1In the spring of 988, 15-year-old Degang Guo and a friend went to Beijing to apply for the All-China Federation of Trade Unions Art Troupe. He doesn't know that they are absolutely similar to Qian Qian's "good dogs" and have a unified title: "Beipiao". Friends have some connections in the group, and the two of them have stayed in the group smoothly, and occasionally they can go to Sichuan and Henan to perform.
"There is a formal unit with a fixed salary and residence, performing regularly, slowly accumulating some relationships, knowing a few big names, following TV, going to parties, and earning 8. 1 100 million a month." Degang Guo, who has just arrived in Beijing, can only imagine so much about the future.
Degang Guo didn't expect that one year later, 1989, when his personnel relationship was about to be transferred to the ACFTU Cultural and Art Troupe, Beijing unified regulations that foreign hukou must return to its original place. Without exception, Degang Guo was sent back to Tianjin, assigned to a cultural unit, and then engaged in Quyi.
After six years of boring life, Degang Guo decided to go to Beijing for the second time, dreaming of finding some relationship in the "circle", so he confidently opened a bed in the small hotel in Dashilan, Qianmen, and the price was 15 yuan a day, with more than 10 people sharing the same room. The idea of "moving there when you find a relationship" seems naive now. After five or six days, his "relationship" is unwilling to have anything to do with him. "I'm not here to stay in a hotel." Degang Guo despondently returned to Tianjin.
At this time, he began to turn to business, just for what he did. When his business failed, he began to sing opera again and went to the countryside to perform with the troupe. Once I went to perform in Wen 'an, Hebei Province, all the actors lived in their hometown houses. The local water is so alkaline that you have to wear heavy makeup when singing. When I took off my makeup, I found that the water could not be removed at all, so I had to sleep with my face painted. The next day, the makeup was blurred, so I had to draw new makeup on the old makeup, so the paint was repeated on my face. After a few days, my face was tossed red and swollen.
It is better to go to Beijing and suffer here. Degang Guo decided to go to Beijing for the third time, which was 1995. This time, Degang Guo has made full preparations. He will live in Qingta and Daxing. Wherever the house is cheap, he will attend as long as there is a chance to perform. In the end, he found a small Beijing Opera Troupe in Shazikou, and the other party promised to give him 1000 yuan a month. "At least he can have money to eat." After singing for two months, he didn't get a penny. He asked the other party for a theory and got the answer: "You can keep singing if you want money, but you can't take the previous 2000 yuan." Degang Guo had to continue singing. One day, the performance was late and the bus was gone. He couldn't afford a taxi, so he walked more than 20 kilometers from the city and walked back to Daxing's rental house.
Even Degang Guo himself didn't expect that the transshipment started from the film and television circle. At that time, Beijing gave him the impression that "everyone has something to do with CCTV." He met some "people who claimed to be CCTV directors" and began to talk about scripts and write plans. Often, one's own script is written, and the other party takes the script to seek sponsorship. The TV series "Extraordinary Archives" and "Zheng De's Journey to the South of the Yangtze River" are all his works. I have also done special topics on Quyi, food programs and fruit juice advertisements. Degang Guo's experience of the film and television circle is "much easier to mix than the cross talk circle".
Until one day, in a teahouse in Cheng Nan, he saw a group of 10-year-old children talking cross talk, and he also stood in front of the stage on a whim. The child asked, "Did you also learn crosstalk?" "I also learned." Degang Guo said that he had been waiting for this question for many years.
Playing with tickets made Degang Guo find that there was a market for cross talk, so he began to recruit and found two other cross talk actors, Zhang Wenshun and Jing Li. Several people got together and began to talk about cross talk in a teahouse in Beijing, which was called "Beijing Cross Talk Conference" and listened to a performance of 10 yuan.
Everything at the start-up stage is almost a tragedy. Degang Guo said, "At the worst time, we tried to perform for the audience. In the cold winter, there is no one in the street. They are still standing outside the door, calling for people to come in. Someone finally came in, probably just trying to warm up. The actors on the stage are still talking about Kan Kan. After a while, the audience's cell phone rang and the actor stopped to wait for him to call. Men are embarrassed to finish quickly. I came up to him and said, "You should listen carefully and call me when you go to the toilet. "There are more people in the background than you. "
When Degang Guo carried out the policy of "everyone will play", he didn't know that Justin, the former theater manager of the Northern Services and Arms Company, was also in the audience, and he didn't expect to make himself an overwhelming news protagonist in the media one day.
In 200 1 year, Justin was going to do theater crosstalk in Lai Shengchuan, and wanted to expand cross-strait crosstalk exchanges, so Justin began to pay attention to Beijing-Tianjin crosstalk. After watching Degang Guo's drama crosstalk intermittently for two years, Justin recommended Degang Guo to participate in the 2003 Beijing crosstalk sketch invitational tournament. Degang Guo spent 1 hour writing "Hello, Beijing", which reached the standard of "TV crosstalk"-this is the first time that Degang Guo crosstalk has been so close to TV since it drifted north.
"It's a pity that he was the first in the final and his score was not very high, so the organizing Committee gave him a special prize." Justin recalled.