Shi Xiangyun's misfortune is mainly the post-80s generation. According to this piece of music and the sporadic materials provided in "Red Yanzhai Review", Shi Xiangyun later married Wei, the son of a chivalrous aristocrat, and their married life was relatively happy. But the good times didn't last long, and soon the husband and wife separated, and she was lonely and haggard. As for the legend in some sequels that Baochai died young, Baoyu became a servant, and Shiyun became a beggar, and finally married Baoyu, it seems that this is not in line with Cao Xueqin's original writing plan, but the attached poem "The White-headed Double Star Kirin" produced in the thirty-first cycle. In fact, the "White-headed Twin Stars" means that Wei and Shi Xiangyun live separately until they are old, because Shi Xiangyun's golden unicorn and Xue Baochai's golden lock are similar, both of which are used as proof of marriage, just as Pang Tuan said: "The unicorn attached to the nursery in Lan Ruo for the last dozens of times is also this unicorn. The outline lies on this back, and the so-called grass snake gray line is thousands of miles. " So, what is the "V" method of the Outline? This time, I wrote about Baoyu's lost golden unicorn (he originally gave one to Xiangyun, and wanted to give it to Xiangyun). It happened that Xiangyun picked it up and Xiangyun's maid was talking to her about "male and female" and "yin and yang" and said, "Yin and separation!" These details suggest that this thing will be related to Xiangyun's marriage in the future. At first glance, it really looks like "Fu" Xiangyun and Baoyu have a "fate", which is also in line with the theory of "good fortune". Daiyu also had doubts about this and said some sarcastic words to Baoyu. In fact, Baoyu just inadvertently acted as a middleman, just like the "predestination" between xiren and Jiang Yuhan was almost the same as exchanging sweat towels through his passing. At this point, Pang Tuan made it very clear: "Today's marriage has been decided, and writing golden unicorn is also a color method. Why is he confused about this? Therefore, every child is called' love'. (At the end of the comment on Daiyu in Love List, it means' a person who uses his feelings for affectionate people') Painting is called' indirect coloring method', which makes the main color bright and another color set off. Xiangyun's marriage is a foil to Baochai's marriage: one became attached to the golden lock and the other to the golden unicorn; A second grandma seems lucky, but her husband is a monk and she is widowed. The phrase "the fellow villagers are talented and beautiful" is "the clouds are high and the Tang Dynasty is dry, and the Xiangjiang River is dry". In the end, there is nothing. "Double Star" is another name for morning glory and Vega (see Jiaolin Grand View), so Tanabata is also called Double Star Festival (later changed to Double Lotus Festival). In a word, The White-headed Double Star means that Xiangyun and Wei got married soon, but for some reason they divorced and became cowherd and weaver girl. This just serves as a foil for Baochai's "good marriage". "Good Song Note": "What do you mean by thick fat and fragrant powder? Why are the temples frosted again? " Pang Tuan mentioned Baochai and Xiangyun together, saying they were both. It can be seen that those who are attached to Xiangyun and marry Baoyu in the future because of looking back, just like Baoyu was "confused" by him because he received the golden unicorn at that time, is because of misunderstanding.
Shi Xiangyun is a poetic character created by Cao Xueqin. As soon as the reader closes his eyes, the characters appear alive: wearing men's clothes and laughing loudly; Romantic, informal; Sharp poetic thinking, talent detachment; Speaking "lisping" is called "Second Brother" and "Love Brother" ... This is a romantic and lovely figure.
Shi Xiangyun is clear-minded, and his movements are not as good as pipa. Shi Xiangyun's broad-mindedness is not an arrogance, but an interest in joining the WTO. When you are in a good mood, you eat meat in large chunks. When you get carried away, you fight with your thumbs and occasionally dress up as a woman. You are free and easy during the day and look around, which is self-defeating. In the Grand View Garden, Shi Xiangyun's life experience is both rich and expensive. Although he is no longer rich because of his family decline, he has no noble temperament. She doesn't distinguish between high and low, nor is she limited to the difference between men and women. She has no utilitarian heart in dealing with people.
As a woman, Shi Xiangyun has a man's generosity and open mind. She is not tired of her daughter's skin. In the 31 debates between Yin and Yang, Cui Lu's chatter and Shi Xiangyun's follow-up answers filled the master and servant with an equal atmosphere like sisters and teachers. But Shi Xiangyun's speculative thinking, in a nutshell, is not like those boudoir women who cry at the sight of the wind and feel sad at the sight of the moon. When she passed out of our sight like the spring breeze, people were intoxicated with her manners and forgot her true colors.
In A Dream of Red Mansions, it seems that we have never seen what Xiang Yun really worried about. She always laughs and is full of interest and enthusiasm for life. As for her personality, the author not only made achievements in commenting and reconciling the songs of A Dream of Red Mansions, but also made many poems and paintings. When she first appeared, the author showed the personality characteristics of "laughing and laughing" and "bite the tongue", saying that she was caught in the love entanglement of Bao, Dai and Chai. Her arrival made Daiyu jealous and quarreled with Baoyu. The next morning, Baoyu came to see Daiyu and Xiangyun, and only his two sisters were still lying in bed. Dai-yu tightly wrapped in apricot HongLing quilt, safely closed her eyes. Xiangyun is resting on a pair of moss; A pink silk quilt, covered only to the chest, with white arms bent, is placed outside the quilt with two gold bracelets on it. Baoyu sighed, "It's still dishonest to sleep ..."
Through the description of their sleeping state, they show two completely different personalities, and form a sharp contrast between the accuracy of Daiyu and the simplicity of Xiangyun.
In the Grand View Garden, Shi Xiangyun's life experience is both rich and expensive. Although he is no longer rich because of his family decline, he has no noble temperament. She is completely different from Baochai and Daiyu. She doesn't care about the difference between men and women. She sees people when she meets them, and has no utilitarian heart. Although Baochai is knowledgeable and good at small favors, the importance of personnel is very clear in her actions; Although Daiyu was crowned as a rebel in feudal society, the hierarchy of feudal society was clearly divided in her mind. A young lady can never compare with a servant girl. Daiyu is arrogant by nature.
When Cao Xueqin portrays the image of a beautiful woman, he never writes the characters perfectly. Often written as a beautiful jade flaw. Such as Daiyu's weakness, Baochai's fever and Yuanyang's freckles. These "flaws" not only did not affect the aesthetic feeling of the characters, but added features to make the characters more vivid. This aesthetic dialectics is also used to shape the image of Shi Xiangyun. He not only made this beautiful girl have the small defect of "lisping her tongue", but also mixed her with some charming masculinity in caressing and flattering. She always likes men's clothes. Every time it snows heavily, her dress is different: she wears a big coat with fire inside and outside, a red gorilla suit on her head and a big mouse collar. Daiyu smiled and said to her, "Look, the monkey is coming. He usually holds a cigar and deliberately makes a little coquettish. " They also laughed: "He only likes to dress smaller, more beautiful than his daughter." She cooked venison with Baoyu and Pinger. Daiyu laughed at them, and Xiangyun said, "You know,' it's true that celebrities love themselves', ... We are eating and chewing now, but when we come back, we are full of smiles." Even when writing a poem, she would recite the poem "Sitting by the fence, tuck in the Leng Xiang" and behave like a hidden woman. Handsome and charming are mixed with some romantic dolls, which makes Shi Xiangyun's image more attractive.
Cao Xueqin also showed her enthusiasm and frankness when she created the image of Shi Xiangyun. She is a very talkative person, a "talking pocket" and shows enthusiasm for people and things. Xiangling wants to learn poetry; She dared not disturb Baochai, so she asked Xiangyun for advice. She's "getting happier and happier, talking about it day and night." Therefore, Baochai criticized her for "not keeping her duty"; Not like a girl's house. She is what she appears to be, outspoken and doesn't mind her boss. Once in the theater, Feng pointed to a child on the stage and said, "This child is dressed like a person." Everyone knows who Feng refers to, but they won't say it for fear of offending people. Xiangyun bluntly said, "I know, like sister Lin." For this reason, Daiyu was offended and there was a contradiction with Baoyu. On one occasion, she advised Baoyu to take the road of "career economy" and let Baoyu make an "eviction order". Some people say that this shows that Xiangyun has a strong feudal consciousness. Actually, it's not like this. It just shows her naivety. Later, I went to Jiafu and lived with Baochai all the time, and she was also influenced by it. But those words to persuade Baoyu were by no means Xiangyun's own thoughts, just parroting.
The author also shows Xiangyun's transcendental talent and the agility of poetry. Xiangyun's poems come the fastest and most in Lu Xueting's couplets, concave crystal pavilion's couplets and every poetry competition, and show her chic style. Ode to Bai Haitang, she came late. When others have almost exhausted their meaning, she got two songs in a row, which are novel and unique, and have won everyone's admiration and appreciation. When Lu Xueting wrote poems, because he ate venison and drank wine, the poems became excellent, many and good, so there was a situation in which Xue Baoqin, Baochai and Daiyu fought against Xiangyun. Everyone laughed: "It's all because of that venison." The sixty-second Han Xiangyun Drunk in the Peony Garden is a hymn of youth and a movement of life, which is very lively, and Shi Xiangyun is one of the most active elements. Everyone guessed, drank, and wrote poems. Three called four, seven called eight, and the whole court was full of red flies and green dances, and jade beads shook. Once, at the end of the banquet, Xiangyun suddenly disappeared:
Just then, I saw a little girl coming with a big smile and said, "Look, Miss Yun was drunk and fell asleep on the bluestone stool behind the rock." Everyone laughed and said, "Stop arguing." At some point, when everyone came to see it, I saw Xiangyun lying on a stone bench in a secluded place, fragrant peony flowers flying in all directions, and red incense scattered all over the floor. The fan in his hand is underground, half buried by fallen flowers, surrounded by a group of bees and butterflies. Another bag of peony petals is wrapped in a shark handkerchief as a pillow. When everyone saw it, they all loved and laughed, and rushed to call for help. Xiangyun was still talking in her sleep and drinking, and DuDu shouted, "Spring fragrance is about to drip, and ... I am drunk, so I should meet my relatives and friends ..."
This is a painting, a poem and a poetic Shi Xiangyun. Who doesn't feel cute in the face of such a role? Who doesn't fall for it?
However, the beautiful flowers finally faded, and the days of leading a drunken life and dreaming of death finally disappeared in the shadow of falling flowers. Although the ending of Xiangyun is still controversial, it is undeniable that the appearance of Xiangyun has always been like a few wisps of flying clouds, and her dream of leaving has a lot of warmth but no trace. Wang Bo's "Lonely sunset in Qi Fei, autumn waters and sky are one color" is probably the most suitable for Xiangyun. She is beautiful and distant, flying and elegant, and harmonious with nature, which should be the eternal image of Shi Xiangyun.
Zhang Ailing said Shi Xiangyun
The most basic and popular way to appreciate A Dream of Red Mansions is to favor a girl in the book. Like beauty pageants, Xiangyun is one of the most popular. Some people may think that modern people like lively girls. Baochai, a good wife and mother, and Daiyu, who is physically and mentally ill, are out of date. In fact, Xiangyun is probably the most popular since the Dream of Red Mansions. Strangely, Xiang Yun is the only one in the corner. Except for the word "slow eyes" and the "bent white arm" outside the bed (the second time), except for a pair of eyes and fair skin, it doesn't seem beautiful. The figure is "like the back of a bee waist ape and a crane mantis". China people are not interested in being very tall and have very long legs. Her attraction is best expressed in the previous two poems: "The smallest and lightest of all, is truth natural?" (Dong Kang's "Shu Bo", Volume 4, titled "Three Beautiful Pictures of Qionglou" painted by Yuhushan People and Daiyu Xiangyun, see page 929 of Zhou's "New Certificate of a Dream of Red Mansions". ) She is naive and a little ignorant, so she is more naive. In contrast, Baochai, who is "heartless and moving", visited Baoyu when he was injured, showing his affection, which shows that he usually doesn't show it.
The seven laws cited by Dong Kang are as follows: Even if there is love in the future (Yun stuttered when he was young, called his second brother Iger), he can't reach the green. The last sentence mistook slurred speech-also known as Lickitung-for stuttering, which usually still exists when you grow up. The next sentence is also wrong. Daiyu is not jealous and eats reasonably. The twenty-second time, Daiyu was angry with Baoyu, and Baoyu did not argue. "Turn around and go back to my room." Comment: "It's none of your business, but Baoyu said it's none of my business. Although I haven't spoken, I have realized in my heart ... "When I went back to my room, xiren mentioned Baochai and wanted to leave. Baoyu sneered, "If he doesn't pay it back, whatever. "。" Note: "... this coherent language is a recent article, and it is also related to the proud language. Everything that is not mentioned above is in my heart and vented on Baochai. Those dull and heavy are just clouds, but they still have this heart today. Is it true that they are dishonest? "..... Baoyu and Baochai are not congenial, and Daiyu is jealous for his popularity and golden marriage. . Xiangyun is Baoyu who really has feelings for her. But Xiangyun is sometimes sour to Daiyu, as if because she and Baoyu used to live with Grandmother Jia, and there is a kind of jealousy of children for their newborn siblings. She and Baodai are just the opposite of precocity.
Back to the 57th, Xiangyun to defend Xing Xiuyan. Daiyu smiled at her: "What are you pretending to be, Jing Ke and Nie Zheng?" Among these people, Xiangyun is the most typical person who is close to Xia Nv, and Xia Nv must be ruthless, at least her feelings are not open, otherwise she will wander the rivers and lakes alone, and what else can she get if she is affectionate? If you are in love, it is also passive, so that men are in an active position and more satisfied. Chivalrous women either don't understand amorous feelings or are "heartless bitches", so "Chivalrous women have sex".
It turns out that before Daiyu came, Xiangyun lived in Jia's house when she was a child, and shared a room with Jia and Baoyu. When introducing Xiangyun, there was probably a description of her appearance-all of it was deleted, including the night talk of Xiangyun attacking the warm pavilion-the thirty-first time in their conversation-the "shameless words" that Xiangyun said at that time-about marriage, because it was mentioned when xiren congratulated her on her engagement; It is also related to their deep friendship in the past, because Xiangyun went on to say, "You can talk about it, we were so good at that time ..." "I am not ashamed" is of course Xiangyun's wish to marry a husband who has attacked people and stay together forever. The fulfillment of the prophecy contains strong irony, just like there are three wishes in many myths, which makes people laugh and cry.
The 31st golden unicorn made Daiyu suspicious. Before returning to China, he always criticized: "The marriage between today and today has been decided, and writing Jin Qilin is also an indirect method. Why is it confusing? " Zhou believes that the goal of this return "because Kirin has a white-headed binary star" means that Baoyu finally grows old with Xiangyun. He explained this batch like this: the commentator said that this proves that Kirin has nothing to do with Baoyu. I don't think what this batch is talking about here is "wood and stone", "golden jade" has been decided. If Kirin's case is solved, it will be long after the game of "Golden Jade" and there will be no contradiction with "Mushi". There is still a big level between the two, so what the proponent means is that as long as you care about Jinyu, Kirin doesn't have to worry about it.
-"A Dream of Red Mansions" on page 924 This is certainly a powerful argument. How can Daiyu not care who Baoyu's future life partner is, let alone a talented woman who has been familiar with her for a while, although their combination will experience some twists and turns.
However, many people have always thought that the "white-headed binary star" refers to Baoyu Xiangyun. Therefore, the Fat Group repeatedly demonstrated and approved the last paragraph: "After dozens of times, Lan Ruo put on a unicorn at the shooting range, which is also a unicorn. In this outline, the so-called grass snake gray line is thousands of miles away, saying that this sign should be on Wei.
Internal security only appeared once in eighty times, in the 14th Qin funeral procession. Qin Keqing's story comes from the mirror of the romantic moon. After Feng Yue Bao Jian was included in this book, there was also Qin's funeral, the only person. The question is whether Qin's funeral was written into this book with Wei, or whether it was added later, and a name was added at the end of the list of hangers.
As soon as Yue Feng Bao Jian was included in this book, there was a dream in it. The pamphlet in the dreamland and Wen Qu predicted that Xiangyun was early widowed: "The beautiful eyes are hanging in the sky, and Xiangjiang died in Chu Yunfei." "I deserve talent and beauty ... in the end, the clouds are high." It's already "Xie Hui", the sun has set, and it's "a long time", obviously not remarried. If Wei hadn't been there, she would have married Baoyu, who was not a nobody. But there has never been a saying that Baoyu died early, and Qu said that the marriage was successful. If Baochai died early after marriage, Baoyu died early after marrying Xiangyun, and all three of them died early. Therefore, Wei, a short-lived woman, was added as Xiangyun's spouse as soon as she moved in. Since then, Xiangyun's fate is to be widowed and unable to grow old with anyone. The White-headed Twin Stars is obviously a long-term return, so it conflicts. This is the third1time since there was no Wei. Of course, "the double stars grow old because of Kirin" refers to Baoyu Xiangyun this time.