So impressed, trapped in this sad literary temperament? As the "spokesperson of Su Lizhen", Maggie Cheung once shouted to the directors in a state of rest: "I have been waiting for a comedy to appear." It's a pity that no one ever cares about her words. Ask her out for a comedy? It's so overqualified that no director dares to make such a "bad decision" ...
Without Maggie Cheung's comedy performance, her image really lost a lot. Whether it is a vase when she first debuted or a mature international actress, she has been trying to be funny.
We were all deceived by her charming temperament, and Maggie Cheung was also a comedy queen who was buried by her beauty.
The 1990s was the golden age of Hong Kong films and the peak of Maggie Cheung's life-her elegant and noble temperament made her the heroine of art films. She is unique in Ruan Yuling, and even made a name for herself overseas and won the best actress in Berlin. At the same time, she can also show her comic talent and extraordinary play in various types of comedies. The harmonious painting style is infinitely switched, which is simply a different person.
Yu Man put aside all kinds of amorous feelings and performed comedies, the most wonderful of which was the 1992 New Year's Eve comedy "Family Fun", which, by the way, also satisfied Stephen Chow's long-cherished wish of "the most cooperative female star". Yu Man's comedy talent has also been "misguided" with Xingye, which makes no sense and is even more surprising than her close friend Wu Junru.
Hao Laiyu, played by Maggie Cheung, is a cinematographer. He uses the role of life cosplay in every appearance. The first time she appeared in Madonna's explosive style, she instantly conquered the playboy DJ Chang Huan, and was even considered a "crazy woman" by him.
Hao Laiyu's disdain for Chang Huan is very arrogant and domineering, much like Madonna's "dare to love and dare to follow" as a daughter, and even the stars can't stand it.
The second time was very free and easy, with the classic style of Julia Roberts, the heroine of cos's Pretty Woman. Chang Huan also cooperated with her to draw a suit, and cos became a hero of richard gere.
When Chang Huan took her to the suburbs to see the classic props of Hollywood movies (the moon), her daughter Hao Laiyu suddenly became reserved and separated from each other with a huge "diaphragm" (bubble gum).
For the third time, demi moore, the heroine of the hit movie Ghost, was the cos. When they "bit off" their fingers in the clay sculpture, Yu Man was like a star, from exaggerated fright to relaxed laughter in one go.
In bed, the two became sweet lovers, and Hao Laiyu longed for love and became a domineering princess. The power of her love-hate relationship frightened Chang Huan, a compassionate woman everywhere.
After accidentally crashing Chang Huan, Yu Man and Loretta Lee, who came to take a bath, faced Master Xing, and the three of them staged a passionate tango.
Chang Huan was taken to the hospital, and Hao Laiyu secretly visited. She hid at the door, anxious and resentful, which she learned from Ruan. However, in Happy Family, she changed her exaggerated mood and made a funny interpretation, which was another magical laugh.
Hao Laiyu pretended to be a nurse and became a simple model of kathy bates, the heroine of Stephen King's thriller Les Miserables. She used her thriller temperament to fight with "schizophrenics" many times and lost many times, even after being flustered.
This is the highlight of Maggie Cheung's comedy performance.
It may be that she plays opposite Master Xing. Desperate and funny, she doesn't look like the Berlin winner at all. Completely reborn, give up expression management, no matter how beautiful or ugly, how funny. In just ten minutes, the comedian CP and the comedian CP were extremely unreasonable and could laugh at eight abdominal muscles.
In the end, the war between "revenge killer" and "crazy psycho" ended in Hao Laiyu's fiasco.
Looking at Chang Huan who was stuffed into the washing machine by her, Maggie ended the clip with the neurotic expression "I can't laugh, I want to cry, I don't have tears". I can handle micro-expressions so delicately in comedy. Who can do this now?
Although Maggie Cheung made only three or four guest appearances in 1993' s New Year's Comedy "Going East and Going West", Yu Man also left several wonderful jokes in the whole hilarious performance of many superstars.
The first is the classic stem of "Buddhism is slow". Faced with the "centipede threat" of the traitor princess Ye Yuqing and Tony Leung Chiu Wai, the female Buddhist played by Yu Man didn't lose at all. The three of them danced with tambourines and covered their stomachs, which was definitely a beautiful scenery.
It is said that Maggie Cheung × Tony Leung Chiu Wai, a pair of "Tell the Truth", is still a pair of bitter rivals in the comedy "Going East and Going West". In a few years, they will be transformed into Su Lizhen × Zhou Muyun in the literary film In the Mood for Love, and they can "go with you" with only one ticket.
In "Going East and Going West", Yu Man plays a Buddhist who can be a woman or a man-she came out dressed as a coquettish woman, and when she left the palace, she became Liang Shanbo. No wonder Yincui gorge Brigitte Lin, who was scared out of her wits, mistook her for "father"!
Maggie Cheung and Carina Lau are in the same box. Do you think this is the super stalk of "century reconciliation"? The whole comedy atmosphere of "Going East and Going West" helps you to resolve the feud between two women. It is happy to see Buddhists and old urchins in the same box, and two women in men's clothes have no grievances under the stage.
In fact, those knots in my heart are all later. At that time, these two women were also good sisters. In the play-Ruan is a mother and daughter played by two female stars!
Maggie Cheung plays comedies, and most people are beautiful women. However, in "Chasing Boys" directed by Jing Wong, she plays a lovely little woman who is passive to Nuo Nuo and Nuo Nuo, especially when chasing the loser Jacky Cheung in the Pacific Ocean.
Working with Jacky Cheung, the best CP in the early days, the tacit understanding between them is perfect, and the rhythm of Lian Xiao is the same.
As for the matter of expression management, at that time, female stars didn't have to play hyaluronic acid on their faces, and they could have rich expressions when they were extremely relaxed, and they were 100% magical when they laughed.
Maggie Cheung, who didn't laugh until the end, was completely released, and suddenly changed into a big makeup and Vietnamese roses, scaring those domineering bosses! Look at the way she shakes her legs for a cigarette. She should co-star with Wu Junru in Thirteen Sisters!
Xiao Taibao and the rich girl finally came to two of a kind. Although she is still dressed as a missionary sister, she looks very sweet when she is angry. In the lens of Wong Kar-wai and Guan, it is really a goddess of literature and art, but the super funny big coffee is beside Master Xing and Guan.
In the whole hilarious comedy program, Maggie Cheung is a super funny guy; However, in several literary masterpieces with special styles, she can still cooperate with people's designs, showing complex emotions of sadness and joy-how happy the front is, how worried the back is.
In Tsui Hark's Green Snake, the snake demon Xiaoqing is a little girl who is half human and half demon. Maggie Cheung's most special performance added to this super script.
Xiaoqing, who has just become a human being, has no "human appearance", and the Indian dancer Ji wants to go to the upper body, which is simply enchanting; Walking with my sister, swaying willows and twisting three times in the wind, 100% goblin.
Yu Man's only performance is the goblin, really enchanting beings, with a lovely comedy aura. She shows the little sexy of the snake demon in her naughty behavior, which is really loved by everyone.
It takes the spirit of the demon to fight the demon. Look at her rolling her eyes on the boat and jumping up and down in the big house, turning a woman into a naughty kid!
Xiaoqing is like a rebellious girl who specializes in crooked ways. Fortunately, her nature is pure, seemingly obscene and charming, seemingly innocent, and even a little cute.
Yu Man took Xiaoqing's charming, shameless, shameful and embarrassing girl's evil spirit and lovely power very well. A closer look at this micro-expression of "no more, no less" will help us realize her inner joy.
The contact and entanglement with my sister White Snake really seems to be a seductive feeling to see two snakes entangled together. With goblin eyes and charming limbs, Xiaoqing, as a relatively goblin role, is more deadly than the white lady who tries to keep a low profile.
Maggie Cheung's demand is even more attractive than Joey Wong's. This three-point demon immediately separated the two sisters for 500 years.
Li Bihua wrote Green Snake almost according to Zhang Ailing's Red Rose and White Rose, but she changed her gender. Xiaoqing is a female version of Tong Zhenbao, and her red and white roses are Xu Xian+Fahai. Xiaoqing's handling of the color and emotion of desire is more violent than Zhen Bao's.
"Bai Yueguang" Fahai (Chiu Man-Cheuk) is the first man Xiaoqing met in this world. The more unsmiling and unreasonable, the more Xiaoqing wants to conquer, probably because neither of them has "mortal feelings." The two men struggled with the undercurrent of desire in the water. The naughty Xiaoqing finally clarified the mortal nature of Fahai, and Bai Yueguang suddenly became sticky.
Yu Man's eyes full of desire fluctuate infinitely when he looks up at the sea, bows his head and frowns, and gropes sideways. No wonder later, even Fahai, who was absorbed, became angry because of his "infinite madness"!
And "Zhu Shazhi" Xu Xian (Wu Xingguo) is almost at your fingertips beside Xiaoqing. He is also an experiment for Xiaoqing to verify her sister's theory of "being a man". She really wants to see how easy this "honest man" is to get along with.
After all, Xu Xian is useless. In the end, peeling off the surface, he is just his sister's Zhu Shazhi; In Xiaoqing's eyes, he is just a touch of mosquito blood, that's all.
In the eyes of the sisters, Xu Xian's blood, whether Zhu Shazhi or mosquito, is no longer important. What matters is always the standard of being a man or a demon, and what attitude men have towards themselves.
Yu Man's seductive eyes Gore, after all, Xiaoqing's aura of half man and half demon made her see this complicated world more clearly; On the contrary, Zuxian's ambiguous attitude gradually made her hesitate between being a man and being a demon. ...
Even if there is too much joy, the more I get later, the more sad I feel. Xiaoqing's experience of crying alone, from her admiration for her sister's hard tears before to her profound understanding of involuntary tears later, is the transformation of Xiaoqing from a demon to a human being, and also the layered feeling of Yu Man's perfect performance mode.
Xiaoqing in "Green Snake" is a little trouble+cuteness around the White Snake, and Yuefeng in "Rolling Red Dust" is a lovely existence around Shen (), although it can occasionally turn pale with fear.
Shao Huatai is literary and artistic, and only wants to live in his own writing world and his infatuation with Zhang Nengcai (Qin and Han Dynasties). Yue Feng is different. She is as simple as a white rabbit. Her erratic romantic feelings are all about her boyfriend who is bent on revolution, although she always complains that his "conscience is eaten by dogs"!
Maggie was very good at this harmless and playful little girl, especially her naive self-knowledge, which exuded a sense of joy everywhere.
It takes a price to become beautiful. For example, at that time, I had a perm and became a big flower mother! This is a little joy from a woman in troubled times. Even a little pleasure in suffering can bloom from the bottom of my heart.
In the eyes of men, the passionate moon phoenix is a "red rose" at first sight, while the gentle youth can temporarily retreat to a "white rose". Yu Man's playfulness is in sharp contrast with Xia Qing's rationality and composure. Fortunately, Yue Feng is just a bright color in the "rolling world of mortals", otherwise it may really steal the limelight of Hua Shao.
Caring for each other's sisterhood is to turn the small joy in the past into the sad little desolation now in difficult times. Yue Feng's "conscience was eaten by a dog" chestnut was finally sent back to his mouth by Shao Hua, and he finally got a profound understanding.
Xiaoqing, holding the White Snake to squeeze tears, has the same effect. Yu Man held the young Yue Feng tightly, and after laughing, there were tears and mixed feelings. In the long shot of one and a half minutes, it was like peeling an onion, which was empathetic and heartbreaking.
"He dedicated himself to the revolution, and I dedicated my heart to him." This is the bloody romance of Yue Feng. She doesn't know what a loving man does, only that it is her belief to follow him. But for Shao Hua, who lives alone, Yue Feng is her other life.
Even at the last moment when she left her youth, she left with the most sincere smile. But Yue Feng's smile was fixed at that moment, followed by her passionate romance, and she left her youth forever.
It may be that the first group of CP's in Happy Family hasn't had enough addiction. Later, Yu Man, the "Jigong", joined hands with Master Xing again to form a pair of judges who are doomed to never leave.
Although Xiaoyu's Nine Pheasants is somewhat similar to Jin Xiangyu's, this time, his crazier personality is to cooperate with epilepsy crazy monks to help the public. It's just that Xiaoyu is simple, and she believes that she has this life and can be very happy as a pheasant.
Different from the coquettish jade inlaid with gold and the demon of Xiaoqing, Yu Man makes Xiaoyu's waves look a little silly and cute, which is the ultimate desire for the goal of faith.
Unfortunately, Xiaoyulang's lovely time is too short, and fate comes too early after all. Her love for Ji Dian was a mistake, and all her dreams were lost, so simple but determined Xiaoyu would rather destroy this beautiful face for this wrong love. How much love, how much harm!
At the peak of her life, Maggie always showed the playfulness of the little white rabbit when she first debuted.
For example, if you stare at your eyes and make a surprised expression, your eyes will immediately turn into two bells.
In 1980s, thanks to the insight of director Jing Wong, Maggie Cheung, who made her debut as a Hong Kong sister, was originally the main creator of TVB, but was hired by Jing Wong to make a movie without making a few TV series.
In Jing Wong's early films, most comedies were "cheap men love vases" with little nutrition-the general theme was that cheap men hurt their friends and fell in love with a vase headmistress. At that time, young Maggie Cheung was one of these big vases.
This kind of cheap male comedy films, among many films starring Maggie Cheung, The Wizard of Modern and Hardcover Chasing Women are outstanding.
Being in the base men's group, Maggie Cheung was influenced by the comedy atmosphere, even though he was a big vase in the C position. Making faces completely ignores the image, and the vase is also very inspirational. It is not impossible for her to become a comedian.
It's hard to get Maggie Cheung, a big vase, out of Jing Wong's bitch comedy style! Fortunately, she met Jackie Chan later.
In Never Give Up, she plays the unruly girlfriend of Big Brother. Although she is still a vase with nothing to play with, at least she doesn't have to make faces any more, and she can act like a spoiled brat with her eldest brother at any time.
More interestingly, because of Never Say Never, Maggie Cheung met another beautiful woman, Brigitte Lin, and they started a sisterhood for more than ten years. It's really eye-catching to see the inside and outside of the play.
For more than ten years, two great beauties have stood side by side in the modern action film Never Give Up. Another sequel to Plan A, an action series of the Republic of China, made Yu Man+Ling Chia, the sisters who have been in love for decades, also have a legendary record of grievances.
The Hua Dan sisters who met in TVB in those days later became not only the stars of Big Brother movies, but also the muses of Wong Kar-wai movies.
At that time, the female stars were also able to fight and carry, and in Jing Wong's plays, they were all comedy coffee regardless. In Jackie Chan's movies, they can also make great efforts with their eldest brother, while in Wong Kar-wai's works, they all become superb literary goddesses and pick up elegant and advanced artistic styles.
For Maggie Cheung, a small white rabbit whose early acting skills have not been developed, the romantic comedy Ghost-like III (1986) starring her is the owner's favorite.
This film with the temperament of "little joy and big parting" gave her a rare opportunity to be escorted by three famous people-Du Qifeng (who collaborated in the series of Jigong and Hero Trio) as the director, Huang Baiming (who collaborated in Happy Family) as the actor+screenwriter, and Tsui Hark (who collaborated in Green Snake and New Longmen Inn).
At that time, only 22-year-old Yu Man also had a pair of lovely rabbit teeth. She is invincible when she smiles, and no one can compare with her cuteness.
Xu Banxiang, a singer who committed suicide in her last life because her records were hard to sell, wanted to be reincarnated into a musical family, but Huang Baiming, who was a happy guy in her last life, didn't want to bother her again and again, so the naughty boy who stayed in the world decided to make this happy guy who "blocked" her reincarnation restless.
Maggie's naughty boy is also different from the role of vase girlfriend, and his natural cuteness is better than everything else. This is also Huang Baiming+Du Qifeng's unique vision, which makes her walk out of a fresh and naughty painting style of the big white rabbit from the Jing Wong-style cliche funny vase.
In addition to the romantic interaction with Huang Baiming, young girl Yu Man has long had a super happiness and love correspondence with director Tsui Hark, who is obsessed with appearing in the camera. In the future, the gold medal combination was lovely and harmonious, and the most surprising opening song of "Ghost of Joy III" was completed.
In other words, after Ruan successfully transformed into a Berlin film winner, she didn't just make art films, nor did she abandon her previous comedy route, but thought about her passion for comedy.
She was very grateful to see him. Only in 1993, she returned to the arms of Jing Wong, the director of "Best Actor", and starred in or made guest appearances in several pure spoof comedies. Even if the quality of these films is uneven, the savage and sultry Maggie is one of them.
"The Seven Princesses of Martial Arts" brings together seven colorful female stars, Yang Ziqiong+Maggie Cheung+Sharla Cheung+Wu Junru+Zheng Yuling+Esther+Chen Jialing, and plays a reversal and reversal sex game with the only male lead Dicky Cheung.
Maggie, a special guest, is the most distinguished princess Tianxiang with the worst kung fu, the most unruly personality and special gossip among the seven beauties. Although there is always a feeling of falling in love with Dicky Cheung CP's sister-in-law, Yu Man's delicate girlish style is very pleasing in Fan Zhen.
You will never compare this unruly princess with Ruan's noble winner and the shy girl in The Story of Teddy Boy. Maggie at her peak was a thousand people.
In a blink of an eye, Jing Wong hooked up with two temperament hotties, Maggie Cheung and Chingmy Yau, while Aaron Kwok, who was still the idol king at that time, staged a big fight between two women to grab boyfriends in the cliched comedy King of Thousand Faces.
Not only Princess Tianxiang, this mature woman, who looks elegant on the surface, is actually a neurotic girl who is obsessed with seeing round objects. The moment of Yu Man's harmony change is not only attractive, but also very pleasant. It's really wonderful to play comedy after the movie.
Maggie Cheung × Aaron Kwok? Today, this unimaginable combination, which was mediated by Jing Wong, finally produced this pair of "super mismatched" siblings CP. However, the dedicated two people didn't care so much about throwing stalks together, and the rhythm was very tacit.
There is also a spoof costume comedy "Neurosurgery and Flying Tmall" directed by Zhu Yanping, a producer and screenwriter in Jing Wong and known as "Jing Wong, Taiwan Province". Although the film is terrible, it is very funny, and there are countless superstars and idols (Tony Leung Ka Fai+Sharla Cheung+Jimmy Lin+Ye Yunyi+Ng Man Tat), which really makes the cabinet owner love and hate.
I will never forget a pair of "thieves in-laws" in the film-the nine-tailed fox in Jacky Cheung and the Tmall in Maggie Cheung. Their years of tacit cooperation really paid off, and their super sense of free play CP exudes their funny skills everywhere.
Even if the female thief who "rescues her husband" flies to Tmall alone, Yu Man alone can draw one or two skills from the gold inlaid jade, giving this coquettish woman a little savage and seductive feeling.