It was originally called "Xiang Sheng" and also called "Xiang Sheng" because it was necessary to learn to imitate. When listening to cross talk, there will be a feeling that the jargon in cross talk is difficult for outsiders to understand. In fact, every profession has its own jargon, but crosstalk is obviously the most. Moreover, crosstalk developed from the bottom of the old society, and the atmosphere of the rivers and lakes at the bottom was obvious. After entering the new era, with the efforts of many crosstalk performers and the development of society, some jargon of Crosstalk Gate gradually became unworkable. But there are still many early jargon, which can still be heard in various cross talk performances.
There is a word that I believe everyone will often hear, and that is "dumping the ground (children's voice)." At present, there are various theaters or parties to perform cross talk performances, but in earlier years, cross talk performances had no fixed performance occasions, and they were all in open spaces.
The two poked together, sometimes spreading words with white sand, and sometimes singing Taiping lyrics to attract the audience to watch their cross talk and enjoy dinner. This performance is called dumping the ground.
There is a saying: the wind is halved and the rain is over. Living entirely on the weather. Later, if you can, you can set up an umbrella and rent a desk and chair, which are all good conditions.
The white sand sprinkled with figures mentioned above is also called a painting pot.
The artist drew a pot on the ground with crushed white sand soil, which meant to tell the audience that I would use this skill to make a pot for eating.
When two actors perform cross talk, many jokes often come from teasing the comedian, and sometimes the comedian will fight back. This form is called "smashing" in the industry. In particular, hanging (improvisation) is the best test of the actor's basic skills, and his reaction is slow, so he can't eat this line.
Funny, also known as funny. Liu Hai is also a living scale. If there are many funny lines, the performers mainly cooperate with them, and if there are few words, they are called "sinking at one head" If the language and burden of teasing and hugging are similar, sometimes you can't even tell who teases who. This form is called "mother-child maple". The most typical is the crosstalk between Niu Niu and Feng Gong. It's hard to say who teases and holds it.
The language foundation of crosstalk is northern dialect. If crosstalk performers learn foreign dialects and find jokes from foreign dialects, this is called verbal criticism, also called incision or backstabbing. Crosstalk is a humorous language art,
It's not just making people laugh. The laughter of cross talk mainly refers to "baggage", also called "shaking baggage". In front of shaking baggage, there are often a series of tightly laid skills, and the last sentence suddenly shakes up.
Baggage is alive, which is also called "three transgressions and four shakes." The most typical burden-shaking is Mr. Ma's I'm just teasing you.
Crosstalk is usually said by two people, and the term is "double spring". If it is a cross talk, it is also divided into the main actors and Tired of Sewing. Even if there are more people, this term is also called "three people live". For example, there is often a "greasy seam" between teasing and holding, through which the topics of teasing and holding are connected.
You can often hear the word "six goods". The four courses of crosstalk, most of which are 12, and the four courses of novel are the famous "talking about learning to sing". The singing method of cross talk refers to Taiping lyrics, and everything else is "learning" This kind of singer who sings other folk arts is called wickerwork. Liu Huo, mainly learning to sing Chinese opera, is called "beating Liu". Those who sing Chinese opera and modern songs are called "Zaliu".
Traditional crosstalk performers should be able to "run their mouths", that is, some long paragraphs that can practice their mouths. The most famous ones are "Steamed mutton, steamed bear's paw, steamed deer's tail, roast duck, roast chicken, roasted goose, braised pig, braised duck, sauced chicken and bacon ..."
There are also famous paragraphs such as geographical maps, white and eight fan screens, boasting houses, big guards, and articles meetings. Especially the name and geographical map of the vegetable newspaper, because it is too long, is also called Daguankou or two major passes. Others, commonly known as small infiltration.
There is also a kind of performance called "leg work", which means that actors need to use certain makeup or props when performing. Especially when learning to sing Chinese opera, you often need legs, such as an actor wearing a headscarf and holding a fan in his hand.
Or put the table in the middle of the stage as the door to open or enter. Movable legs and feet can often be seen on the pendant of Xunnv Hewu in Fenhe Bay or other places.
Crosstalk actors are actually very hard, and the audience is their parents. If you speak well, you will go backstage after the performance, and the audience will let them play another one. The actor will perform for another period, which is called "coming back". According to the rules in the door, there can only be three returns at most. However, it is not uncommon for people to watch Lao Guo's cross talk return to the stage more than a dozen times. If multiple crosstalk groups perform, the pair with the biggest wrist usually comes out last, which is called "keeping the bottom" in jargon.
As Lao Guo said, if you listen to cross talk live, you can be late instead of leaving early. This is similar to other industries, and in the end, it often produces heavyweights.
If some actors perform badly and the audience is not satisfied, it is called "giving cups". Some viewers stopped listening and called it "drawing lots"; Many spectators have left. This is called "opening the gate". There are many reasons why the audience is dissatisfied. For example, the basic skills of actors need to be improved. When reciting a long paragraph of text, mispronouncing and unclear pronunciation are called "eating chestnuts". But some actors have a solid foundation and quick response. If you really have a cup on the stage, you can remedy it on the spot. Is to give up the lines set before and improvise completely according to the situation on the spot. This is called "drilling pot".