Who likes Beijing opera? Come in and have a look. .

remain to be solved

Reward points: 120- 20 hours 3 days before the end of the problem.

Is Peking Opera the quintessence of China? I've seen Peking Opera several times, and it's hard to know what this sentence is about without reading the lyrics. However, some local operas are easy to understand. But some people think it's superficial. I don't know what you think, please advise. .

Supplement to the question: In fact, it was originally a layman's discussion. It would be better if there were experts "family" to give directions.

The classic answer: not everyone can appreciate the quintessence of Chinese culture.

Just like calligraphy and Chinese painting, ordinary people can't get good grades-friends from 16 floor.

I'll answer the questioner: sdsdsdsd-scholar level 2 (145)

Reply *** 3 1

I think Beijing opera is still a national quintessence, but I can't say how superficial local operas are. Drama is a profound art, which can be said to highlight the development process of China in terms of costumes, props, makeup, etc., and concentrate on humanities and other aspects, while local drama can be said to show the local characteristics in more detail and also reflect the living habits of various places. I'm just some personal opinions, which are not necessarily correct. I hope to communicate with you more. Thank you for your advice.

Interviewee: Water 965-magic apprentice level 1 (19)

I am from Henan, and I can assure you that if the capital of the country is Henan, Henan dialect will become Mandarin, and Henan Opera will be the "quintessence of the country". Similarly, other places will do the same, and so will China, where the emperor is located.

Respondent: ZK cdd- Tong Sheng Level 1 (9)

I like it, too. This is written by a master. That's good.

The first graduate class of outstanding young Peking Opera actors is about to graduate. After three years of study, what improvements have they made? Can you shoulder the heavy responsibility of revitalizing Beijing Opera? Recently, 26 students held a study report performance in Chang 'an Grand Theatre. In addition to performing excellent traditional repertoires and passbook dramas, a new drama specially produced for them has been put forward, which shows a new style of connecting the past with the future and makes people full of hope for the future of Beijing opera art.

This year's graduate students are basically the pillars of various troupes, and most of them are successful, but they are not satisfied with their achievements, and they are also aware of the gap between themselves and their predecessors. After three years of study and charging, their cultural accomplishment, performance skills and characterization have been greatly improved. For example, Zhang Pai tried to attack Wang Rongrong in Tsing Yi. Before acting, all she has to do is sing well. However, in this performance, Cui Yingying in "The West Chamber" pays attention to portraying characters, with rich expressions and excellent singing and performance, which is well received. Yang Pai, an old student, worshipped four masters of different schools during his studies, and his acting skills made a qualitative leap. He can not only play the singing drama of Yang school, but also play the relying drama of Tan school, such as Dingjun Mountain, which gives people the feeling of "being away for three days and sitting up and taking notice".

While improving acting skills, graduate students also pay attention to improving their own cultural literacy. The teacher thinks that the greatest progress of these students is to act attentively and use their brains. Liu Changyu boasted that his disciples Geng Qiaoyun and Guan Bo would ask "Why" when they were performing, but they were playing roles instead of performing. Kong Xiaoshi, director of Lotus Lantern, said that when Shi Min and Yan Qinggu arranged Hu Sanniang and Wang Ying, they all followed the director's instructions, and now they can put forward their own opinions on the actions designed by the director. "I am not as relaxed as before, and I often embarrass them, but I am very happy, which shows that they are mature." In addition to listening carefully, Li Jun also practiced calligraphy hard and fully felt the charm of traditional culture. On the other hand, Yan Qinggu can speak fluent Japanese, which makes preparations for the foreign exchange of Peking Opera.

Over the years, Beijing opera has been "playing an old play, playing an old play", which has disappointed many people and even opera fans. People are looking forward to the emergence of new dramas, and more hope that graduate students can have their own representative plays. Several new dramas in this report show fully consider the aesthetic taste of today's audience, with rich plots, vivid characters and wonderful performances by graduate students, which are refreshing.

Mulan of China Peking Opera Theatre added Mulan's emotional drama on the basis of traditional drama, with coherent stories and full characters, which gave Deng Min, the leading actor, a chance to fully display his all-round talents. The lotus lantern of Shanghai Peking Opera Theatre is tailor-made for five graduate students in the theatre. Therefore, the theater did not hesitate to scrap the first edition and start a new stove. It abandons the quantitative way in the traditional drama Erfu and tells people a brand-new lotus lantern story. The five main characters in the play fully demonstrated the specialties of five graduate students, which enabled them to make a breakthrough in their careers: the first half of Gong Wudan's Shi Min was all literary dramas, and his Mei School played Tsing Yi, which was dignified and generous; Li Jun has integrated the habits of young people into the old students; Xi Zhong Road uses martial arts as Erlang God, with a strong sense of hierarchy; Yan Qinggu was born in Wu Chou, and his martial arts were novel and unique. The second student, Hu Xuan, has a good voice. "Five graduate students, lighting" Lotus Lantern "has become an excellent selling point for the show to go to market. Du Peng, an old student of Henan School, plays the leading role of Shen Ying in the new drama "Ma Ge Yan Zi" of Beijing Opera Troupe. In this drama, which reflects Macao people's love for the motherland, Du Peng designed a new program for the characters. When the characters come out, they use the traditional catwalk, which is light and graceful, supplemented by Ming Che's sparkling eyes, which shows Shen Ying's vitality and righteousness. In the scene of "drawing lots", I borrowed the tone and figure of Wen Wusheng, an old Peking Opera, and highlighted the loyalty and heroism of the characters. Ye Pai's young students, in "Butterfly Dream" (the male and female protagonists sing Peking Opera on the same stage, and the Chinese opera is different), the old students in the past are younger generations, and the old ones have a pure charm, and the younger generations are chic and have great contrast, which shows their artistic skills. In addition, Qiu Ling's Wang Zhaojun, Zhao Xiujun's Liu Lanzhi, Zhu Qiang and Chen Junjie's Yi Ting Ballad and other new dramas also have their own merits.

They are aware of the burden on their shoulders.

After three years' study, graduate students realize that they should not only put on a good show, but also shoulder the historical responsibility of rejuvenating Peking Opera in the new century, so as to further develop the Peking Opera art, which is known as the "national quintessence".

Li, an actor of Guangdong Han Opera, is currently the vice president of Guangdong Han Opera Academy. He has won the Plum Blossom Award, and is a representative figure of Guangdong Han Opera at present. Faced with the difficulties faced by the play, she boldly planned and starred in Butterfly Dream written by Jing and Han. Peking Opera and China's plays have the same ancestry and similar vocals, so this performance is novel and harmonious, and it is a successful new attempt in art.

In addition to studying and performing, Zhang Ke of Tianjin Youth Peking Opera Troupe took over an art school that was on the verge of closure last May, teaching drama to children and cultivating new forces for Beijing Opera. He said that this is not the fashion to catch up with stars, but to provide a learning opportunity for children who want to learn drama. Although all kinds of school affairs make him very hard, bitter and tired, he enjoys it.

Shi Min, the youngest graduate student, is full of confidence that Peking Opera will go global. She said that last June, 5438+065438+ 10, she went to Japan to perform his symphony "Gate" at the invitation of composer Tan Dun. In this work, which tells the tragedies of Yu Ji (China), Juliet (Italy) and Koharu (Japan) of different nationalities and different times, Shi Min dressed in Peking Opera costumes performed Yu Ji with singing and dancing, which was particularly popular with the audience.

Respondent: wo 199 10325- probationary period level 1 (15).

I thought the same thing as you at first, but the more I listened to it, the more interesting it became. I dare not say that I am a Beijing opera fan, but I like her very much. You can start with some popular songs with the flavor of Beijing opera, and you will definitely think that these songs are better than other ordinary songs. I recommend a song for you, which is the theme song of the TV series Hu Xueyan. Very delicious! I like Miss Yu Kuizhi best. I am a girl of 17 years old!

Respondent: grass 07 1 1- probationary period level 1 (34)

Invite friends downstairs. Beijing opera is not a local opera. Beijing Opera is a new kind of drama created when Huiban came to Beijing more than 200 years ago. The older generation of artists comprehensively refined many ancient sister arts such as Huizhou Opera, Pingju Opera, Shaanxi Opera, Henan Opera, Nanxi Opera and Kunqu Opera, and absorbed the essence of many other sister arts. Through the continuous innovation and improvement of the masters, it quickly spread throughout the country and became a household name "drama". Its popularity is unprecedented in the history of drama. .

References:

I forgot the name of the forum.

Responder: Genzahelu-Magical Apprentice Level 1 (20)

I am from Henan, too. I like Vietnamese sounds best. . One will be handed down. . .

Listen to Beijing opera occasionally. Say the quintessence of Chinese culture. I think there are too many quintessences of Chinese culture. Each local opera has its own characteristics. What is the quintessence of Chinese culture in the capital?

/kloc-friends on the 0/6 floor think that Beijing opera is not from Beijing, which is also reasonable. But you can't deny that he is still a local opera. Speaking of singing red, it's a big show. I'm afraid the redder the better. You don't seem to feel the popularity of Henan Opera. Not everyone likes the quintessence of Chinese culture, just like calligraphy and Chinese painting, the common people don't know whether it is good or bad-since the common people can't appreciate it, how can they sing it in the northwest and southwest? . absurd

References:

-16th floor

Respondents: Shen Jing 1 1- Magic Apprentice Level 1 (20)

Beijing opera is not very famous now, but it is still a national quintessence, so we should cherish it. Beijing opera is something that old people like and cherish, but now people don't think so. If you listen too much, you will get tired of it sooner or later.

Respondent: ☆cnngou★- probation period level 1 (10)

I don't like listening to Beijing opera ~

I really don't understand ~

Only my mother's generation likes listening.

Respondent: Question さ Juvenile-Magic Apprentice Level (5 1)

Nobody wants to hear it.

Interviewee: Many, many-children of the first level (66)

be unfamiliar with

Responder: Electric Fan Alexander-Magic Apprentice Level 1 (20)

I think Beijing Opera is a kind of music and entertainment! ! ! But it is also the quintessence of Chinese culture, because only China has Peking Opera, and other countries have no Peking Opera. Only Beijing's Peking Opera is the most authentic! ! !

Respondent: Xiao Ying-level 1 of probation (-5)

You're getting old.

Defendant: Chen Guiwei-Tong Sheng Class I (24)

I like wusheng's fighting, and I like singing in Clean Corner.

It's a pity that I'm an amateur, just looking at the wonderful.

Responder: The other shore pier-the first level of magic apprentice (29)

Old things will be eliminated if they are not updated! ! ! So no one likes listening now.

Respondent: yjxf 8285- Grade 1 of probation period (18)

There is no doubt that Peking Opera is the quintessence of China. The development of Peking Opera has absorbed many characteristics of China opera and local opera, which can be described as a collection of hundreds of schools. "One minute on the stage, ten years off the stage", every gesture, every aria and every look in Beijing opera is kung fu. Experience it slowly, appreciate it slowly, maybe you will like it.

However, the pace of life of modern people is so fast that they often have no time and energy to appreciate it. So there is no need to force it. Maybe when I retire, I will have enough time to study.

Respondent: Jin Cheng-Tong Sheng Level 1 (45)

Anyone who knows a little about Beijing opera knows it.

Beijing opera is not a local opera in Beijing.

So I think Beijing is the capital.

It is biased to say that Peking Opera is the quintessence of Chinese culture.

During the Qianlong period of the Qing Dynasty, four Hui classes went to Beijing to present local operas to the emperor.

Later, it was greatly appreciated.

It also combines the characteristics of many local operas.

For example, Han tune, Qin tune, Kunqu opera and so on.

Therefore, Beijing opera singing does not use Beijing dialect.

But with the ancient lake wide sound.

So in Hubei, many people read Peking Opera in a proper way.

Beijing opera has become a national quintessence for its own reasons.

This is not only due to historical and political reasons.

And because of her great charm.

Think about what kind of local opera can be popular in Beijing and then in Shanghai (Shanghai style)

Sing to the northwest and southwest

As for modern times, it is normal for many people not to understand.

Not everyone can enjoy the essence of China culture.

Just like calligraphy and Chinese painting, ordinary people can't get good grades in the exam.

According to my personal experience.

I didn't understand Peking Opera at first.

But beginners can start with model operas.

I believe no one can't understand Red Lantern, Shajiabang, right?

Then you can listen to some familiar old plays.

Such as Shiro Visiting Mother, Tan Mei Case and Mu Guiying's Order.

Step by step, and finally you can appreciate the elegance of the master.

It took me two years to appreciate Master Mei Lanfang.

The above is just a personal opinion.

You can try it if you are interested.

Thank you for admitting my point of view.

As a Beijing opera lover,

I sincerely hope that more and more people can enjoy Beijing opera.

Enjoy Beijing opera

In addition to promoting the quintessence of Chinese culture

In fact, it is also very conducive to self-cultivation.

Justice, ethics, friendship and humanity in Beijing Opera.

That's a brilliant number.

The charm of one by one

The whole body exudes chic and lofty integrity.

It can be said that it is the embodiment of China people's personality.

and

You may feel it.

This society is becoming more and more impetuous.

People are restless.

Not only in society.

Even academia is full of grandiosity.

Although the Beijing opera world is not immune.

But while enjoying Beijing opera,

We can also learn from our ancestors.

Some philosophy of life, lifestyle.

Especially listening to the drunken imperial concubine of Master Mei Lanfang.

You can really forget your troubles.

Just like drinking with Americans under the moon.

It's really amazing.

Responder: Xiao Biechao-Trainee Magician Level 2 (1 10)

I think Beijing opera is a national quintessence, not because it has something to do with Beijing, but because many people like it. Beijing opera can also be said to be a culture of the Chinese nation, because it contains many things. Many tracks of Peking Opera are allusions of our ancient times, and many stories show people's loyalty and reflect the essence of our nation's traditional spirit. It has a wide range of contents, I think;

And many Beijing operas are the highlights of this national quintessence. Careful choice of words, many operas are no less than poems, which are the bloody works of opera writers and the embodiment of their personality spirit. Just as Dr. Qu expressed his ambition with Li Sao and Chu Ci. Moreover, the plot structure is also very particular, which requires careful conception and reasonable arrangement by drama writers. We watched a lot of drama tracks, but "ten years of hard work is unusual"!

There are many ways to express a theme in modern movies. I think Beijing opera is round and perfect through the actors' performance, singing and playing. Playwrights are different from some movie actors and even more different from some pop stars. Every look and gesture of a dramatist needs long-term training, and singing skills cannot be achieved overnight. There is a saying that "slow work produces fine work", and "essence" should also come from this!

Moreover, Beijing opera is not a patent for the elderly, and many young people like it. The whole set of clothes is full of cadence and gestures, showing great charm. The red face in Beijing opera represents loyalty, the white face represents treachery and so on. And what identity clothes represent and what image gestures convey are all very particular. It also reflects the customs of the Chinese nation from one side. That is to say, ten people with the same personality will have ten styles, and ten people will have ten feelings when singing the same song. This seemingly rigid Peking Opera actually has great personal freedom of expression.

In short, anything that can be called "essence" will not be a flash in the pan. Will pass the test of time, there will be something to appreciate.

Hehe ~ ~

Interviewee: It's like a dream-the first level of probation (3 1)

Every man has his hobbyhorse. But I can't really love, so why insist.

Respondent: Lao Qian-Assistant II (152)

First of all, Peking Opera in old Beijing is not "authentic" at all, because the name Peking Opera was given by Shanghainese in the late Qing Dynasty. In Beijing, its original name is "Pihuang Opera", which is a combination of "Xipi Opera" and "Huanger Opera".

Xipi Opera originally belonged to the northwest Bangzi Opera, which is roughly equivalent to the present Shaanxi Opera (not exactly the same). After entering Xiangfan, Hubei Province, it changed slightly (not too much), which is called "Xiangyang tune". After entering Wuhan, it was absorbed by Han tune. (at that time, it was called "the confluence of skin and yellow") and was called "Xipidiao" because it was introduced into Wuhan from the west. Han Diao artists went to Beijing to join the random play team.

Huang Er tune originated from Huanggang and Huangpi in Hubei, and spread to Anhui in the east and Hankou in the west. Just as the dialogue of Yue Opera now must be based on Shengxian dialect, the Hui tune and Han tune in Qing Dynasty must be based on Huanggang dialect. Huiban's arrival in Beijing is recognized as a symbol of the origin of Peking Opera. This is the origin of the Huguang tune of Peking Opera (which was pointed out by the great scholar Mr. Wang Li). The landlord said that he couldn't understand it, mainly because.

As for whether it is a "national quintessence", Peking Opera is certainly a national quintessence.

However, there are other operas with a longer history than Beijing Opera, but the difference between them is that they have been inherited and developed in their birthplace. Therefore, with the gradual evolution of local dialects, the language used in the play is also "advancing with the times", so it is easy to understand. For example, the history of Henan Opera (Henan Bangzi) is longer than that of Huang Er Opera, and of course it is even longer than that of Beijing Opera. Although they can understand, they are sure. Second, the essence. Both Henan Opera and Shaanxi Opera conform to this point. In contrast, Han opera is not the essence, because it is very endangered now, and there is no master artist to inherit the artistic tradition.

As for Kunqu opera, it is the quintessence of China, not to mention.

Since the Peking Opera of the old Beijingers is not authentic, what about the Peking Opera of the old Beijingers?

A: It's not authentic either, because it's Yiyang dialect and a kind of drama introduced to Beijing from the south.

My answer was not downloaded from the internet, nor was it hearsay. But it is hard to say whether the landlord will accept it. I don't think I can understand it because there are too many professional problems. So, I don't think I can get the reward points.

However, I am considering submitting my paper. Once it is published, I can know that my views are of academic value.

Respondent: Yu Shaoping-second-class scholar (245)

Defendant: abcdabcd 666- Grade 1 of probation period (35)

Although Beijing Opera is the quintessence of China, it is just a little more appealing.

In fact, it is still a local opera in old Beijing.

It's just that there is more public support and it's famous.

In fact, of course, Beijing opera can be enjoyed by everyone.

Otherwise, no matter how good it is, it will not be popularized, just like learning the language and characters in China.

Unless your local language is too strong to understand Beijing dialect.

Of course, Peking Opera is also a good thing, which requires strict skills.

Defendant: Xu Xiaosa-Grade I on probation (24).

Learned a lot.

Respondent: wanglyhyw- magic apprentice level 1 (76)

Personally, most of the so-called "Beijing opera fans" simply regard what they don't understand as superstitious beliefs. Of course, Peking Opera, as an art form with both history and connotation, I shouldn't criticize it rashly, but maybe it's because I hate Beijing dialect. Anyway, I don't like Beijing opera at all.

Interviewee: jiaxu 2k- magic apprentice level 1 (45)

I didn't like going to the opera when I was in China.

Now that I'm abroad, I begin to regret that I didn't study these quintessence well before.

For example, in calligraphy, my handwriting is ugly. Teachers often ask me to write Chinese on the blackboard. I'm really ashamed.

I'm going to practice calligraphy, but I can't buy ink and inkstone here, so I have to go back to China for the summer vacation.

Now I listen to Beijing opera occasionally, hehe, it really has a different feeling.

I studied some Quyi at school before, but I forgot all about it later. I posted a post asking about the opera that day, but no one gave me a reply because there was no reward. Hey.

Respondent: meet black eyes- Trainee Magician Level 2 (452)

Praise, although I don't understand it, I always have an inexplicable awe of the opera, and I think it contains a lot of things.

For example, the most creepy scene in a horror film is that in an empty place, there is the sad song of the actor. Why doesn't the director use pop music, folk music and so on? This is because history has chilling power.