Chinese doesn't have to know musical instruments, music theory or even music score, because you can sing a complete song in the vocal examination, and most of them are national or bel canto. Try not to choose some trendy pop songs when choosing songs. It's best to sing some songs that suit you according to your voice conditions. You know, most people who can be examiners in art exams are middle-aged, so you should know how to cater to their tastes.
The most basic requirement of vocal music grading is to master the rhythm, intonation and lyrics of songs, so you should recite the lyrics in time when practicing your voice or taking vocal music lessons. Many students have the habit of forgetting the lyrics when they are nervous during the exam, so memorizing the lyrics is the first thing. It is best to copy the lyrics several times with one manuscript, and read them while copying, paying special attention to the pronunciation of each word of each lyric. You are not familiar with the lyrics when you sing, and you will be distracted by the lyrics when you sing, which is not worth the candle. If you want to sing a song well, you must learn the skills of pronunciation and vocalization, and then integrate the feelings of the song and your own understanding of the song when singing on these bases.
Second, if you are a music performance major.
Some students usually choose topics on the spot, and then the examiner arranges 3-5 candidates as a group, giving these candidates about ten minutes to discuss and discuss, and then coming back to perform a good sketch or stage play. During the performance, there are three special details to pay attention to:
1, remember not to laugh, unless it is the plot laughter needed during the performance. Whether you can control the laughter field is the most basic self-control and adjustment ability of an actor.
Never turn your back to the stage when performing. Performance is to let the audience and examiners see the facial expressions and acting skills conveyed by your body. Generally speaking, it is to find the best position on the stage so that the examiner can see your face clearly and know what you are doing. In a group of 3-5 people, every year someone acts as cannon fodder for the group because they don't pay attention to these details.
3. When performing, focus on the role you play. If it is not necessary, it is best not to make eye contact with the audience or the examiner. In fact, when you concentrate on your role, you have no time to do these things at all.
The above three points are fatal details that many students ignore in the music performance exam.
Third, solfeggio test, some provinces have simple music scores and staff.
Take the exam together. During the exam, I will draw lots for you to choose a strange score for solfeggio, give you about five minutes, and then give the first sound of solfeggio on the piano. The rest is your business. Therefore, when taking the solfeggio test, get a new solfeggio spectrum, first look at whether the ascending and descending signs have changed, find out the most difficult bars, and practice them repeatedly in the shortest time. Be sure to slow down and sing during the exam. Don't worry. Look at the score one bar in advance.
Fourth, the music theory exam. Generally speaking, this subject won't score much. Be bold and cautious when doing the problem. The easier the question, the more cautious it should be. Nowadays, music theory exams often cheat on simple questions, setting traps to examine candidates' insight. Usually, music theory is to brush more questions, not afraid of your zero foundation, but afraid that you can't do the questions.
Fifth, practice listening. This is a subject that candidates score a lot. Candidates are required to accumulate a sense of music in their usual listening practice and be familiar with the pitch sense of each interval. If you really can't hear it during the exam, don't leave the paper empty, but write an answer that is relatively correct or similar to the correct pronunciation.