Like many series films, directors and creators have racked their brains to integrate new elements, explore new ideas and broaden them, hoping to be as high, faster and stronger as the Olympic spirit, but they are inevitably limited by the series itself and cannot go too far.
Especially in this film, the eavesdropping method is escalating on the surface, but in fact it reduces the necessity of existence and falls into a rut in creation. It is estimated that the director has "hated" her teeth at the beginning of her creation. So I sacrificed an actor who turned decay into magic.
There are many actors, few can act, and even fewer have box office appeal. So the director chose the way of stacked arhats to make them appear frequently. Even Ah Fu's wife didn't show up for more than ten seconds before she found the crystal (who to look for is debatable, of course, you can put it at the end of the film as an egg to guess who she is), so the old and new audiences rushed into the cinema with joy. In poor health, I found a seed angrily and had to watch the last episode.
Liu Qingyun's acting reached its peak. The Jin Qiang local tyrant he plays is full of wisdom and domineering in his composure. He lit a cigarette and sat quietly singing a song, all of which were full of drama. At the climax, I can call the wind and rain this time, which is full of shock, just like "Go, Go, Go" in Death Gold and "I will do it" in Drug Control. After the nomination of the Academy Award 13, only "I want to be famous" and "Huige" given by him seemed to be the best actor collectively. The Hong Kong film circle owes him, and if he wins the championship again with this role and his acting skills, he really deserves it.