing, and the ending of his movements and speeches was reminiscent (it was later reported that Li had participated in the Tianjin Experimental Quyi Troupe in his resume), but the typhoon was far from stable. Speaking of typhoons, after learning Li Yugang, it turns out that the nobles are drunk, which reminds people of some familiar scenes: a performance at the National Palace, a rotten chair with double yellow piers being kicked off, a performance by a straw team, a roll of fingers being thrown back to the background, a gala, flowers being thrown to the side screen, and ... I think of the beauty of the scene table. I don't know if it's because of my tall figure or how to turn up the microphone. Anyway, on the stage image, it always gives people a top-heavy feeling. Singing JD.COM drum in talent show is a bit straightforward. According to the information on the Internet, Li 1996 is Hou's apprentice, but he signed up during the break, which caused a strong protest from the judges. The plan is divided into two parts in this field. 2. The Gate of Music by Li Chao Hu Bo Needless to say, Xiao Xiaochao's smashing really made me remember the name of the work. Ge Kun and Gong Jieer are also very loud, and their expressions are as bright as the afternoon sun. After listening to Allegro Tianjin, Gong Jieer changed from snickering to laughing. Of course, the burden of hanging Li Jianhua Huazai and another actor is a bit too much, which makes people feel that cross talk is self-entertainment. Lack of experience in supporting roles. The name Lemen is really a loan or a ride to the door series that is in the limelight. New nouns or old words and old sentences often thrive in the wisdom of netizens. For example, I read an article in Chewing Words (No.5, 20 10) this morning. Starting from a tragedy, I used a passage from Lu Xun to create a lot of new words for a drama. Xiao and have many similarities, such as lip-synching, parody (altar) and youth. Zhang Pan's action imitation focuses on several times. Xiao Lichao intends to sort out and comment on the phenomena in the music world, but unfortunately, due to the limitation of writing level, the clues are unclear. Furthermore, I don't know what the rules are because of the competition time, and the ending from Faye Wong Legend to Tianjin Allegro is too blunt, and I don't know what to say. In fact, it is a good thing for Xiao Lichao to catch the singer in tomorrow's performance. It seems that learning legends is the first short time, and I don't know how to use it here. Fortunately, the actor is still young, although he changed from 19 to 22 years old in an instant. With the basic skills of crosstalk (congratulations from Teahouse, Bai and other programs, you can see that he is a young talent), and further study in the Broadcasting Institute will gradually broaden your horizons. Of course, the two-person porcelain sets during the break and Grandpa Bi's final summary are correct, hehe ... 3. Wang Dongdong Wang Zhenhua's Father and Son is a very timely joke, and it is also well written. In order to promote his son, he is willing to let his father pull his face down. In the end, this baggage won the first prize in this field and the final first prize in the amateur group. 4. Tong Mingzhu's "Star Dream" Author: Zhu Xuansong Unit: Hunan Quyi Artists Association 1 1 Entertainment everywhere. I have to watch the replays recorded in the evening, and my mind is inevitably distracted. After watching the cross talk "Country Love" of these two programs, I feel that the jokes between the North and the South are far from being laid, shaken and used in language. When I said it was as interesting as Teletubbies, I felt like a children's program host. The talent show in this paragraph is double yellow, and I've always wanted to say that the talent show is making a comeback. I think about it, but it's actually a comeback. The two of them played quite hh (high &; Happy), there seems to be a stool. I remember watching the "Happy World Expo-Laughing Forest Festival in Beijing, Tianjin and Shanghai (Chongqing)" two days ago, in which Qi and Zhao are all yellow.
Edit this amateur scene 3
First broadcast time: 20 1 0100419: 30. First broadcast channel: CCTV-3 column: category of the 5th CCTV Crosstalk Competition: party competition Keywords: falsefalse false The main content of this program is1,non-professional group. 2. Non-professional group performance "I want to participate": Guo Jinjie, Mu Kai (supporting role); 3. Non-professional group "Big Horn" performance: Yu Mingbo and Zheng; 4. The performance of "amazing power" of non-professional groups: recall and walk away; Finally, I won the first place in I want to compete, the second place in Loudspeaker, the third place in Magic Power and the fourth place in Know You. (CCTV-3 special program 20 10- 10-04) (this video is the second part of the program)
Program introduction
1. "Know You" Performance: Selected by Pan Jingru and Wu Tianjiao: The only cross talk on campus in the amateur group of Tsinghua University Student Art Troupe. Although I have never seen these scenes, I still recall the memories of Fish's school days. So far, the evaluation of this cross talk is not high, and the score is also the bottom of the field. But fish thinks that the work itself is worth mentioning, whether it is the content or the application of some techniques. It is very suitable for works with children as the theme, which has a youthful and "fleshy" side and is suitable for exchanges and performances on campus to enrich them. When it was replayed the next afternoon, I watched the work again and still insisted on the fish's own opinion. It's just that the two actors are students after all and may not have been trained on stage. From the looks, strength, externalization, and how to compete with each other, it seems timid, and it is a bit disadvantageous compared with the last three works of An Pai. Students' participation in the competition enlivened the stage of cross talk, which supplemented the creation of works and the performance style. I just hope they can strengthen their basic skills. 2. "I want to attend" performance: Guo Jinjie and Mu Kai (supporting roles) selected and delivered: The second division of Liaoning Quyi Artists Association scored very high in this respect, probably ranking second in the amateur group. Although the trace of duet is obvious, it is really pleasing to the eye in the competition, and all skills except cross talk are used, especially Mu Kai, as a supporting role, has a good grasp of the overall rhythm, which makes the audience very enjoyable. The transition from duet talent show to crosstalk lies in a clue, from whether migrant workers can also show their talents to the expression of their voices, including the active applause here, which are all strengthening the theme. The presentation of skills is naturally greater than the presentation of themes, which may explain why twice seems a bit boring. The rewards are enormous. 3. "Big Horn" performance: Yu Mingbo, Zheng; Sender: Shandong Yankuang Group's experience and his biography became the main line of this joke, which wrote about the changes from childhood to adulthood in New China in the past 60 years, and finally gathered in a rural performance, invited imitative artists, and pushed the joke to a climax. The main line of the joke reminds people of a cross talk that they once heard the outline. Imitating the ventriloquism of the trumpet and the trumpet is the highlight of this paragraph, while imitating Yang Kun and Dan Tianfang is the failure of this paragraph. Do you like to put it aside, mix and dance aside, and the key ending does not remind people of the protagonist of this big horn, which makes people feel disappointed and hasty. 4. "The Magic of the Earth" performance: reminiscing and going away; Sending Unit: Before the talent show of Heilongjiang Quyi Artists Association, the actors and Zhou Tao introduced this cross talk to the audience, which was adapted from Bodyguard, probably because Chen Yi participated more. Because the language involves "bodyguards", it is generally believed that this story has no vitality because of the annihilation of the bodyguard industry, but just listening to a story has its own old side. Of course, later performances paid special attention to the characterization of characters, which also extended the vitality of this story. From the beginning, the general talk about the frustration of specific disciples is both the main line and the moral of the paragraph. It can be seen that the moves are not based on words, and actual combat is different from ordinary martial arts. Fish thinks maybe you can see this height from this joke. Looking back at this joke, it feels more like "Mixed Flavors", which focuses on the absurdity of dealing with the other party (foreigner) and downplays the process of learning skills in order to get the secret. Of course, the focus is important, but as a story-telling cross talk, the ups and downs of its plot are weakened, and there is no causal and internal connection. Behind the plot, from fighting and chasing the murderer in the city to recovering the car, the contradiction suddenly avoided. Fish thinks this is the most obvious difference between the two paragraphs. Apart from the appearance of incomplete cause and effect, loose ending and so on, the thinness of The Magic of the Earth is the fundamental problem, and what kind of fault of the satirist is not prominent, which is also the difference between lip-synching and Bodyguard and Five Flavors. Bodyguards not only write the mouth shape, but also write the difference between martial arts and physical fitness. I also wrote that eating other people's mouths is too soft and the key moment is constrained. The five flavors were all written in the late 1980s and early 1990s. When I was dreaming of martial arts, I even tried to defend my country. How about The Magic of the Earth? As for small places, such as the two descriptions and explanations of The Bodyguard, we still need the Magic of the Earth to continue to study and ponder in future teahouse performances, thus enriching the works. Because I didn't want to understand why I clashed with foreigners, it was naturally not good to design martial arts movements. Only teasing and holding hands did not attract the same blood. Regarding the performance, the teasing eyes floated around. First, they did not communicate with the audience (including the judges), and second, they were not full of heroic spirit. The language is clear and the ridicule is acceptable. Because the suit has caught the body, it is tighter.
Edit the first professional scene in this paragraph.
First broadcast time: 2010100519: 30. First broadcast channel: CCTV-3. The 5th CCTV Crosstalk Competition Category: Evening Competition. Keywords: falsefalsefalse Blue Classic Sky Blue Cup The main content of this program is "Blue Classic Sky Blue Cup". Judges of this competition: Shen Yongnian, Chang Guitian, Feng Gong, Li Jindou, Shi, Zhao Yan and Wang; Member of the Supervision and Inspection Team: Jiang Kun; The following are the contestants of the professional group, the names of their works and their scores: EntryNo. 1: "Mobile Phone" Funny: Qi Zhenbang: Li Ran score: 9.850; Entry No.2: "Taobao" ridicule: Wang Haibang: Lai Yu score: 9.863 points; Third place: Happy Childhood Performer: Fang Qingping Score: 9.929.
Program introduction
1. Zhen Qi Li Ran's "Mobile Phone" Author: Qi Zhen selected and sent by: Shijingshan Cultural Center of China Music Association picked up the mobile phone and had an affair, but it ended like O 'Henry, washing the inner feelings vigorously. It seems that not everyone can be as lucky as Zhao Gan Lu when picking up a mobile phone. I also envy you people who don't know who can be poor for half a day. The burden is basically on the holder's side. 2. Wang Hai came to "Taobao" Author: Wang Hai sent by: Cultural and Art Troupe of Political Department of Lanzhou Military Region Your family is a good thing, but none of our family is a good thing. The workload is quite stable, and the funny return program and cough are also quite neat. Allegro in Lanzhou reminds people of Allegro of Lian, Lian Xiaolin and Lian Zheng. 3. Fang Qingping's "Happy Childhood" Author: Fang Qingping Sending Unit: China Radio Art Troupe Han Xiang amused the people present, especially the notary public. Grandma's cane made Yong Xi laugh. The burden on the desk is similar to that in Master Dou Ye's crosstalk mat, but this version is more detailed. One after another, this burden is also familiar. Yang Zirong's luggage has been renovated. The contrast between the park and the cemetery at the end pays attention to the rhythm change, from the speed of speech to the tone, and the last sentence is flawed. This passage is very popular under the stage and online, and many people even call it a dark horse to win the championship. In fact, as Fang Qingping said in another version (publishing version) of jokes, people are buried in their eyebrows, playing with children instead of competing. Although it was a joke and manipulated by fish, Fang Qingping did start his artistic career early, including writing, although he was not famous. Looking at his information on the Internet, there is a saying that he wrote with Lian Chunming, which always reminds me that the master in the factory took his apprentice, worked as a teacher for a long time, and even turned to the stage, and turned to the stage alone in several cross talk competitions. Since the founding of People's Republic of China (PRC), with the help of amateur cultural activities in various districts, Beijing's cross talk has flourished. There are amateur actors, and naturally there are amateur authors. In 1950s and 1960s, the Apprentice by Lian Chunming, Wang, Kang and Lian Chunming, who were both actors, went to pure writers such as Wang Guochen and Lang Defeng, and then became a hit in 1980s, was also known to more audiences through this platform. Moreover, there is ridicule, indifference, sunny eyes and microscopic observation to adjust the sunny weather in the countryside. Childhood or happiness, or so-called happiness, can arouse the collective unconscious memory, which will be used as a kind of talk after many years, regardless of the emotional color or behavior itself. During the break, Mr Yongxi was mentioned again in the conversation between Zhou Tao and Fang Qingping. I remember that in a cross talk competition, when Mr. Yong Xi was introduced to Liu, Mr. Zhou gave an appropriate rebuttal. 4. Li Bin Jin Peiliang's "Old Stage" Author: Sun Chen Selection and Delivery Unit: The All-China Federation of Trade Unions Art Troupe writes carefully in some places, and Sun Chen knows a lot about some bad habits in the garden, hehe. But the whole paragraph has some vicissitudes. I don't know if this Li Bin is Li Bin who said children's cross talk in the 1980s. It seems that I have worked with Yu Qian and others. The play is still written by Fang Qingping. How do you feel that the bottom lines should be changed more smoothly, so that the actors are not used to it. The character's lines are too clever.
Edit the second major in this paragraph.
First broadcast time: 201010 619: 30. First broadcast channel: CCTV-3 column: The 5th CCTV Crosstalk Contest Category: Evening Contest Keywords: Fake, Fake, Fake, Fake, Fake, Blue Classic, Sky Blue Cup, Growing pains of the 5th CCTV Crosstalk Contest. Today is a good day to sharpen the stone. The main content of this program is: 1. Professional group "Growing Pains" Performance: Gao Xiaopan, You Xianchao; 2. Professional group "open sesame" performance: Jia Ling, Bai Kainan; 3. Professional group "Grindstone" performance: Guangxu, White; 4. Professional group "Today is a Good Day" performance: Liu Ji, Cheng; 5. Performance program: "The Cultivator"; In the end, open sesame won the first place with 9.920 points. Today is a good day. He won the second place with 9.904 points and the grindstone won the third place with 9.868 points. Growing pains ranked fourth with 9.804 points.
Program introduction
1. Gao Xiaopan You Xianchao's "Growing Pains" Author: Gao Xiaopan Sending Unit: Hip-hop is a feature of this program and also a problem. The so-called characteristics, if they just serve this audience well, are called "cascading ladders" in the industry. For example, in the Dongcheng Weekend Crosstalk Club, the effect was very hot. Fish admitted that he enjoyed it, but he couldn't remember what he said before it was over. The so-called fault, it is easy to get stuck in the mud. I remember Dou Ye once said that Yu Qi, who likes eating fish very much, took part in the third competition. That program is of this type and one of them. Then, as I said before, there is no aftertaste when I leave the door, and I can't even remember the miscellaneous words. If I honk my horn often, there won't be any surprises. No matter how much work Yang Shaohua gives Zhao Weizhou or Yang Yi, he knows this very well. Forgetting who said it was Mr. Xue, is full of irony, and may be the same thin foundation for previous lives, but there is an essential difference between yesterday's happy childhood and today's growing troubles. I don't care whether the content is piled up or not, and I don't care whose childhood it is. 2. Jia's "open sesame" Author: Zou Monk Selected by: The theme written by China Radio Art Troupe is avant-garde, which can reflect the characteristics of light cavalry in the cross talk era. The structure of three transgressions and four tremors is also used well, that is, the rhythm of the performance, at least it looks uncomfortable, including the transition dance in several scenes. The return dance is more suitable for them, but the rhythm seems to be more foreign. Lao Bi is more inclined to let them play the Korean drama "Big Talk", which is also the hottest one, making up for the regret of this year's Spring Festival Evening and the bad performance time. It is really as hot as ever, and I have to say that this passage by monk Zou is very clever. The last of the three scenes is the most popular, but it is also noteworthy that it is also technical, ups and downs, repeating words and phrases. 3. White Guangxu's "The Grindstone" Author: The Cultural and Art Troupe of Guangxu Armed Police Political Department selected and wrote little people. They are marginalized little people, and the method of comparison runs through. 4 "Today is a Good Day" Liu Ji and Cheng, two actors, are full of energy, but they pay a little more. Their works express a simple karmic concept of the cycle of good and evil, which is Zen. This actor's style is very similar to that of Jiang Kun. If he is like Jiang Kun, he has to say Zhou Wei. The talent show is very good, with sound, light and electricity, and it is a good hand of professional actors. The rural works of Shimoda Chen Lengbai and Wang Min, but Chen Lengbai is not a farmer, so the works have no strength, and it doesn't matter if there is no strength. Without life, works without life are just nonsense. Chen Lengbai is not a farmer, but he insists on being the spokesperson of farmers ―― what about you? It is true that Wang is not a migrant worker.
Edit the third scene of the occupational group in this paragraph.
1. Liang Yangkai's Piranha Author: Selected by: All-China Federation of Trade Unions Art Troupe wrote a joke about fraud, satirizing insurance salesmen. 2. Liu Haonan's "One-on-One" Author: Kang Xun Selection Unit: Liu Ying was stunned by the applause of China Railway Art Troupe, saying that the fat of the champion was just applause. "One-to-one orientation" is the whole stage. Chinese (grasping the Analects of Confucius, echoing the "bottom", the Analects of Confucius is unfamiliar, this is familiar), English (homophonic burden), art, music. Art class reminds me of the plot in Master Zhu. Although it is unkind to denigrate Zhang Wuben in this way, the ending sentence "Don't talk about it, it's enough for a class for 60 minutes" is the finishing touch. The last music lesson, with the appearance of the audience, facilitates the simulation of the characters and makes the paragraphs full of changes. The bottom is still buckled on "one-on-one". I wonder if the scene is full of fun, or that Confucius is a joke. Leo's baggage is unnecessary and unwilling to pave the way. That is, two people slap themselves in the face, regardless of whether the audience can understand or not, it does not affect the burden of jokes. I can't let consumers feel that I have a distance from them, but it has an effect unintentionally. The jokes that satirize the tutor and the jokes that satirize the salesman complement each other. Recently, there have been more doubts about the sentence "Don't let children lose at the starting line", just like questioning the theory of the garden.
Edit the awards in this paragraph.
Occupational groups
Best Works Award: One-on-one Best Funny Award: Best Clown Award: Zhang Haonan First Prize: One-on-one Second Prize: Snowbus, Happy Childhood Third Prize: open sesame, today is a good day, whetstone.
Non-professional group
Best Works Award: Father and Son Best Funny Award: Best Funny Award: Zhu First Prize: I want to participate; Third Prize of Father and Son: Star Dream, Transplantation, Crosstalk [1]?
Edit the relevant information in this paragraph.
I won three prizes in one-on-one combat.
201010/On the evening of October 8th, the 5th CCTV Crosstalk Competition ended wonderfully, with One-on-One written by Liu Ying and Hao Nan.
Won three of the four awards. This year's contest has set up four awards: Best Performance Award, Best Works Award, Best Joke Award and Best Joke Award. One-on-one, a comic dialogue work by a black tutor, won three awards except the best joke award for its profound social connotation and superb performance by two actors. Faced with questions from all sides, Liu Ying is not only satisfied with the performance of himself and his partner, but also thinks that he deserves the award of this work. "I think' black tutoring' is a big social topic, and many families are deeply tired of it. This work is intended to expose social problems, arouse social thoughts and call for honesty. " Liu Ying revealed that in order to create this joke, he and crosstalk writer Kang Xun visited many education experts and employees of tutoring companies and accumulated a lot of materials. Before taking part in the cross talk contest, Liu Ying and Hao Nan had performed at least hundreds of performances at the weekend cross talk club, Wangjing Paradise and other small theaters, testing the full range of live jokes. In the end, two crosstalk performers fought their way out of more than 500 pairs of contestants and entered the final. Eight judges at the scene almost unanimously gave a high score of 9.985, which was unique in previous competitions. [2]
Guo Jinjie won two awards.
After several rounds of fierce competition, Guo Jinjie, a "post-80 s" and "grassroots" comic actor from Cangxian County, Hebei Province, relied on the original comic dialogue work "I want to participate
The contest monopolized the first prize of the fifth CCTV Crosstalk Contest and the best joke prize of non-professional group with absolute advantage. Since the end of last year, Guo Jinjie has been preparing for this competition, going deep into the grassroots to experience life and learn about the real life of migrant workers, so as to show their character more deeply. To this end, he gave up the opportunity to participate in the Eighth Art Festival of Liaoning Province, canceled the recording of some TV programs, and suspended the performance business of his company (that is, the opportunity to earn money) in order to concentrate on preparing for the war. I Want to Participate is a realistic work, which reflects the story of migrant workers who went to work in cities after 1980s. The works reflect that migrant workers should not only pursue material satisfaction, but also spiritual enrichment, and express their mentality of integrating into the city, which can be said to reflect a current reality. Guo Jinjie said that in addition to the innovative content of their works, their performance on the stage is also different from the past. In the program, Guo Jinjie appeared as a migrant worker and entertained himself with tools. In the performance, Saw's musical performance and other unique stunts were added, which can be said to break through the traditional cross talk performance. [