In Huang San, Yu moved the capital to Luochuan. There is an ancient saying that the water god is called Princess Mi (fú). Feeling Song Yu's concern for the goddess of Chu Ci, he wrote a poem, saying: I came from Beijing, I went back to Dong Fan, carried me to a que, crossed the shaft, crossed the valley and arrived at Lingjing Mountain. The sun sets in the west and the car is in danger. Second, taxes have promoted Gao, Zhitian, Luochuan. Therefore, the essence is dynamic and suddenly comes to mind. You can't see it when you look down, but it's different when you look up. I saw a beautiful woman, on the bank of the rock. But he helped the protector of the empire and told him, "Do you trust him? Who is he, if this is gorgeous! " The coachman said to him, "I have heard of the God of Heluo, whose name is Fu Fei. But what the king saw was nothing. I want to hear what it looks like. " I told you: Its shape is also beautiful and graceful, like Youlong, Glory Qiuju and Song Chun, Hua Mao. Beards and beards are as light as Yun Zheyue, and they float like snow with the wind. From a distance, if the sun rises in the morning glow. If you check it forcibly, it will burn like a lotus. If you are free, you can trim it. If the shoulders are cut, the waist is as good as the elements. The neck is beautiful, the quality is exposed, the fragrance is not added, and the lead is magnificent. The clouds are towering, the eyebrows are trimmed, the lips are bright, and the teeth are fresh. Bright eyes and good hope help to inherit strength. It is magnificent, graceful and luxurious, and it is quiet and leisurely. Tender as water, charming language. Stunning clothes are outstanding, and the bone image should be mapped. The glory of wearing a sweater is the glory of Yao and Bi. Wear jade jewelry and embellish pearls to show off your figure. To practice a long journey of writing is to drag the fog lightly. The fragrance of small orchids lingers in the corner of the mountain. So how can you suddenly jump and travel and play? Leaning on the left, leaning on the laurel flag on the right. I'm busy with my wrist, and I use the mysterious wisdom of turbulent wrasse. I am happy for my beauty, but my heart is shaking and unhappy. The unscrupulous media greeted Huan and made a speech with the help of microwaves. I hope to be sincere first, and Yu Pei will be understood. The belief of beauty is cultivated, and the practice of a strong man is to reciprocate and understand poetry. Anti-Joan is a kind of harmony, that is, diving into the abyss for a period of time. Pay close attention to your family's money, you are afraid of being bullied by me. I feel that I just gave up my words, but I am hesitant and suspicious. Be calm and calm, and be self-sustaining when cashing. So Luo was inspired and lost his mind. The divine light is flickering, and at first glance it is yin and yang. To stand out, it is not enough to have a body. The practice of pepper coating is very fierce, and the steps are fine and fragrant. Super-long songs are always praised by people, and their voices are sad and long. You are a half-breed, and you are a lonely companion. Or play the clean stream, or the item. Or picking pearls, or picking jade feathers. From nanxiang's second concubine, I took Hanbin's wandering daughter. Sigh that the melon has no horse, and sing the morning glory alone. Young people are arrogant and arrogant, and they are waiting to repair their sleeves. The body is fast and flying, erratic. Lingbo micro-step, Luo socks dust. Unstable is dangerous, and dangerous is safe. Enter a difficult period, if you go, if you return. Into liquid sperm, smooth and beautiful. If you don't spit, you will be angry. Huarong is graceful, which makes me forget my meal. So the screen will collect wind, and the waves will calm the river. Feng Yi sings drums and Nu Wa sings. Teng Wenyu took the police to ride, and Luan died together. Six dragons are the first to carry a cloud car. The whale jumps to the hub, and the waterfowl flies to protect it. So I went north, crossed Nangang, took the lead, returned to Qingyang, moved my lips, and asked Chen to hand in the outline. There are different ways to hate people and God, and it is not appropriate to hate the prime of life. Resist Luo Mei's tears, and the tears flow. Mourn the eternal farewell of a beautiful society and the passing of a foreign land. Love each other mercilessly and offer wisdom from the south of the Yangtze River. Although he is in the moonlight, he has a long heart for the king. Suddenly I didn't realize what I had given up, and I was disappointed that God hid the light at night. So he carried the tomb high on his back and gave it to God. Imagine your last feelings and expect your worries. The complex shape of the dead body can be traced back to the royal canoe. Floating in the long river and forgetting the opposite side, constantly thinking and increasing admiration. Sleepless at night, stained with countless frost. I'll go east when the servant drives. I hate to leave, but I can't.
artistic value
Predecessors spoke highly of the ideological and artistic achievements of Luo Shen Fu, most obviously compared with Qu Yuan's Nine Songs and Song Yu's Goddess Fu. In fact, Cao Zhi's Fu has both. It not only has a strong lyrical component with Mrs. Xiang, but also has a delicate description of female beauty in Song Fu. In addition, its plot is complete, its technique is changeable and its form is meaningful, which is beyond the previous works. Therefore, it has a very extensive and far-reaching influence in history. Gu Kaizhi, a great calligrapher and painter in the Jin Dynasty, showed the spirit and style of "Ode to the Goddess of Luo", adding a rare masterpiece to the bookshop and painting circle. In the Southern Song Dynasty and the Yuan and Ming Dynasties, some playwrights put it on the stage again, and Wang Daokun's Sad Life of Chen Luoshui is one of the more famous ones. As for the writers who used this as the theme in the past dynasties, countless people read poems and songs. It can be seen that the artistic charm of Cao Zhi's Luo Shen Fu is enduring.
Edit the introduction of this paragraph.
China is one of the top ten famous paintings handed down from generation to generation. The original volume "Luoshen Fu Tu" was painted by Gu Kaizhi, a famous painter in the Eastern Jin Dynasty (Song Mo). It is a silk book with a length of 27. 1cm and a width of 572.8cm. This painting is based on Cao Zhi's famous "Luoshen Fu" and is a masterpiece handed down by Gu Kaizhi. This Song version retains some features of Gu Kaizhi's art to a certain extent, and we can also get a glimpse of his pen and ink expression from thousands of years. The whole volume is divided into three parts, which describes the sincere and innocent love story between Cao Zhi and Luo Shen in a tortuous and detailed way. The characters are properly arranged and naturally alternate, overlap and exchange in different time and space, but in the description of mountains and rivers, they all show a sense of space. This painting of Luo Shen in Song Dynasty retains the painting style of Wei, Jin and Six Dynasties and is closest to the original. This painting is based on the masterpiece Luo Shen Fu by Cao Zhi, an outstanding poet of Wei State. Luo Shen Fu describes the love story between Cao Zhi and goddess Luo Shui in a romantic way. Gu Kaizhi's "Fu Tu of Luoshen" shows a high degree of artistic imagination and poetically expresses the artistic conception of the original. This long scroll, in the form of a comic book, allows Cao Zhi and Luo Shen to appear repeatedly with the changes of the environment. The descriptions of Luoshen in the original Fu, such as "If you are surprised, graceful and restrained, if you are Youlong", "If you are light of Yun Zheyue" and "If the morning sun rises", and the descriptions of the relationship between the characters are all vividly reflected in the paintings. The color of this painting is dignified and simple, with the characteristics of meticulous and heavy color painting. As a foil, the landscape trees and stones are all outlined with lines, without rubbings, which conforms to the style of the times recorded in the history of painting, that is, "there are more people than mountains, and water cannot be flooded." The original description is that the poet was frustrated in love and failed to combine with the person he loved. Instead, let yourself meet the beautiful fairy goddess waterinfo in the imaginary space through myths and fables, so as to release your sadness and miss the loss of your lover. This volume well conveys the ideological realm of the original Fu, and we can clearly find the ideas conveyed by the original Fu in the painting. It is another kind of "Luo Shen Fu" in the field of calligraphy and painting. Unfolding the picture scroll, I saw Cao Zhi's expression standing on the shore stagnate, and a pair of autumn waters looked at Luoshen on the distant water waves, infatuated with yearning. Wearing a high cloud bun and a belt raised by the wind, Luo Shen on the water wave has a feeling of falling from the sky. She wanted to go and stay, and she looked around to show her admiration. After the first time, the painter arranged for Luo Shen and Cao Zhi to meet again and again in the whole picture, which lasted for a long time. In the end, the sentimental Luo Shen drove the six dragons and sped away in the clouds, leaving Cao Zhi on the shore, thinking all day, and finally reluctantly leaving. Among them, the deep feeling before crying and laughing and wanting to stop is the most touching. The whole painting is unpretentious, just like the painting of mountains, rivers, trees and stones in Silkworm Spinning in Spring. The so-called "there are more people than mountains, and water can't be flooded" embodies the characteristics of early landscape painting. This picture scroll is worthy of being one of the treasures of China's classical painting in terms of content, artistic structure, figure modeling, environmental description and pen and ink expression.
Edit this paragraph to introduce the painter.
Gu Kaizhi (about 344-405), long character Kang, small character Tiger Head. He was a painter in the Eastern Jin Dynasty in China and a native of Wuxi, Jiangsu. In about 364, he painted a Vimalakirti statue for the sarcophagus temple in Nanjing, which caused a sensation. In 366, Fu joined the army, in 392, Yin Zhongkan joined the army, and in 405, he was promoted to Zhengqi. Gu Kaizhi is versatile, meticulous in poetry and prose, and good at calligraphy. He was called "unique in talent, painting and infatuation" by his contemporaries. His painting style is unique, which is called "home-based", the figure is slim and handsome, the so-called "bone beauty is like clear" and the lines are smooth, which is called "spring silkworm spinning". He has written three works on painting theory, Wei Jinsheng's Painting Praise, and Painting Yuntai Mountain, and put forward vivid theories of "describing the spirit with form" and "everything is blocked". Gu Kaizhi studied painting under the Health Association, and was best at drawing figures. Xie An, a famous figure in the Eastern Jin Dynasty, thinks that Gu Kaizhi's figure painting is unprecedented. Later generations commented on his paintings: it means to save the pen first, full of painting, meticulous handwriting and continuous strength; Its brushwork, such as silkworm spinning, is light and smooth, vigorous and refreshing, and is called "iron line drawing"; There are six methods for modeling layout, with exquisite thinking and unpredictable mind. Lu Tanwei, the successor of the Southern Dynasties, and Zhang Liang, a monk, are also called "three outstanding figures in the Six Dynasties". And "if a person is beautiful, he can get his flesh, and he can get his bones, and take care of his god, which is wonderful and unreasonable, and take care of him." Together with Lu Tanwei, they are called "Lu Gu" and "Shufeng" painting schools, which are different from the "Shufeng" painting schools of Zhang Liang and Tang Wu Daozi in the Southern Dynasties. There are many famous paintings, such as Autumn Water, Lushan Mountain and Xue Ji Looking at Five Old Peaks, among which Xue Ji Looking at Five Old Peaks is highly regarded as the creation of landscape painting. The existing Pictures of Women's History, Ode to Luo Shen and Lienv Ren Zhi are all copies of the Tang and Song Dynasties. In the 26th year of Guangxu in Qing Dynasty (1900), Eight-Nation Alliance plundered this book and collected it in the British Museum in London, England. At present, his only work handed down from generation to generation is a long scroll "A Woman's History" based on Zhang Hua, a poet in the Western Jin Dynasty. It has nine paragraphs, each of which contains a "model" story of an ancient court woman. He copied Zhang Hua's own fu in front of each paragraph. The original is stamped with the seals of collectors and emperors in the 8th century, followed by inscriptions by Jin Zhangzong and Emperor Qianlong of the Qing Dynasty, and a bunch of orchids painted by Emperor Qianlong himself. There is Gu Kaizhi's own signature on the back of the painting. This painting may be the earliest work signed by a painter in the world.
The artistic value of editing this paragraph
Predecessors spoke highly of the ideological and artistic achievements of Luo Shen Fu, most obviously compared with Qu Yuan's Nine Songs and Song Yu's Goddess Fu. In fact, Cao Zhi's Fu has both. It not only has a strong lyrical component with Mrs. Xiang, but also has a delicate description of female beauty in Song Fu. In addition, its plot is complete, its technique is changeable and its form is meaningful, which is beyond the previous works. Therefore, it has a very extensive and far-reaching influence in history. Gu Kaizhi, a great calligrapher and painter in the Jin Dynasty, showed the spirit and style of "Ode to the Goddess of Luo", which added a rare masterpiece to the bookshop and painting circle. In the Southern Song Dynasty and the Yuan and Ming Dynasties, some playwrights put it on the stage again, and Wang Daokun's Sad Life of Chen Luoshui is one of the more famous ones. As for the writers who used this as the theme in the past dynasties, countless people read poems and songs. It can be seen that the artistic charm of Cao Zhi's Ode to Luoshen is enduring. Getting Started Atlas More Atlas